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Ghazaleh Abbasian

AustralienMiwwelen

Interviewe mat Ghazaleh Abbasian

Liest d'Interviewe mat Ghazaleh Abbasian: entdeckt hir Philosophie, hire kreative Prozess an hir ausgezeechent Aarbecht.

Designer-Profil

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Designer vum Dag Interview

18 Froen

Sure, I hold a Ph.D. in architecture, and I have been learning and working in architecture for several years.

Could you please tell us about your experience as a designer, artist, architect or creator?

Sure, I hold a Ph.D. in architecture, and I have been learning and working in architecture for several years.

How did you become a designer?

When I chose mathematics as my subject in high school, I was certain that I should continue my studies in architecture or civil engineering. Both of these topics appealed to me, and during these years I focused both on designing and implementing.

What are your priorities, technique and style when designing?

I begin by thinking about the existing problems I encounter and the methods I should use to resolve them. My next step is to seek out new and innovative approaches to routine problems. Upon receiving some clues, I provide some sketches, using a computer to model the basic form and attempting to promote it to the desired result. For renderings, I always prefer to use a computer.

Which emotions do you feel when designing?

Whenever I design, I visualize the final result and keep it in my mind as I progress toward my destination. Since you know you will be delighted with the result based on previous experience, you enjoy the entire process to reach the final destination.

What particular aspects of your background shaped you as a designer?

In addition to my work, I have been involved in other activities such as sports, music, and calligraphy during all these years. I learned from these activities that success cannot be attained at a glance. It requires years of patience and hard work in order to reach a reasonable level. My design journey has been like a real journey; I know where I want to go, but I must pass through the unknown route with all its ups and downs in order to reach my goal.

What is your growth path? What are your future plans? What is your dream design project?

When you are involved in the design process, you will grow since the process of creation involves finding solutions to many issues at once. Despite not knowing the type of project I will work on in the future, the only thing I am committed to is that my design must meet the customer's expectations.

What are your advices to designers who are at the beginning of their career?

Success does not occur overnight. So, be patient and do not give up after receiving the first “no” and be persistent in learning.

You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?

If you have an idea in your mind, please do not hesitate to express it. Make sure that for every idea in which you are inspired, there are many people who are eager to hear what you have to say.

What is your day to day look like?

A daily routine for me includes spending time in the morning being grateful for the opportunity to start a new day, working with computers, learning, exercising, and sometimes being in nature.

How do you keep up with latest design trends? To what extent do design trends matter?

Generally, I strive to be flexible in the face of new trends. However, I prefer to maintain my own style and make the most of the positives in other projects.

How do you know if a product or project is well designed? How do you define good design?

A well-designed product or project will meet the needs of the majority of its potential users in addition to other design elements, such as aesthetics, user friendliness, tranquility, etc.

It will not be possible to achieve this immediately unless the users are assessed over a period of time.

How do you decide if your design is ready?

This is the moment when the importance of teamwork becomes apparent. In working individually, there is always the possibility of generating new ideas, as well as a strong desire to promote the current design. By benefiting from the collective mind of a team of individuals with differing perspectives, we can be more certain that the final outcome will be completed as expected. The designing procedure should, however, be free of bias.

What is your biggest design work?

The most important projects I experienced is designing an emergency shelter in the wake of a disaster which led to the granting of a patent certificate. My primary concern was finding some solutions for homeless individuals following natural disasters. It was vital that the entire process of adjustment be completed as quickly as possible by the least amount of people. Having a modular deployable structure is a key element to accomplishing this goal.

Who is your favourite designer?

Although there are a number of professional and well-known designers around the globe, I have always been impressed by Santiago Calatrava.

Would you tell us a bit about your lifestyle and culture?

No matter where you live, life is full of beauty. For designers who have a keen sense of detail, each place on earth has its own inspiration. There is no doubt that music plays an important role in my designs. In my opinion, a good design has the first impact on society when people experience a positive feeling while spending time at that location. My own mentality has been affected by this factor, which has led me to become more concerned about the places I live. It is now important to me that materials and colors are used correctly in order to achieve a sense of tranquility.

Would you tell us more about your work culture and business philosophy?

Currently, I develop my designs by myself, but I am optimistic about the outcome of teamwork. I do not believe in putting ranks and each member plays a significant role in the development of the company. As a result, each member of a team is expected to be flexible and respectful of other viewpoints in order to reach a single solution while taking into account all viewpoints. In my opinion, one of the most important characteristics of a good designer is that he or she is responsible and sympathetic towards the project.

