Reborn Hëlzent Vase vum Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

D'Wierk Reborn Hëlzent Vase vum Designer Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching ass en héich geschätzten Gewënner vum prestigiéisen 2023 A' Design Award an Eisen an der Wettbewerbskategorie Schéi Kënschten a Konschtinstallatioun Design.

EisenSchéi Konscht· 2023

Reborn Hëlzent Vase

vum Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Client: Tainan University of Technology/Product Design Deparment

A' Design Award an Eisen Gewënner an der Kategorie Schéi Konscht

15,582

Verifizéierte Präisgewënner

Präisstatus fir #150604 verifizéieren

Kuckt beim A' Design Award Pressemëtteelung Award Badge

Faarwen

Den Design

Iwwer Reborn Hëlzent Vase

Erstellt Wäert fir de verworf an Iwwerreschter vum Holz aus der Miwwelindustrie andeems Dir Metallinlayingstechniken op enger organesch Kugelholzfläch benotzt. Inspiréiert vu Liewensform vu wuessende Somen, ass Messingdraht op den Holzkorn agebonnen, a verlängert sech wéi d'Form vun de Wuerzelen ugebaut fir d'Holz Vase z'ënnerstëtzen. D'Muster huet funktionell Uwendungen wéi Holzreschter an e Container fir Planzung gemaach ginn, ähnlech wéi e Sprossen, wat den Zyklus vum Liewen symboliséiert. Déi fléissend Metallwurzelform gëtt e Gefill vu Vitalitéit, ähnlech wéi e bewegt Organismus.

D'Unerkennung

Iwwer den A' Design Award an Eisen

Reborn Hëlzent Vase ass e Gewënner vum A' Design Award an Eisen, enger prestigiéiser Unerkennung, déi un gutt Designe vergi gëtt, déi déi professionell an industriell Ufuerderunge erfëllen, déi vu gutt gestaltene Kreatioune erwaart ginn. Eisen-Gewënner weisen déi grouss Fäegkeet, déi héich Spezialiséierung, dat Expertewëssen an d'kreativ Kapazitéit vun hire Schëpfer. Et gëtt erwaart, datt Reborn Hëlzent Vase eng héich geschätzt, bewonnert a beléifte Kreatioun ass, déi praktesch an innovativ ass. Dëst mam Eisen ausgezeechent Design integréiert déi beschte Praktike vun der Industrie a huet kompetent technesch Eegeschaften, déi mat Know-how an Talent verbonne sinn. Reborn Hëlzent Vase gëtt fir seng Grëndlechkeet respektéiert a ass gestalt, d'Liewensqualitéit ze verbesseren an ze hëllefen, d'Welt zu enger besserer Plaz ze maachen.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Dimensiounen & Verpackung: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Tags: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Produktiounstechnologie: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Design Erausfuerderung: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Fuerschung: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Inspiratioun: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Projetdauer: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Operatiounsablaf: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Teammemberen: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Bildnoweis: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng