Opus Longmen Realm Designum Expositionis a designatore Ecust Creplus Design est victor maxime honoratus praemii praestigiosissimi 2026 Praemium A' Design Award Aeneum in Categoria Certaminis Designatio Interior.
AesInterior· 2026
Longmen Realm Designum Expositionis
Cliens: Lingshan Museum
Victor praemii Praemium A' Design Award Aeneum in Categoria Interior
Victor Praemii Verificatus
Verifica Statum Praemii pro #183008Designum
De Longmen Realm Designum Expositionis
Expositio "Longmen Realm" LXXVI artificia e Speluncis Longmen exhibet, inter quae sculpturae Buddhisticae, anaglypha lapidea, et exempla calligraphica detrita numerantur. Designum spatium musei per ordinationem spatialem, elementa installationis, et illuminationem denuo componit, ut spectatio et interpretatio clara sustineantur. Vexilla suspensa, pavimentum reflectens, et lumina integrata ambitum visualem structum efficiunt. Elementa interactiva visitatores ad participationem et photographiam hortantur, aditum publicum ad patrimonium culturale meliorem reddentia.
Agnitio
De Praemium A' Design Award Aeneum
Longmen Realm Designum Expositionis victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur Longmen Realm Designum Expositionis rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. Longmen Realm Designum Expositionis necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.
Post Designum
Fasciculus Nuntii
Merita, sodales gregis et singula technica a designatore praebita.
- Proprietates Singulares
- The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
- Dimensiones et Involucrum
- Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
- Notulae
- Longmen Grottoes, Exhibition Design, Installation, Museum Space
- Technologia Productionis
- The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
- Provocatio Designandi
- The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
- Investigatio
- The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
- Inspiratio
- The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
- Duratio Operis
- The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
- Cursus Operationis
- Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
- Membra Turmae
- Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director：Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI - Agnitiones Imaginum
- Photo Credits: ECUST Creplus Design，Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group
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