What are your philanthropic contributions to society as a designer, artist and architect?

It is my intention to be competent enough with my designs to create spaces and products that meet the demands of the users and provide them with satisfaction.

What positive experiences you had when you attend the A' Design Award?

It was my first time attending the A'Design Award. Although I had little knowledge of the process, I was impressed by the support team and their valuable assistance in promoting my presentation along the way. Additionally, it is a good opportunity to discover other designs from around the world. Participating in this competition was one of my best decisions, and I look forward to having the opportunity to do so again in the future.

Design Interview

Monarc Stull · 20 Froen

Rather than considering a chair as a static product with a single function, I intended to take a different approach.

What is the main principle, idea and inspiration behind your design?

Rather than considering a chair as a static product with a single function, I intended to take a different approach.

What has been your main focus in designing this work? Especially what did you want to achieve?

A primary focus of my presentation was to introduce a product as a chair where the user has a major role in determining how to utilize the product in accordance with the desired function.

What are your future plans for this award winning design?

It is my belief that this product will have a bright future. Consequently, I am interested in mass producing it with the cooperation of professionals in the industry and selling it as it has the potential to be used in various scenarios.

How long did it take you to design this particular concept?

Approximately one month.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

This was an inspiring experience that I wanted to share with other professionals.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

It has not been produced. According to the circumstances, I will consider how to produce it. However, I intend to sell it on a large scale in the future.

What made you design this particular type of work?

A different way of thinking about objects.

Where there any other designs and/or designers that helped the influence the design of your work?

No, before beginning this project, I checked the products of other A Design Award winners to ensure that my idea was innovative.

Who is the target customer for his design?

Those who are enthusiastic about experiencing new things.

What sets this design apart from other similar or resembling concepts?

Users' interaction in shaping the space according to their needs.

How did you come up with the name for this design? What does it mean?

The shape of the chair evokes the arch shape of bridges, and the inside of the chair symbolizes a moon. As a result, the name "Monarch" was chosen in order to comply with the basic meaning of this word and to reflect the greatness of the person who deserves to occupy this place.

Which design tools did you use when you were working on this project?

In order to design the procedures, I used a variety of software tools, including Autocad, 3d Max and Vray.

What is the most unique aspect of your design?

The feasibility of using a chair from both sides.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

The entire process, from concept to final document, was carried out by me.

What is the role of technology in this particular design?

The use of technology is an undeniable truth in my designing process from the outset to the end.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

To determine whether my idea can be successful in this industry, I conducted sufficient research on the chairs precedents, particularly the modular chairs.

What are some of the challenges you faced during the design/realization of your concept?

For me, the task was totally inspiring.

How did you decide to submit your design to an international design competition?

At a workshop held by Kioskedia in Iran, I was introduced to some international design competitions. After reviewing the website, I decided to take advantage of the opportunity to express my ideas and evaluate myself.

What did you learn or how did you improve yourself during the designing of this work?

A ' Design Award provided me with a great deal of knowledge. It is my pleasure to express my gratitude to the support team for providing me with valuable guidance to improve the final renders. I found the experience to be very rewarding.

Any other things you would like to cover that have not been covered in these questions?

It has been a pleasure to conduct this interview with you. My goal is to provide you with prominent services as you deserve.

Design Legend Interview

50 Froen

I hold a Ph.D. in architecture. I was impressed by new information while studying a master's degree in architectural technology, which made me think differently about the spaces around me.

Could you please tell us a bit about your design background and education?

I hold a Ph.D. in architecture. I was impressed by new information while studying a master's degree in architectural technology, which made me think differently about the spaces around me. As a result of that period of my life, I possess my current attitude and accomplishments.

What motivates you to design in general, why did you become a designer?

I am passionate about being creative and bringing the ideas in my head to life.

Did you choose to become a designer, or you were forced to become one?

My passion for design led me to pursue this career.

What do you design, what type of designs do you wish to design more of?

Since I am an architect, I have the ability to provide everything related to this field, from designing a product to designing a building.

What should young designers do to become a design legend like you?

It is important for them not to become bored with learning new subjects. Individuals should express themselves based on their own ideas and attitudes rather than follow other ideas blindfolded.

What distinguishes between a good designer and a great designer?

Great designers try to meet the needs of most future users as well as other design aspects. However, a good designer may focus solely on the aesthetics.

What makes a good design a really good design, how do you evaluate good design?

An evaluation of a good design cannot be achieved at a glance, but only after it has been assessed for a period of time. Customer satisfaction after having deep experience and being still satisfied can be considered to be a good design.

What is the value of good design? Why should everyone invest in good design?

Durability. Investing in a good design is more than just purchasing a product. It is an investment in the feeling you have when you use a particular product. It is therefore worthwhile to invest in a good design.

What would you design and who would you design for if you had the time?

People are struggling with many crises around the world. The issue of helping others is my top priority if I have the time.

What is the dream project you haven't yet had time to realize?

In terms of accommodations, I would like to achieve an outcome that would benefit not only the people of my country, but all people worldwide. That is something I will certainly do.

What is your secret recipe of success in design, what is your secret ingredient?

There is no secret to be revealed. Whenever I aim to provide better service to others in every job, instead of just making money, I will achieve significant results.

Who are some other design masters and legends you get inspired from?

Analyzing each design will provide you with valuable insights that will help you get inspired. My personal preference is not to follow a specific designer. I prefer, however, to find positive aspects in each design I encounter. Nevertheless, I have always been impressed with Calatrava's work.

What are your favorite designs by other designers, why do you like them?

Currently, I am interested in following parametric designs with their outstanding results in every field from fashion to architecture.

What is your greatest design, which aspects of that design makes you think it is great?

I have a patent for an emergency shelter designed for post-disaster situations. For me, it was important that the entire adjustment process be accomplished quickly by the least number of people. A modular deployable structure is the most effective means of accomplishing this goal.

How could people improve themselves to be better designers, what did you do?

Making a decision and taking action.

If you hadn't become a designer, what would you have done?

Being a pilot is my dream because it is associated with huge creations for flight dreams.

How do you define design, what is design for you?

Design is the process of creating an environment which meets the people's physical, emotional, and cultural needs.

Who helped you to reach these heights, who was your biggest supporter?

The greatest supporter in my life has been God, followed by my parents, who have provided me with welfare and tranquility to keep me focused on my goals, and finally my perseverance in achieving those goals. Moreover, my sister's support throughout the entire process was undeniable, especially during times when I was feeling demotivated.

What helped you to become a great designer?

Although I still have a long way to go before I can be regarded as an excellent designer, my failures have served as my best teachers.

What were the obstacles you faced before becoming a design master?

The fear of failure.

How do you think designers should present their work?

It is my belief that social media is the best gift in the current era for people to become aware of other people's works.

What's your next design project, what should we expect from you in future?

I have a lot of ideas in my head, but I will let the time tell.

What's your ultimate goal as a designer?

As a designer, I strive to make the world a better place for others by being influential in the world.

What people expect from an esteemed designer such as yourself?

As customers, people enjoy being heard. It is important for them to invest in something that meets their requirements and desires.

How does design help create a better society?

Solving society's existing problems with a little bit of passion in designing will produce remarkable results.

What are you currently working on that you are especially excited about?

As I mentioned before, I have several ideas that will be developed in the future. Perhaps it will be another product.

Which design projects gave you the most satisfaction, why?

This includes all the projects I have completed. Due to the fact that each of them had its own challenges that helped me grow.

What would you like to see changed in design industry in the coming years?

All things seem to be in their right place at the right time. It would be pleasant to be surprised by unknowns.

Where do you think the design field is headed next?

With the help of artificial intelligence, the design field will experience a golden age.

How long does it take you to finalize a design project?

Obviously, it depends on the project and its complexity; however, my ultimate objective is to ensure that the customer is satisfied, and I will allocate an appropriate amount of time in order to do so.

When you have a new design project, where do you start?

For me, the first step is to speak with customers and gather information about their needs, desires, and concerns.

What is your life motto as a designer?

The customer is king.

Do you think design sets the trends or trends set the designs?

It is a back-and-forth process which is essential to the design process. It is important to note that every aspect of the design procedure will have its own impact at its conclusion.

What is the role of technology when you design?

My design philosophy is based on the undeniable truth that technology is an integral part of it.

What kind of design software and equipment do you use in your work?

I use a variety of software related to designing procedures, including Autocad, 3D Max, Vray, Revit, Lumion, Photoshop, and a little bit of Rhino.

What is the role of the color, materials and ambient in design?

The above factors are the most important in regards to aesthetics, and will have a significant impact on how society perceives aesthetics.

What do you wish people to ask about your design?

How did you come up with this unique idea? (laugh)

When you see a new great design or product what comes into your mind?

The admiration. It is most interesting to me to know the inspiration behind the design.

Who is your ideal design partner? Do you believe in co-design?

Yes, definitely. In my opinion, a design partner is extremely helpful in assisting you to think beyond borders, especially when you get stuck in a design and persist in just completing it.

Which people you interacted had the most influence on your design?

It is my goal to capture positive aspects from each individual that will assist me in developing my design. The most common attributes I received from people that I was eager to reflect in my designs were tranquility, humility, kindness, and energy.

Which books you read had the most effect on your design?

Reading motivational books related to self-knowledge is one of my favorite activities. The more I know about myself, the better I am able to understand others and pay attention to their needs.

How did you develop your skills as a master designer?

An appropriate idea is a result of internal processes. To convey my idea to others in the best way possible, I developed other skills related to modeling and presentation.

Irrelative of time and space, who you would want to meet, talk and discuss with?

santiago calatrava

How do you feel about all the awards and recognition you had, is it hard to be famous?

If I am destined for fame, I will be more attentive to all events that occur around me so that I can find the best solutions to existing problems pertaining to my field.

What is your favorite color, place, food, season, thing and brand?

Red, nature especially at night with a multitude of stars in the sky, pizza, summer and all things jewelry-related. (laugh)

Please tell us a little memoir, a funny thing you had experienced as a designer?

During my time with my colleagues, all the moments were filled with joy and effort, even when circumstances were difficult.

What makes your day great as a designer, how do you motivate yourself?

It is important to me to maintain a healthy balance in all aspects of my life, including sports, entertainment, and spending time with my family and friends.

When you were a little child, was it obvious that you would become a great designer?

I don’t think so.

What do you think about future; what do you see will happen in thousand years from now?

The world will be governed by a super intelligent system in every aspect.

Please tell us anything you wish your fans to know about you, your design and anything else?

Thank you very much for taking the time to read this interview. It is my sincere hope that I will be able to provide you with prominent services as you deserve.

Designer Interview

39 Froen

My interest in creating new things and thinking in a different way has always been strong. That is why I have been working while studying at the university.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

My interest in creating new things and thinking in a different way has always been strong. That is why I have been working while studying at the university. Being honest, I enjoyed experiencing a wide range of activities in my life, but after deciding to study architecture I decided to concentrate on this field.

Can you tell us more about your company / design studio?

Based on various projects, I work independently and join other teams.

What is "design" for you?

Design involves creating an environment that meets people's physical, emotional, and cultural needs.

What kinds of works do you like designing most?

It is not my intention to specialize in a specific field. Each subject that impresses me and causes me to think about doing something new is my goal.

What is your most favorite design, could you please tell more about it?

The most satisfying design, regardless of whether it is a product or interior design, or even designing a building, is one that causes me to feel tranquility when I am using it or being present in it for a prolonged period of time. I should feel better after experiencing that moment.

What was the first thing you designed for a company?

Initially, I was supposed to make a building model for a company. However, they trusted me and let me design the plans and the building facade.

What is your favorite material / platform / technology?

Due to its flexibility in forming different shapes, wood is my favorite material.

When do you feel the most creative?

I am most creative when I am alone, especially at night.

Which aspects of a design do you focus more during designing?

For me, aesthetics as well as functional aspects are of utmost importance.

What kind of emotions do you feel when you design?

The process of creation is occurred by pure freedom, as there is no limitation or judgement.

What kind of emotions do you feel when your designs are realized?

Enthusiasm and excitement.

What makes a design successful?

The success of a design depends upon addressing the customer's needs in the designing process.

When judging a design as good or bad, which aspects do you consider first?

A first impression can be aesthetic and harmony at a glance.

From your point of view, what are the responsibilities of a designer for society and environment?

Designers have a great deal of responsibility in society and the environment. Developing a new idea that has a minimal negative impact on the environment and also meets the needs of the users requires a thorough understanding of different aspects in order to promote current living standards.

How do you think the "design field" is evolving? What is the future of design?

Artificial Intelligence technology with its rapid development will be of great assistance in the design process, as it will allow access to the wide range of imaginary ideas and produce the best one to achieve the ideal results.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

The last one was the Kioskedia Design Awards, Iran, and the next will be the Exhibition of the A' Design Award.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

The multifunctional design style is my favorite. It is my goal to engage users in the creation of their own space by using products and spaces that are flexible.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

Iran, Tehran. I always try to think globally in order to adapt my ideas to all people with different cultural heritages.

