Opus Guanshan Nota Marcae a designatore Hong Jia Min est victor maxime honoratus praemii praestigiosissimi 2025 Praemium A' Design Award Ferreum in Categoria Certaminis Graphica.

FerrumGraphica· 2025

Guanshan Nota Marcae

a Hong Jia Min

Cliens: Jijia Brand Creative Studio

Victor praemii Praemium A' Design Award Ferreum in Categoria Graphica

2,022

Victor Praemii Verificatus

Verifica Statum Praemii pro #172951

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Guanshan Nota Marcae

Guanshan est nota marcae ad tabernam theae lactei creata. Consilium litteris Sinensibus fundamentum sumit et structuram scripturae clericalis traditionalis renovat, spiritu classico servato. In pulchritudine rerum Orientalium radicata, haec nota imagines flabellorum atramento pictorum et vasorum theae coniungit. Signum centrale flabellum et poculum theae in compositione sese superponente ostendit, significationem duplicem creans. Ductus pinicilli atramenti hastile bambusinum flabelli rotundi traditionalis suggerunt, et umbra poculi ex scutellis theae Jianzhan ducitur.

Agnitio

De Praemium A' Design Award Ferreum

Guanshan Nota Marcae victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur Guanshan Nota Marcae creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. Guanshan Nota Marcae ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Dimensiones et Involucrum: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Notulae: Oriental, Creativity, Tea , Ink Painting, Chinese
Technologia Productionis: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Provocatio Designandi: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Investigatio: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Inspiratio: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Duratio Operis: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Cursus Operationis: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patentes: Copyrights belong to Hong Jia Min, 2024.
Membra Turmae: Hong Jia Min
Agnitiones Imaginum: Hong Jia Min