Lacey ສາຍແຂນ by Diana Sokolic is a highly esteemed winner of the very prestigious 2015 A' Design Award ລະດັບທອງສຳລິດ in ການອອກແບບອຸປະກອນເສີມແຟຊັ່ນ ແລະ ການເດີນທາງ Competition Category.
ທອງສຳລິດອຸປະກອນເສີມ· 2015
Lacey ສາຍແຂນ
Client: Diana Sokolic
A' Design Award ລະດັບທອງສຳລິດ Winner in ອຸປະກອນເສີມ Category
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- Verified Award Winner
- Verify Award Status for #35692
The Design
About Lacey ສາຍແຂນ
ພວກເຮົາທຸກຄົນມີ drawers ເຕັມໄປດ້ວຍ lace ເຮັດໂດຍແມ່ແລະແມ່ຕູ້ຂອງພວກເຮົາ. doyleys ເຫຼົ່ານັ້ນໄດ້ຖືກນໍາໃຊ້ເປັນເຄື່ອງຕົບແຕ່ງເທິງໂຕະກາເຟ, ຊຸດໂທລະທັດ, ຫຼືເກົ້າອີ້ແຂນ. ປະຈຸບັນ, ເຂົາເຈົ້າມີຄຸນຄ່າທາງດ້ານຈິດໃຈ, ແຕ່ບໍ່ມີຜົນປະໂຫຍດ. Diana Sokolic ເຮັດສາຍແຂນດ້ວຍສາຍແຂນລະຫວ່າງສອງແຜ່ນຂອງ Plexiglas ໂປ່ງໃສ. ຊິ້ນສ່ວນທີ່ສວຍງາມທີ່ເຮັດດ້ວຍຄວາມຮັກແລະຄວາມອົດທົນໄດ້ກັບຄືນມາຈຸດປະສົງຂອງພວກເຂົາເຊື່ອມຕໍ່ອະດີດຂອງພວກເຮົາກັບປະຈຸບັນຂອງພວກເຮົາ.
The Recognition
About the A' Design Award ລະດັບທອງສຳລິດ
Lacey ສາຍແຂນ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບທອງສຳລິດ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງສຳລັບການອອກແບບທີ່ໂດດເດັ່ນ ເຊິ່ງມີລັກສະນະເດັ່ນດ້ວຍຄວາມຄິດສ້າງສັນ ຄວາມຫຼັກແຫຼມ ແລະ ຄວາມຄົມຄາຍ. ຜູ້ຊະນະລະດັບທອງສຳລິດແມ່ນຜົນງານທີ່ມີທັກສະພຽງພໍ ແລະ ສ້າງສັນຢ່າງໂດດເດັ່ນ ທີ່ຢືນຢັນປະສົບການອັນກວ້າງຂວາງ ຈິນຕະນາການ ແລະ ຄວາມສາມາດຂອງຜູ້ອອກແບບ. Lacey ສາຍແຂນ ຖືກຄາດວ່າຈະເປັນສິ່ງຂອງທີ່ໄດ້ຮັບການຍົກຍ້ອງສູງ ໜ້າຊົມເຊີຍ ແລະ ເປັນທີ່ຮັກແພງ ທີ່ເປັນມືອາຊີບ ແລະ ມີນະວັດຕະກຳຢ່າງໂດດເດັ່ນ. ການອອກແບບທີ່ຊະນະລະດັບທອງສຳລິດນີ້ນຳໃຊ້ວິທີປະຕິບັດທີ່ດີທີ່ສຸດໃນດ້ານສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ ແລະ ດີເລີດໃນການເອົາໃຈໃສ່ລາຍລະອຽດ. Lacey ສາຍແຂນ ຕອບສະໜອງຄວາມຕ້ອງການຢ່າງດີເລີດ ສຳຜັດຄວາມປາດຖະໜາ ດຶງດູດຄວາມຮູ້ສຶກ ແລະ ກະຕຸ້ນຄວາມຢາກຮູ້ຢາກເຫັນ.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Our great grandmothers and grandmothers were brought up to play piano, read poetry and make lace. In the 60ies, their daughters kept those lace doyleys under the glass on coffee tables and commodes. Now we have drawers full of lace and needlework. It has no use in modernly furnished flats, it hass just an emotional value.
I have made cuff bracelets with lace between two plates of transparent Plexiglas.
In this way the lace has kept its transparency, gained new use, at the same time recognizing the women who made it and those who kept it for us. - Dimensions & Packaging
- 130 x 75 x 50 mm
- Tags
- lace,cuff bracelet, accessorie, fashion
- Production Technology
- Lace and PMMA
I did not want to put delicate lace in a metal frame or any other heavy material. So I decided to put it between two pieces of transparent Plexiglas. - Design Challenge
- Since PMMA has to be heated in order to be bent, the most challenging part was how to heat it without burning the delicate threads of needlework and then how to connect the lace and the Plexiglas without the glue.
- Research
- This project was technically the most diffucult one for me. I was affraid that I will burn the lace while experimenting with different temperatures in order to bent the PMMA, since I could not experiment with something else except the lace itself.
PMMA plates have to be really hot in order to stick to one another, while the lace is between the layers.
I had to find lace doyleys which are not to big because cuffs have to be weareable. - Inspiration
- From time to time I open the drawer with lace and needlework kept between sheets of thin white paper. I look at them with love and patience, expecting to hear them talking to me. I know that those pieces want to be used again, that they want to show their beauty. And one day it just happened! They talked to me!
- Project Duration
- I have made these bracelets in my hometown Zagreb, Croatia
and the process lasted for several month.
This project has not been shown jet. - Operation Flow
- Cuffs are open at the back so one size fits all
- Team Members
- Diana Sokolic
- Image Credits
- Diana Sokolic, 2014.
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