Wonderland Interior Centri Expositionis ab Chengzhe Zhang

Opus Wonderland Interior Centri Expositionis a designatore Chengzhe Zhang est victor maxime honoratus praemii praestigiosissimi 2020 Praemium A' Design Award Argenteum in Categoria Certaminis Designatio Interior.

ArgentumInterior· 2020

Wonderland Interior Centri Expositionis

a Chengzhe Zhang

Cliens: Shanghai Hongshida Real Estate Development Co., LTD

Victor praemii Praemium A' Design Award Argenteum in Categoria Interior

24,169

Victor Praemii Verificatus

Verifica Statum Praemii pro #92667

Vide apud A' Design Award Communicatum Insigne Praemii

Colores

Designum

De Wonderland Interior Centri Expositionis

Wonderland est interius centri expositionis in urbe Shanghai in Sinis situm. Ratio designationis a Taoyuan Wonderland, pictura topographica a Qiu Ying pictore dynastiae Ming facta, inspiratur, et colores viridem, roseum et album spatio quieto adhibet. Paries lapideus caesius primum aspectum occultat, et atrium principale decem metrorum altitudinis per viam patefit. Transitus centralis ad aream conventus, aream expositionis et cubiculum thei ducit. Plutelibrorum pavimento innixi et scrinia geometrica cava areas dividunt. Instrumentum vitreum suspensum plus quam quinque milium petalorum persici manu institutum est.

Agnitio

De Praemium A' Design Award Argenteum

Wonderland Interior Centri Expositionis victor est Praemii A' Design Award Argenteum, honoris eximie amplissimi formis summi generis, pulchris et conspicuis dati. Victores Argenti opera valde splendida et creandi ingenio praedita sunt, quae praestantem peritiam, talentum et acumen auctorum suorum ostendunt. Exspectatur Wonderland Interior Centri Expositionis opus mirabile, exemplare, valde professionale et penitus novum fore. Haec forma Argento victa inventum notabile et admiratum est, quod ad fines artis, scientiae, formandi rationis et technologiae promovendos confert. Wonderland Interior Centri Expositionis creatio est, quam multi invident, quae cupiditates excitat, sensus bonos affert et admirationem miraculumque movet.

Post Designum

Fasciculus Nuntii

Merita, sodales gregis et singula technica a designatore praebita.

Proprietates Singulares: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensiones et Involucrum: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Notulae: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Technologia Productionis: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Provocatio Designandi: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Investigatio: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspiratio: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Duratio Operis: The Project started in January 2018 in Shanghai China
Cursus Operationis: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Membra Turmae: Mingxin Lu
Yunhui Tang
Agnitiones Imaginum: Main Image: Photographer Hai Zhu, 2018