Arrival Installatiounskonscht, Liichtinstallatioun vum Daisuke Nagatomo and Minnie Jan

D'Wierk Arrival Installatiounskonscht, Liichtinstallatioun vum Designer Daisuke Nagatomo and Minnie Jan ass en héich geschätzten Gewënner vum prestigiéisen 2026 A' Design Award an Bronze an der Wettbewerbskategorie Beliichtungsprojeten a Liichtkonscht Design.

BronzeBeliichtungsprojeten· 2026

Arrival Installatiounskonscht, Liichtinstallatioun

vum Daisuke Nagatomo and Minnie Jan

Client: MisoSoupDesign

A' Design Award an Bronze Gewënner an der Kategorie Beliichtungsprojeten

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Verifizéierte Präisgewënner

Präisstatus fir #180159 verifizéieren

Säit besichen Kuckt beim A' Design Award Pressemëtteelung Award Badge

Faarwen

Den Design

Iwwer Arrival Installatiounskonscht, Liichtinstallatioun

Arrival ass eng temporär Liichtinstallatioun, déi aus zwee vertikal gestapelte recycléierte Schëffscontaineren opgebaut ass. D'Containere bilden en enke begéibare Passage mat gebéite Stolflächen, inspiréiert vum Bug vun engem Schëff, dat an en Hafen erafiert. Spigelen op béide Säite reflektéieren d'Stad, d'Mier an d'Visiteuren an verwëschen sou d'Grenz tëscht dem reelle Raum an der Reflexioun. Eng integréiert LED-Beliichtung an en Niwwelsystem aktivéieren de Passage an den Owesstonnen. Arrival weist, wéi ausgedéngt industriell Materialien zu engem immersiven ëffentleche Konschtwierk kënne ginn.

D'Unerkennung

Iwwer den A' Design Award an Bronze

Arrival Installatiounskonscht, Liichtinstallatioun ass e Gewënner vum A' Design Award an Bronze, enger héich prestigiéiser Unerkennung, déi un erausragend Designe vergi gëtt, déi sech duerch Kreativitéit, Erfindungsgab a Schlauheet ausgezeechnen. Bronze-Gewënner si voll Fäegkeet a opfälleg kreativ Wierker, déi déi grouss Erfahrung, d'Fantasie an d'Ressourceréichtum vun hire Designer bestätegen. Et gëtt erwaart, datt Arrival Installatiounskonscht, Liichtinstallatioun e héich geschätzt, bewonnert a beléifte Géigestand ass, bemierkenswäert professionell an innovativ. Dëst mam Bronze ausgezeechent Design integréiert déi beschte Praktike vun der Konscht, der Wëssenschaft, vum Design an der Technologie an zeechent sech duerch Opmierksamkeet fir Detailer aus. Arrival Installatiounskonscht, Liichtinstallatioun erfëllt Bedierfnesser exzellent, beréiert Wënsch, bezauberet Gefiller an erweckt Neigierecht.

Hannert dem Design

Press Kit

Credits, Teammemberen an technesch Detailer vum Designer zur Verfügung gestallt.

Eenzegaarteg Eegeschaften: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Dimensiounen & Verpackung: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Tags: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Produktiounstechnologie: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Design Erausfuerderung: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Fuerschung: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Inspiratioun: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Projetdauer: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Operatiounsablaf: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Teammemberen: Jenny Yeh, Sugar Hu
Bildnoweis: Kaohsiung Art Museum