Tea Culture Primärfunktioun: Teekultur-Erliefnishal vum Shenzhen Horizon Space Design Co.,Ltd

D'Wierk Tea Culture Primärfunktioun: Teekultur-Erliefnishal vum Designer Shenzhen Horizon Space Design Co.,Ltd ass en héich geschätzten Gewënner vum prestigiéisen 2021 A' Design Award an Sëlwer an der Wettbewerbskategorie Inneraum an Ausstellungsdesign.

SëlwerInterieur· 2021

Tea Culture Primärfunktioun: Teekultur-Erliefnishal

vum Shenzhen Horizon Space Design Co.,Ltd

Client: Shenzhen Horizon Space Design Co.,Ltd

A' Design Award an Sëlwer Gewënner an der Kategorie Interieur

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Kuckt beim A' Design Award Pressemëtteelung Award Badge

Faarwen

Den Design

Iwwer Tea Culture Primärfunktioun: Teekultur-Erliefnishal

Teekultur ass eng kleng Teekultur-Erliefnishal, déi als roueg Ëmgéigend fir d'Verkäschte vun Téi entworf ass. Verschidde horizontal a vertikal Raim si zu enger duerchgängeger Fläch verbonnen, wou d'Besucher fräi goe kënnen, sech begéinen oder ustoppen an zréckkucken. D'Uerdnung war vu gefaltem Pabeier inspiréiert, an déi doraus resultéierend Verréckelunge vun der Perspektiv ginn dem Interieur souwuel klassesch Rou wéi modern Liewegkeet. Schmuel Gitter ersetzen d'Uewerflächetextur vu Pabeier. All Raum ass op eng einfach Funktioun reduzéiert, sou datt d'Besucher sech entspaanen kënnen, ier den Téi servéiert gëtt.

D'Unerkennung

Iwwer den A' Design Award an Sëlwer

Tea Culture Primärfunktioun: Teekultur-Erliefnishal ass e Gewënner vum A' Design Award an Sëlwer, enger aussergewéinlech prestigiéiser Unerkennung, déi un Designe vun der héchster Qualitéit, prächteg a beandrockend vergi gëtt. Sëlwer-Gewënner si bemierkenswäert brillant a ganz kreativ Wierker, déi d'erausragend Expertise, d'Talent an d'Schaarfsënnegkeet vun hire Designer weisen. Et gëtt erwaart, datt Tea Culture Primärfunktioun: Teekultur-Erliefnishal e wonnerbart, mustergëlteg, bemierkenswäert professionellt an déif innovatiivt Wierk ass. Dëst mam Sëlwer ausgezeechent Design ass eng bemierkenswäert, bewonnert Erfindung, déi dozou bäidréit, d'Grenze vun der Konscht, der Wëssenschaft, vum Design an der Technologie ze erweideren. Tea Culture Primärfunktioun: Teekultur-Erliefnishal ass eng Kreatioun, op déi vill neidesch sinn, déi Wënsch erweckt, positiv Gefiller bréngt an Erstaunen a Wonner erweckt.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Dimensiounen & Verpackung: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Tags: Tea Culture Exploration Hall
Produktiounstechnologie: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Inspiratioun: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Teammemberen: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu