ຜົນງານ Janus ການອອກແບບພາຍໃນບາ ໂດຍ Junlin Zhang ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2024 A' Design Award ລະດັບເງິນ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບພື້ນທີ່ພາຍໃນ ແລະ ນິທັດສະການ.
ເງິນພາຍໃນ· 2024
Janus ການອອກແບບພາຍໃນບາ
ໂດຍ Junlin Zhang
ລູກຄ້າ: Janus
ຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ໃນໝວດ ພາຍໃນ
ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ
ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #156360ການອອກແບບ
ກ່ຽວກັບ Janus ການອອກແບບພາຍໃນບາ
Janus ແມ່ນບາວິສກີ້ ແລະ ຄັອກເທວ ທີ່ຕັ້ງຢູ່ເມືອງ Changsha ປະເທດຈີນ. ພື້ນທີ່ພາຍໃນມີເນື້ອທີ່ປະມານ 200 ຕາແມັດ ແລະ ຈັດແບ່ງເປັນສອງຊັ້ນ. ດ້ານໜ້າອາຄານປະກອບດ້ວຍບລັອກເລຂາຄະນິດສີດຳແບບຮຽບງ່າຍ ພ້ອມດ້ວຍລາຍລະອຽດແບບຄລາສສິກ ແລະ ມີແທ່ນຍື່ນອອກມາທີ່ຮອງຮັບຮູບປັ້ນແບບຄລາສສິກ. ຊັ້ນທຳອິດເປັນພື້ນທີ່ສະໜັບສະໜູນ ໃນຂະນະທີ່ຊັ້ນສອງເປັນສະຖານທີ່ຫຼັກ ແລະ ໄດ້ຮັບແສງທຳມະຊາດຜ່ານຊ່ອງເປີດເທິງຫຼັງຄາ. ຂັ້ນໄດໃຊ້ແຜ່ນໄມ້ວາງແບບຫຼວມໆ ທີ່ໃຫ້ສຽງນຸ້ມນວນ ແລະ ມີການເດັ້ງເລັກນ້ອຍເມື່ອຢຽບ. ໄມ້ວີເນຍທີ່ມີລາຍຕັ້ງ ແລະ ສະແຕນເລດແບບກະຈົກເງົາ ຊ່ວຍສ້າງບັນຍາກາດຂອງພື້ນທີ່.
ການຮັບຮູ້
ກ່ຽວກັບ A' Design Award ລະດັບເງິນ
Janus ການອອກແບບພາຍໃນບາ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງເປັນພິເສດສຳລັບການອອກແບບຊັ້ນສູງ ທີ່ງົດງາມ ແລະ ປະທັບໃຈ. ຜູ້ຊະນະລະດັບເງິນແມ່ນຜົນງານທີ່ເຈີດຈ້າ ແລະ ສ້າງສັນຫຼາຍ ທີ່ສະແດງເຖິງຄວາມຊຳນານ ພອນສະຫວັນ ແລະ ຄວາມຄົມຄາຍຂອງຜູ້ອອກແບບ. Janus ການອອກແບບພາຍໃນບາ ຖືກຄາດວ່າຈະເປັນຜົນງານແບບຢ່າງ ທີ່ເປັນມືອາຊີບຢ່າງຍິ່ງ ແລະ ມີນະວັດຕະກຳທີ່ເລິກເຊິ່ງ. ການອອກແບບທີ່ຊະນະລະດັບເງິນນີ້ແມ່ນການປະດິດທີ່ໂດດເດັ່ນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ປະກອບສ່ວນຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. Janus ການອອກແບບພາຍໃນບາ ເປັນຜົນງານທີ່ຫຼາຍຄົນອິດສາ ປຸກຄວາມປາດຖະໜາ ນຳຄວາມຮູ້ສຶກທາງບວກ ແລະ ກໍ່ໃຫ້ເກີດຄວາມອັດສະຈັນໃຈ.
ເບື້ອງຫຼັງການອອກແບບ
ຊຸດຂ່າວ
ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.
- ຄຸນສົມບັດພິເສດ
- Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
- ຂະໜາດ ແລະ ບັນຈຸພັນ
- 200 meter-square
- ແທັກ
- bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
- ເຕັກໂນໂລຊີການຜະລິດ
- What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- ສິ່ງທ້າທາຍດ້ານການອອກແບບ
- I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- ການຄົ້ນຄວ້າ
- I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
- ແຮງບັນດານໃຈ
- When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
- ໄລຍະເວລາໂຄງການ
- The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
- ຂັ້ນຕອນການດຳເນີນງານ
- When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
- ສະມາຊິກທີມ
- Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang - ເຄຣດິດຮູບພາບ
- Ueya photography（Lei Liu）
ໂຄສະນາ
ສຳຫຼວດນອກເໜືອຈາກ Designers.org
ຄົ້ນພົບຜະລິດຕະພັນ, ບໍລິການ ແລະ ໂອກາດຈາກຄູ່ຮ່ວມໂຄສະນາຂອງພວກເຮົາ.
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