The Bird from Paradise Sculptura Lignea ab Mohamadali Vadood

Opus The Bird from Paradise Sculptura Lignea a designatore Mohamadali Vadood est victor maxime honoratus praemii praestigiosissimi 2019 Praemium A' Design Award Aeneum in Categoria Certaminis Patrimonium Culturale.

AesPatrimonium Culturale· 2019

The Bird from Paradise Sculptura Lignea

a Mohamadali Vadood

Victor praemii Praemium A' Design Award Aeneum in Categoria Patrimonium Culturale

28,678

Victor Praemii Verificatus

Verifica Statum Praemii pro #62217

Visita Situm Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De The Bird from Paradise Sculptura Lignea

In Paradiso est avem ex admonitione lapidis angularis de consilio suo servare conatus est quem mavis prestentur et forma geometrica est quaestionum limitation pro practicing alteram rationem thiis operibus una dissimilis. Ad hoc fit, simul VII posuit me quasi traditional Iran Muqarnas artes, Marquetry (Moaraq), Munabat, inter cetera, quae propria Muqarnas pondus tributum est per modum inveniendi novum appellatur 'subditis infesta Muqarnas ". Aequioribus iugis circumvecta nobilissimos Muqarnas sit in perpetuum, quia ex sua specifica ad usum religionis monumenta architecturae consilium et auxilium sperare hunc modum vivifica illud.

Agnitio

De Praemium A' Design Award Aeneum

The Bird from Paradise Sculptura Lignea victor est Praemii A' Design Award Aeneum, honoris multum aestimati formis egregiis, creandi ingenio, sollertia et acumine insignibus dati. Victores Aenei opera perita et mire creandi sunt, quae experientiam, imaginationem et solertiam auctorum suorum confirmant. Exspectatur The Bird from Paradise Sculptura Lignea rem multum aestimatam, admiratam et carissimam, notabiliter professionalem et novam fore. Haec forma Aeneo victa optimas consuetudines artis, scientiae, formandi rationis et technologiae amplectitur et in cura minutiarum excellit. The Bird from Paradise Sculptura Lignea necessitates egregie explet, cupiditates tangit, sensus capit et curiositatem allicit.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Among the all the arts, a specific attention is paid to Muqarnas. This amazingly beautiful art was mostly used for the architectural designs and is being created by putting together repetitive and arranged pieces to create geometric designs. Due to difficulty in application and limitation in design, which caused repetitive forms, Muqarnas is being extinct.
To create a new application for Muqarnas, an innovative method was required to exploit Muqarnas out of the symmetry and repetition of geometric limitation. For this purpose I invented a innovative method that I call “Leveling Muqarnas”. Unlike the traditional method, which was creating a Muqarnas by putting small pieces side by side or just as a one big piece, I put them in different layer and based on the form and design divide them into thick or thin layers and then carved the Muqarnas designs into them.
The lower body of “The Bird from Heaven” is made by the leveling Muqarnas and the crown is designed by the traditional method, to make the comparison simpler and show the capabilities of this beautiful art.
During the work, tried to ensure real colors of woods are being used instead of coloring them. For example the light and darker color of the neck is for one piece of Jujube wood and all the colors on the heard are the real colors of the woods.
The eyes are the shell from the Persian Gulf and they have been cut in a way that pupils are actually the sediments inside the shell and its only one piece.
Dimensiones et Involucrum: 90*40*40
30*30*120
Notulae: Art,Traditional art,sculpture,design, Artistic woodwn work,wooden art,woodwn work,Muqarnas,Wood craving,
Technologia Productionis: Muqarnas, wood carving, traditional Iranian wood carving-grating, Iranian marquetry, wood turning, sculpting, and Iranian marquetry-carving are the arts which came together for performing this work so that the basic idea could be better visualised as a design.
Materials: Various woods, including Jujube, Millettia laurentii, Buxus, Rosewood, Haloxylon and Robinia plus the natural seashells from Persian Gulf.
Investigatio: All the steps have been taken with the benefit of the members' artistic knowledge and experience.
Inspiratio: God resurrected 3 chopped and mixed birds, which were located on the summit of 3 different mountains, so Abraham can witness the resurrection.
The story of Abraham inspired me to believe, art as a divine phenomenon can recreate by putting together pieces of dead wood via different arts.
To make this happen, I put together 7 different arts like sculpturing, Muqarnas, Marquetry (Moaraq), Munabat, etc. along with wood from Jujube, Haloxylon, boxwood, Robinia, rosewood, etc.
Duratio Operis: The project started
Cursus Operationis: This design is basically a still sculpture and can not be transformed into anything else.
First, the idea for designing this piece is based on the best bird figure that can face the constraints of performing while doing all muqarnas, sculptures, decorations and other works on it. So, this work is more or less based on the capabilities of the fields of art which were used to perform it and could all together come next to each other. In order to separate different fields in the performance, the components are carrying various natural colours of different woods as if they reflect a rainbow of colours which have been assembled as the parts of the bird's body.
Membra Turmae: Mr Mohamadali Vadood
Ms Shadi Habib