How do you work with companies?

It is always beneficial for me to work as a team on projects. My horizons will be expanded by making relationships with other people and having the opportunity to experience other things.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

When selecting a good designer, it is important to take into account their calmness, flexibility, and eagerness to provide quality service.

Can you talk a little about your design process?

Paying attention to the client's needs, developing ideas, consulting with team members, promoting the idea, meeting with the client and letting them know the final decision, finalizing the design, and completing final documents.

What are 5 of your favorite design items at home?

Chair, laptop, telephone table, furniture tables, and a lampshade.

Can you describe a day in your life?

Being grateful for the opportunity to start a new day, to work with computers, to learn, to exercise, and to sometimes enjoy nature.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

Believing in yourself and having self-confidence are vital keys to success.

From your perspective, what would you say are some positives and negatives of being a designer?

As a designer, your personal and professional lives are intertwined. It is true that when you are involved in a project, your mind is constantly working to solve problems, even in your dreams. Nevertheless, being a designer offers the opportunity to determine the quality of life for others.

What is your "golden rule" in design?

It is possible to upgrade people's taste by designing something that is more comfortable.

What skills are most important for a designer?

The ability to bring together all ideas in the mind and make a unique outcome from all the ideas.

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

A variety of software is used for 3D modeling, rendering, and making final presentations.

Designing can sometimes be a really time consuming task, how do you manage your time?

Teamwork will provide an opportunity to share responsibilities among all members. Therefore, each person would have more time for extra tasks. Nevertheless, working as an individual designer means dedicating most of the day to the project, which is an undeniable fact.

How long does it take to design an object from beginning to end?

It definitely depends on the size and complexity of the project. The majority of my time will be spent designing in 3D modeling and its subsequent process.

What is the most frequently asked question to you, as a designer?

While teaching at the university, I was frequently asked: "Would it be more appropriate to design from plans to final form or vice versa?".

What was your most important job experience?

I have been working in the implementation of two hospitals.

Who are some of your clients?

Most of my clients were doctors and engineers in related fields.

What type of design work do you enjoy the most and why?

I would like to implement myself the projects I have designed and gradually shape the final form.

What are your future plans? What is next for you?

Providing more ideas for international design awards, designing new projects, and establishing contacts with other international designers for future collaborative projects.

Do you work as a team, or do you develop your designs yourself?

Currently, I develop my designs on my own, but I am always optimistic about the results of teamwork and I plan to have my own team in the near future.

Do you have any works-in-progress being designed that you would like to talk about?

The design and implementation of a villa in Iran is currently underway. You will hear more about it in the near future.

How can people contact you?

As soon as I launch my website, I will update this information.

Any other things you would like to cover that have not been covered in these questions?

I appreciate you taking the time to conduct this interview.

Grand Interview

Virella Primärfunktioun: Miwwelen · 10 Froen

The idea came from thinking about how public furniture can do more than simply provide a place to sit. I wanted to design a sculptural urban bench that could encourage social interaction, while still giving people a…

The twisted wooden structure of Virella Furniture is a genuinely compelling achievement, capturing a sense of organic movement within a form that is also asked to support everyday human use in public space. Could you walk us through the precise moment or observation that first convinced you that this kind of gradual, parametric twist in timber could serve not only as sculpture but as a fully functional and comfortable seating object?

The idea came from thinking about how public furniture can do more than simply provide a place to sit. I wanted to design a sculptural urban bench that could encourage social interaction, while still giving people a subtle sense of personal space in a public environment.The gradual twist allowed the bench to change direction and create different seating orientations, so people could choose to sit together, beside each other, or slightly apart. At the same time, integrating greenery into the center helped soften the object and bring nature into the urban space. That was the moment I realized the twist was not only a visual gesture, but also a functional strategy for comfort, privacy, and social connection.

Urban furniture is increasingly expected to address psychological and social dimensions of public life, and Virella Furniture appears to respond to this expectation directly by embedding greenery, ambient light, and ergonomic form into a single cohesive structure. How do you believe Virella Furniture reframes what urban furniture can contribute to the social wellbeing and sense of ease of people inhabiting contemporary public spaces?

