New Year Illustratioun by Jui-Ping Lee is a highly esteemed winner of the very prestigious 2024 A' Design Award an Eisen in Digital Konscht Competition Category.

EisenDigital Konscht· 2024

New Year Illustratioun

by Jui-Ping Lee

A' Design Award an Eisen Winner in Digital Konscht Category

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Verified Award Winner

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Colors

The Design

About New Year Illustratioun

An engem rouegen Haff, tëscht dem sanfte Fléien vum Wanterschnéi an de lieweg Faarwen vun Hierschtblieder, sëtzt eng graziéis Figur geschméckt mat engem exquisite Kimono. D'Szen evozéiert d'Essenz vu Wabisabi a verkierpert d'Schéinheet vun der Eenzegkeet an der Rou. Fein Mustere schmécken de Stoff, haaptsächlech Pinien, déi Feierlechkeet symboliséieren; an de rhythmesch Seigaiha, deen d'Rou vum Mier duerstellt. Beim Eranzoomen ginn méi komplizéiert Detailer sichtbar: eng Stengplack mat dem Kënschtlernumm läit lénks; an um Kimono fanne sech Musmustere, déi dat neit Joer 2020, d'Joer vun de Mais, duerstellen.

The Recognition

About the A' Design Award an Eisen

New Year Illustratioun ass e Gewënner vum A' Design Award an Eisen, enger prestigiéiser Unerkennung, déi un gutt Designe vergi gëtt, déi déi professionell an industriell Ufuerderunge erfëllen, déi vu gutt gestaltene Kreatioune erwaart ginn. Eisen-Gewënner weisen déi grouss Fäegkeet, déi héich Spezialiséierung, dat Expertewëssen an d'kreativ Kapazitéit vun hire Schëpfer. Et gëtt erwaart, datt New Year Illustratioun eng héich geschätzt, bewonnert a beléifte Kreatioun ass, déi praktesch an innovativ ass. Dëst mam Eisen ausgezeechent Design integréiert déi beschte Praktike vun der Industrie a huet kompetent technesch Eegeschaften, déi mat Know-how an Talent verbonne sinn. New Year Illustratioun gëtt fir seng Grëndlechkeet respektéiert a ass gestalt, d'Liewensqualitéit ze verbesseren an ze hëllefen, d'Welt zu enger besserer Plaz ze maachen.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Dimensions & Packaging: Original dimensions at 5600*3150 px, with 935 canvas layers
Tags: Illustration, Kimono, Furisode, Kouyou, Karesansui
Production Technology: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Design Challenge: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Research: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Inspiration: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Project Duration: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Operation Flow: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.