Relax Stand Statio Telephoni Mobilis by Kenji Fujii

Relax Stand Statio Telephoni Mobilis by Kenji Fujii is a highly esteemed winner of the very prestigious 2020 Praemium A' Design Award Ferreum in Impressio Tridimensionalis Competition Category.

FerrumImpressio Tridimensionalis· 2020

Relax Stand Statio Telephoni Mobilis

by Kenji Fujii

Client: Taki Products

Praemium A' Design Award Ferreum Winner in Impressio Tridimensionalis Category

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Verified Award Winner

Verify Award Status for #91818

Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Relax Stand Statio Telephoni Mobilis

Statio Relaxandi statio est pro telephono mobili destinata ad usum nocturnum, ante somnum. Duae formae factae sunt, focus ignis et ursus polaris. Telephonum mobile in statione ponitur et video proprium exhibetur. Forma foci ignis flammas ostendit, dum forma ursi polaris sono undarum coniungitur. Statio et scrinium unam scaenam tranquillam efficiunt, quae usoribus adiuvat ad relaxandum et telephonum seponendum. Quaeque statio ex acrylico pellucido facta est et per impressionem tribus dimensionibus producta. Consilium etiam intendit usus cotidianos impressionis tribus dimensionibus ostendere.

The Recognition

About the Praemium A' Design Award Ferreum

Relax Stand Statio Telephoni Mobilis victor est Praemii A' Design Award Ferreum, honoris amplissimi formis bonis dati, quae postulatis professionalibus et industrialibus ab creationibus bene formatis exspectatis satisfaciunt. Victores Ferrei magnam peritiam, altam specializationem, intellectum periti et facultatem creandi auctorum suorum ostendunt. Exspectatur Relax Stand Statio Telephoni Mobilis creationem multum aestimatam, admiratam et carissimam, practicam et novam fore. Haec forma Ferreo victa optimas industriae consuetudines integrat et proprietates technicas idoneas, cum scientia et talento coniunctas, habet. Relax Stand Statio Telephoni Mobilis ob diligentiam suam honoratur et ad vitae qualitatem emendandam formatum est, ut mundum meliorem reddere iuvet.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is an unprecedented smartphone stand.
Recommended for people with smartphone addiction.
Addictive people don't let go of their smartphones for 24 hours.
It will eliminate it a little.

Integrate your smartphone and stand.
The situation is very humorous.
Usage is simple.
1: Place the smartphone on the stand.
2: Play a dedicated video on your smartphone.
3: Relax and enjoy your smartphone and stand.
I want to watch it forever.
Please sleep as it is.
Dimensions & Packaging: fireplace:160mm(w)x80mm(H)x80mm(D)/230g
Polar bear:180mm(w)x20mm(H)x150mm(D)/155g
Tags: stand,relax,smartphone,firespace
Production Technology: Application used: Fusion 360 Output service: japan dmm.make web service Material: Transparent acrylic
Design Challenge: Difficult problem: How to set up a smartphone. The situation that you want to watch for a long time.
Solution: Reproduced the scene you want to watch. I used dolls and animal motifs for that.
Research: The Japanese 3D printing market is limited. 1. Aircraft parts 2. Medical 3. Auto parts 4. Mold Challenge: Lack of daily life items used by ordinary people. To revitalize the Japanese 3D printing market.
Inspiration: In Japan, the number of smartphone dependents is increasing.
There are many children in particular.
They can't let go of their smartphone.
Keep watching your smartphone screen until you go to bed.
It is more likely to cause sleep disorders.

I thought of an idea that I wanted to let go of my smartphone.
Project Duration: This project started in Tokyo in 2018, Exhibited at DESIGN TOKYO in the spring of 2019.
Operation Flow: Use scene: Night. Before sleeping. Useful in bed.
[Fireplace]: People relax when they see the flame.
[Shirokuma]: The sound of waves will relax.
Image Credits: Image #1: Photographer Arashi,2018.
Image #2: Photographer Arashi,2018.
Image #3: Photographer Arashi,2018.
Image #4: Photographer Arashi,2018.
Image #5: Photographer Arashi,2018.