I believe Virella Furniture reframes urban furniture as more than a functional object. It becomes a small social and emotional space within the city. The use of natural material, especially timber, helps create a warmer and calmer experience for users, compared to more rigid or cold urban elements.The integrated greenery also plays an important role. It softens the public environment, keeps visual openness, and at the same time creates a gentle sense of separation between users. This can help people feel more comfortable and secure in public spaces, regardless of their age or background. In this way, Virella supports both social interaction and personal ease, which are very important in contemporary urban life.

The decision to remove specific planks from the surface of Virella Furniture to create pockets for living greenery carries both ecological and symbolic meaning, suggesting that nature is not an afterthought but a structural participant in the design. In what ways does this integration of plant life within Virella Furniture address broader questions about returning natural life to urban environments, and what practical material and horticultural considerations did this decision demand?

For me, the greenery in Virella is not just a decorative element. By removing some of the timber planks and creating planting pockets, nature becomes part of the structure and part of the user experience. It reflects the idea that urban spaces should not be made only of hard surfaces, but should bring back small moments of natural life into everyday public environments. This integration helps soften the furniture visually and emotionally. It also creates a more pleasant micro-environment for users, while maintaining openness and a sense of connection to the surroundings.From a practical point of view, this decision required careful consideration of the timber, drainage, soil depth, and plant selection. The wood would need to be durable and properly protected against moisture. The planting pockets would need waterproofing, drainage, and enough space for roots. The plants should also be hardy, low-maintenance, and suitable for outdoor public spaces, preferably species that can tolerate sun, wind, and limited irrigation.

Virella Furniture has received the Iron A' Design Award in the Furniture Design category, a recognition granted by one of the most internationally regarded design competitions for works that meet rigorous professional standards and demonstrate genuine creative contribution. Given that Virella Furniture unites ergonomic research, ecological thinking, and sculptural ambition within a single public object, what do you consider to be the most socially significant dimension of Virella Furniture, and how do you hope this recognition will extend the reach of the ideas embedded in the work?

For me, the most socially significant dimension of Virella Furniture is its ability to create a more human, calm, and inclusive experience in public space. It is not only a place to sit, but a small urban moment where people can pause, interact, feel connected to nature, and still maintain a comfortable sense of personal space.I hope this recognition helps extend the idea that urban furniture can be more than a functional object. It can become an artistic and ecological element within the city. My hope is to see a new generation of urban furniture forms that are inspired by nature, visually distinctive, and meaningful in everyday public life. With the support of manufacturers, urban planners, and decision-makers, these types of designs can move beyond concept and become part of people’s daily experience in cities.

One of the central challenges behind Virella Furniture was creating a piece for public use that simultaneously brings people together and respects personal boundaries, a problem that sits at the intersection of spatial design, social psychology, and ergonomics. What was the most difficult moment in resolving this tension during the development of Virella Furniture, and how did working through that specific challenge deepen your understanding of what public furniture is genuinely capable of offering to the people who use it?

The most difficult moment was finding the right balance between openness and separation. I wanted the bench to invite people to share the same public object, but I did not want the experience to feel forced or uncomfortable. In public spaces, people often need both connection and a sense of personal boundary.The gradual twist became the key solution. It allowed the seating areas to change direction naturally, so users could sit close enough to feel part of the same social setting, but not necessarily face each other directly or invade each other’s personal space. The integrated greenery also helped create a soft visual buffer without closing the space.Working through this challenge helped me understand that public furniture is not only about function or aesthetics. It can quietly guide social behavior. It can offer comfort, choice, privacy, and connection at the same time, which makes it a meaningful part of everyday urban life.

The parametric wooden form of Virella Furniture, built from planks of varying lengths arranged to produce a continuous twist, suggests a design process that moves simultaneously between digital geometry, material behavior, and the lived sensations of sitting and occupying space. Could you take us inside the creative process behind Virella Furniture and describe how you moved between computational design logic, the physical properties of timber, and the ergonomic requirements of a body at rest?

The design process moved between digital control and human comfort. Parametric design helped me control the gradual twist by adjusting the length and angle of the timber planks. However, the form also had to respect the physical properties of wood, such as strength, thickness, connections, and outdoor durability.At the same time, I constantly considered how people would sit, rest, and orient themselves on the bench. So Virella was not designed only as a digital sculpture; it was shaped through the balance between geometry, material behavior, and ergonomic comfort.

Virella Furniture, with its modular structure and capacity for flexible placement across diverse urban contexts, seems to anticipate a broader shift in how cities conceive of adaptable, ecologically integrated public infrastructure. Looking ahead, how do you envision the principles that define Virella Furniture shaping your future design work, and in what directions do you see the relationship between urban furniture, living systems, and human-centered form evolving over the coming years?

