ຜົນງານ New Year ພາບປະກອບ ໂດຍ Jui-Ping Lee ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2024 A' Design Award ລະດັບເຫຼັກ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ສິລະປະດິຈິຕອນ.

ເຫຼັກສິລະປະດິຈິຕອນ· 2024

New Year ພາບປະກອບ

ໂດຍ Jui-Ping Lee

ຜູ້ຊະນະ A' Design Award ລະດັບເຫຼັກ ໃນໝວດ ສິລະປະດິຈິຕອນ

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ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ

ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #158137

ເຂົ້າເບິ່ງເວັບໄຊ ເບິ່ງທີ່ A' Design Award ຂ່າວເຜີຍແຜ່ ເຄື່ອງໝາຍລາງວັນ

ສີ

ການອອກແບບ

ກ່ຽວກັບ New Year ພາບປະກອບ

ໃນສະໜາມກາງເຮືອນທີ່ງຽບສະງົບ, ທ່າມກາງຫິມະລະດູໜາວທີ່ຕົກລົງມາຢ່າງອ່ອນໂຍນ ແລະ ໃບໄມ້ລະດູໃບໄມ້ລົ່ນທີ່ມີສີສັນສົດໃສ, ນັ່ງຢູ່ໂດຍຕົວລະຄອນທີ່ສະຫງ່າງາມແຕ່ງກາຍດ້ວຍຊຸດກິໂມໂນອັນງົດງາມ. ຉາກນີ້ສະແດງໃຫ້ເຫັນເຖິງແກ່ນແທ້ຂອງວາບິຊາບິ, ສະທ້ອນເຖິງຄວາມງາມຂອງຄວາມໂດດດ່ຽວ ແລະ ຄວາມສະງົບ. ລວດລາຍອັນລະອຽດອ່ອນປະດັບຜ້າ, ສ່ວນໃຫຍ່ເປັນຕົ້ນສົນທີ່ສັນຍາລັກເຖິງຄວາມສຸກຸມ; ແລະ ເຊອິໄກຮາທີ່ມີຈັງຫວະສະແດງເຖິງຄວາມສະງົບຂອງທະເລ. ການຊູມເຂົ້າໄປເຜີຍໃຫ້ເຫັນລາຍລະອຽດທີ່ສັບຊ້ອນຫຼາຍຂຶ້ນ, ແຜ່ນຫີນທີ່ມີນາມປາກກາຂອງນັກສິລະປິນຕັ້ງຢູ່ທາງຊ້າຍ; ແລະ ເທິງຊຸດກິໂມໂນ, ມີລວດລາຍຂອງໜູທີ່ເປັນສັນຍາລັກແຫ່ງປີໃໝ່ 2020, ປີແຫ່ງໜູ.

ການຮັບຮູ້

ກ່ຽວກັບ A' Design Award ລະດັບເຫຼັກ

New Year ພາບປະກອບ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບເຫຼັກ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສຳລັບການອອກແບບທີ່ດີ ທີ່ຕອບສະໜອງຄວາມຕ້ອງການທາງວິຊາຊີບ ແລະ ອຸດສາຫະກຳທີ່ຄາດຫວັງຈາກຜົນງານທີ່ອອກແບບມາຢ່າງດີ. ຜູ້ຊະນະລະດັບເຫຼັກສະແດງເຖິງທັກສະອັນຍິ່ງໃຫຍ່ ຄວາມຊຳນານສະເພາະສູງ ຄວາມເຂົ້າໃຈຂອງຜູ້ຊ່ຽວຊານ ແລະ ຄວາມສາມາດໃນການສ້າງສັນຂອງຜູ້ສ້າງ. New Year ພາບປະກອບ ຖືກຄາດວ່າຈະເປັນຜົນງານທີ່ໄດ້ຮັບການຍົກຍ້ອງສູງ ໜ້າຊົມເຊີຍ ແລະ ເປັນທີ່ຮັກແພງ ທີ່ໃຊ້ງານໄດ້ຈິງ ແລະ ມີນະວັດຕະກຳ. ການອອກແບບທີ່ຊະນະລະດັບເຫຼັກນີ້ລວມວິທີປະຕິບັດທີ່ດີທີ່ສຸດຂອງອຸດສາຫະກຳ ແລະ ມີຄຸນລັກສະນະທາງເຕັກນິກທີ່ມີຄວາມສາມາດ ເຊື່ອມໂຍງກັບຄວາມຮູ້ ແລະ ພອນສະຫວັນ. New Year ພາບປະກອບ ໄດ້ຮັບການເຄົາລົບສຳລັບຄວາມລະອຽດຮອບຄອບ ແລະ ຖືກອອກແບບເພື່ອປັບປຸງຄຸນນະພາບຊີວິດ ຊ່ວຍເຮັດໃຫ້ໂລກເປັນບ່ອນທີ່ດີຂຶ້ນ.

ເບື້ອງຫຼັງການອອກແບບ

ຊຸດຂ່າວ

ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.

ຄຸນສົມບັດພິເສດ: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
ຂະໜາດ ແລະ ບັນຈຸພັນ: Original dimensions at 5600*3150 px, with 935 canvas layers
ແທັກ: Illustration, Kimono, Furisode, Kouyou, Karesansui
ເຕັກໂນໂລຊີການຜະລິດ: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
ສິ່ງທ້າທາຍດ້ານການອອກແບບ: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
ການຄົ້ນຄວ້າ: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
ແຮງບັນດານໃຈ: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
ໄລຍະເວລາໂຄງການ: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
ຂັ້ນຕອນການດຳເນີນງານ: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.