Floral Album Collectio Vestiaria ab Xinyu Zheng

Opus Floral Album Collectio Vestiaria a designatore Xinyu Zheng est victor maxime honoratus praemii praestigiosissimi 2026 Praemium A' Design Award Ferreum in Categoria Certaminis Ars Vestiaria.

FerrumVestis· 2026

Floral Album Collectio Vestiaria

a Xinyu Zheng

Cliens: Tulip 'n room

Victor praemii Praemium A' Design Award Ferreum in Categoria Vestis

10,480

Victor Praemii Verificatus

Verifica Statum Praemii pro #177958

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Floral Album Collectio Vestiaria

Album Florale est collectio vestiaria a photographiis familiaribus annorum MCMLXXX inspirata. Collectio ex textilibus residuis confecta est, pluribus artificiis manualibus coniunctis. Acupictura manualis, opus uncinatum, ornamenta margaritis, textura acubus facta et punctum crucis in holoserico et in textilibus pellucidis stratificatis adhibentur. Fimbriae unco confectae et partes acubus textae elementa squamularum micantium continent, quae lucem captant dum gestans movetur. Unumquodque vestimentum singillatim construitur, ita ut nulla pars iteretur. Omnia vestimenta mensurae liberae sunt. Collectio opus manuale accuratum cum usu renovato materiarum neglectarum coniungit.

Agnitio

De Praemium A' Design Award Ferreum

Floral Album Collectio Vestiaria victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur Floral Album Collectio Vestiaria creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. Floral Album Collectio Vestiaria ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Dimensiones et Involucrum: All the pieces are free size.
Notulae: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Technologia Productionis: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Provocatio Designandi: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Investigatio: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Inspiratio: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Duratio Operis: This project was initiated in April 2023 and completed in September 2024 in New York.
Cursus Operationis: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patentes: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Membra Turmae: /
Agnitiones Imaginum: Stefy Lin, 2024.