I see Virella Furniture as a starting point for a broader design direction in my future work. The main principles behind it — organic form, human comfort, modularity, and the integration of living greenery — are ideas that I would like to continue developing in future urban and public space projects.Looking ahead, I believe urban furniture will need to become more adaptable, more ecological, and more emotionally responsive to people. Public objects should not only serve a basic function, but also improve the quality of everyday urban life. They can bring people closer to nature, support social interaction, and create moments of calm within busy cities.For me, the relationship between urban furniture and living systems will become increasingly important. I hope to explore designs that are not static objects, but flexible and meaningful elements within the city — pieces that respond to human needs, respect the environment, and contribute to a more pleasant and human-centered public realm.

The qualitative research behind Virella Furniture drew on direct observation, interviews, and ergonomic analysis to understand how thoughtful design can guide behavior, foster social harmony, and create inclusive public experiences. Bringing together the sculptural innovation of Virella Furniture, the ecological commitment at its core, and the human-centered research that informed its development, is there a dimension of Virella Furniture that you feel has not yet received the attention it deserves, and that you would want urban designers, city planners, or fellow furniture designers to better understand?

One dimension that I feel deserves more attention is the quiet role of Virella Furniture in guiding human behavior. At first glance, people may notice the sculptural form, the timber, or the greenery, but the deeper intention is how these elements work together to create a more comfortable and inclusive public experience.The different seating orientations, the soft separation created by greenery, and the ergonomic form allow people to choose how they want to use the space. They can sit alone, share the bench with others, interact socially, or maintain a sense of personal distance. This flexibility is very important in public spaces, because people have different needs depending on their age, mood, culture, or situation.What I would like urban designers, city planners, and furniture designers to better understand is that public furniture can quietly influence social harmony. It does not need to control people directly; it can simply offer comfort, choice, and a sense of ease. For me, that is one of the most meaningful aspects of Virella.

The linear LED lighting integrated beneath the curved form of Virella Furniture is a detail that transforms the object from a daytime seating structure into a nocturnal presence within public space, casting light in a way that follows the geometry of the twist. What was the reasoning behind embedding light within Virella Furniture in precisely this manner, and how did you think about the sensory relationship between the warmth of natural timber, the dynamism of the parametric form, and the quality of ambient artificial light as elements that must coexist and reinforce one another?

The idea behind integrating the LED lighting was to make Virella active and meaningful not only during the day, but also at night. I did not want the lighting to feel like an added decorative element. By placing it beneath the curved form, the light follows the geometry of the twist and gently emphasizes the movement of the structure. The ambient light also improves the user experience in public space. It creates a softer and safer atmosphere without being too strong or visually aggressive. In this way, the bench becomes a warm presence in the urban environment after dark.I was also interested in the contrast and harmony between natural timber and artificial light. Timber brings warmth, texture, and a human feeling, while the continuous LED light highlights the parametric movement of the form. Together, they reinforce each other: the wood makes the light feel warmer and softer, and the light reveals the sculptural quality of the timber structure at night.

For design enthusiasts who are captivated by the intersection of parametric geometry, natural materials, and the design of shared public life, Virella Furniture offers a rich case study in how formal experimentation can remain deeply anchored in human and ecological concerns. What would you want a young designer or design student who encounters Virella Furniture to understand about the responsibilities that come with using advanced formal tools to design objects that will be inhabited, touched, and socially navigated by a wide and diverse public?

What I would want a young designer to understand is that advanced design tools come with responsibility. Parametric geometry should not be used only to create complex or visually impressive forms. When an object is designed for public space, it will be used, touched, shared, and experienced by many different people, so the form must always remain connected to human comfort, accessibility, safety, and emotional experience.For me, Virella Furniture shows that formal experimentation can be meaningful when it serves people and the environment. The twist, the timber, the greenery, and the lighting are not separate decorative gestures; they work together to create a more comfortable and human-centered public experience.I would encourage young designers to use digital tools with sensitivity. Beauty and innovation are important, but they should be balanced with empathy, material awareness, ecological thinking, and respect for the diversity of people who will use the design in everyday life.

Grand Interview

Monarc Stull · 10 Froen

I always try to look at my surroundings from a completely different perspective. Regarding the chair, I had this idea: Why should a chair be a completely fixed object that only serves the purpose of sitting? Could it…

Your innovative approach to multifunctionality in the Monarc Chair, particularly the rotating upper seat component, represents a fascinating evolution in furniture design – could you elaborate on how this transformative feature emerged during your creative process?

