Past at Last Nohalteg Moud vum Tihana Miksa

D'Wierk Past at Last Nohalteg Moud vum Designer Tihana Miksa ass en héich geschätzten Gewënner vum prestigiéisen 2021 A' Design Award an Sëlwer an der Wettbewerbskategorie Moud, Kleedung a Garnement Design.

SëlwerMoud· 2021

Past at Last Nohalteg Moud

vum Tihana Miksa

Client: Tihana Mikša

A' Design Award an Sëlwer Gewënner an der Kategorie Moud

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Verifizéierte Präisgewënner

Präisstatus fir #113802 verifizéieren

Säit besichen Kuckt beim A' Design Award Pressemëtteelung Award Badge

Faarwen

Den Design

Iwwer Past at Last Nohalteg Moud

Den Akzent an de Kleedungskompositiounen läit op räiche, spilleresche Texturen an enger ongléchmäesseger Faarfgebung. Als Konsequenz sinn d'Kleedungsstécker selwer symmetresch, einfach a geschlossen Forme ouni ufuerdernd Interventiounen an der Struktur. Dës Objeten ënnersichen de visuellen Aspekt, d'Taktilitéit, d'Materialitéit, d'lieweg Bewegung an d'Architektonik vun Textilien. D'Faarwe si schwaach an der Intensitéit an achromatesch, ausser Routounen déi an dësem blosen Spektrum pulsieren.

D'Unerkennung

Iwwer den A' Design Award an Sëlwer

Past at Last Nohalteg Moud ass e Gewënner vum A' Design Award an Sëlwer, enger aussergewéinlech prestigiéiser Unerkennung, déi un Designe vun der héchster Qualitéit, prächteg a beandrockend vergi gëtt. Sëlwer-Gewënner si bemierkenswäert brillant a ganz kreativ Wierker, déi d'erausragend Expertise, d'Talent an d'Schaarfsënnegkeet vun hire Designer weisen. Et gëtt erwaart, datt Past at Last Nohalteg Moud e wonnerbart, mustergëlteg, bemierkenswäert professionellt an déif innovatiivt Wierk ass. Dëst mam Sëlwer ausgezeechent Design ass eng bemierkenswäert, bewonnert Erfindung, déi dozou bäidréit, d'Grenze vun der Konscht, der Wëssenschaft, vum Design an der Technologie ze erweideren. Past at Last Nohalteg Moud ass eng Kreatioun, op déi vill neidesch sinn, déi Wënsch erweckt, positiv Gefiller bréngt an Erstaunen a Wonner erweckt.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Tags: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Produktiounstechnologie: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Design Erausfuerderung: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inspiratioun: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Projetdauer: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Bildnoweis: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.