I always try to look at my surroundings from a completely different perspective. Regarding the chair, I had this idea: Why should a chair be a completely fixed object that only serves the purpose of sitting? Could it not be designed in a way that offers two separate functionalities from its two sides? Additionally, in all of my designs, I have considered user involvement in shaping their environment according to their needs.

The arch-shaped bridge concept underlying the Monarc Chair brilliantly combines structural integrity with aesthetic appeal – what inspired you to translate this architectural element into furniture design, and how did it influence your material choices?

The ultimate goal of any design is to provide sufficient strength for users while maintaining aesthetic appeal. Just as arch bridges efficiently withstand and transfer the pressure from the load of vehicles on them, it is expected that a similar form can be used to bear the weight of the user. Since wood has very high tensile and compressive strength, it can be a suitable material for this purpose.

The Monarc Chair's ability to create different states through user interaction suggests a deep consideration of human-centered design – could you share your insights into how user behavior and ergonomic requirements shaped the final form?

One of the main objectives of this design was to ensure that the user is not constrained by their surrounding environment, even in small aspects. Allowing an individual to use a product in two different ways based on their needs enhances their sense of belonging to the space, as it gives them the power to interact with and modify it. As a result, their stay in that space is likely to be longer, since they can shape the environment according to their preferences over a longer period.

Your use of plywood in four distinct forms for the Monarc Chair demonstrates a thoughtful approach to manufacturing simplicity – how did the goal of harmonious appearance influence your decisions about material configuration and assembly methods?

Maintaining beauty in simplicity can guarantee the longevity of a design, as it not only makes it easy to use but also simplifies the production process, which can easily meet user demand. Achieving this was possible by choosing a design with modular components that can be assembled quickly and with minimal difficulty.

The Monarc Chair's unique ability to rotate 180 degrees and transform its functionality challenges traditional seating conventions – what were the key technical challenges you encountered when engineering this versatile mechanism?

The main challenge was controlling the range of motion when the product is used in a rocking cradle mode. It required components that would not compromise the appearance and beauty of the product while still being able to gently control and limit the motion of the curved form. In the end, small elements were placed among the main components in a position that provided the appropriate range of motion for the curve. At the same time, these were properly integrated so that they remain hidden when the other side of the chair is being used.

In developing the Monarc Chair's distinctive aesthetic, you achieved a strong first impression while maintaining functional versatility – how did you balance these seemingly competing objectives throughout the design process?

Throughout the design process, I consistently focused on three aspects: user needs, aesthetics, and comfort. During this process, I always imagined myself in the place of the hypothetical user, considering their potential needs and the solutions that should be provided for them until I achieved the desired result.

The Monarc Chair's innovative approach to flexible furniture design has earned recognition with a Bronze A' Design Award – how do you envision this achievement influencing your future explorations in furniture design?

I believe that for someone using this product as a chair, there should be a distinction between a unique chair and just a piece of wood they sit on. Sitting can happen anywhere, but the ability to engage the user’s mind, encouraging exploration and reaction, can have a positive impact on people's mood.

The structural integration of continuous plywood components in the Monarc Chair creates both strength and visual flow – could you discuss how this solution evolved from initial concept to final implementation?

Yes, these were exactly the expectations from this product in its two different modes. In the chair mode, the product needed to be sturdy to maintain balance and support the weight of users, while in the cradle mode, it required a fluid and smooth motion while maintaining visual cohesion.

Looking at the Monarc Chair's development through the lens of sustainability and longevity, how did considerations of environmental impact influence your choices in materials and manufacturing processes?

Attention to nature, drawing inspiration from it, and using materials available within it ensures the durability and longevity of the products made with it. The fact that this product poses no danger to the environment, and its easy production process requires minimal human resources and energy, can be seen as a positive aspect of its production, which was considered during the design process.

The Monarc Chair represents a bold departure from conventional seating design – what insights or advice would you share with other designers seeking to push boundaries while maintaining practical functionality?

Just as a person change over time, their needs and desires will also change. Creativity, of any kind, reaches a desirable outcome when it can provide an appropriate response to these diverse and evolving needs. One must be aware of these changes and be ready to offer a service worthy of the human condition. There are no limits to imagination and design. You just need to believe in your ideas and be determined to bring them to life.

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