ຜົນງານ Porous Manifold ຫ້ອງຊາຍີ່ປຸ່ນ ໂດຍ Ryumei Fujiki and Yukiko Sato ເປັນຜູ້ຊະນະທີ່ໄດ້ຮັບຄວາມນັບຖືສູງຂອງລາງວັນ 2019 A' Design Award ລະດັບເງິນ ອັນຊົງກຽດໃນໝວດການແຂ່ງຂັນ ການອອກແບບວິຈິດສິນ ແລະ ງານຕິດຕັ້ງສິລະປະ.
ເງິນວິຈິດສິນ· 2019
Porous Manifold ຫ້ອງຊາຍີ່ປຸ່ນ
ໂດຍ Ryumei Fujiki and Yukiko Sato
ລູກຄ້າ: F.A.D.S + Fujiki Studio, KOU::ARC
ຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ໃນໝວດ ວິຈິດສິນ
ຜູ້ຊະນະລາງວັນທີ່ຢັ້ງຢືນແລ້ວ
ຢັ້ງຢືນສະຖານະລາງວັນສຳລັບ #72501ການອອກແບບ
ກ່ຽວກັບ Porous Manifold ຫ້ອງຊາຍີ່ປຸ່ນ
ນີ້ແມ່ນຫ້ອງນ້ຳຍີ່ປຸ່ນຊົ່ວຄາວທີ່ວາງສະແດງຢູ່ໃນ Echigo-tsumari Art Triennale 2018 ແລະມີໂຄງສ້າງທີ່ເປັນຮັງທີ່ມີພື້ນທີ່ 2-tatami ຝັງຢູ່ໃນສີ່ຫຼ່ຽມມົນທົນ. ໃນງານວາງສະແດງນີ້, ສະຖາປະນິກໄດ້ຖືກຮ້ອງຂໍໃຫ້ຕອບສະຫນອງກັບຫົວຂໍ້ຂອງວິທີການເອົາຊະນະແນວຄວາມຄິດຂອງພື້ນທີ່ດຽວກັນທີ່ໂດດເດັ່ນໃນສະຕະວັດທີ 20. ໂຄງກະດູກໄດ້ຖືກອອກແບບໂດຍໃຊ້ຮູບແບບແບບສຸ່ມເຊິ່ງເອີ້ນວ່າພະແນກ Voronoi ເພື່ອບິດເບືອນພື້ນທີ່ທີ່ເປັນເອກະພາບ. ແລະມັນໄດ້ຖືກສະເຫນີວ່າສະຖາປັດຕະຍະກໍາທີ່ມີຈໍານວນຂຸມຫຼາຍສິ່ງທີ່ສາມາດເປີດແລະປິດໄດ້ຕາມຄວາມຕ້ອງການເພື່ອຕິດຕໍ່ສື່ສານກັບພາຍນອກຄືກັບສິ່ງທີ່ມີຊີວິດ.
ການຮັບຮູ້
ກ່ຽວກັບ A' Design Award ລະດັບເງິນ
Porous Manifold ຫ້ອງຊາຍີ່ປຸ່ນ ແມ່ນຜູ້ຊະນະ A' Design Award ລະດັບເງິນ ເຊິ່ງເປັນການຍອມຮັບທີ່ມີກຽດສູງເປັນພິເສດສຳລັບການອອກແບບຊັ້ນສູງ ທີ່ງົດງາມ ແລະ ປະທັບໃຈ. ຜູ້ຊະນະລະດັບເງິນແມ່ນຜົນງານທີ່ເຈີດຈ້າ ແລະ ສ້າງສັນຫຼາຍ ທີ່ສະແດງເຖິງຄວາມຊຳນານ ພອນສະຫວັນ ແລະ ຄວາມຄົມຄາຍຂອງຜູ້ອອກແບບ. Porous Manifold ຫ້ອງຊາຍີ່ປຸ່ນ ຖືກຄາດວ່າຈະເປັນຜົນງານແບບຢ່າງ ທີ່ເປັນມືອາຊີບຢ່າງຍິ່ງ ແລະ ມີນະວັດຕະກຳທີ່ເລິກເຊິ່ງ. ການອອກແບບທີ່ຊະນະລະດັບເງິນນີ້ແມ່ນການປະດິດທີ່ໂດດເດັ່ນ ແລະ ໄດ້ຮັບການຍົກຍ້ອງ ທີ່ປະກອບສ່ວນຂະຫຍາຍຂອບເຂດຂອງສິລະປະ ວິທະຍາສາດ ການອອກແບບ ແລະ ເຕັກໂນໂລຊີ. Porous Manifold ຫ້ອງຊາຍີ່ປຸ່ນ ເປັນຜົນງານທີ່ຫຼາຍຄົນອິດສາ ປຸກຄວາມປາດຖະໜາ ນຳຄວາມຮູ້ສຶກທາງບວກ ແລະ ກໍ່ໃຫ້ເກີດຄວາມອັດສະຈັນໃຈ.
ເບື້ອງຫຼັງການອອກແບບ
ຊຸດຂ່າວ
ຂໍ້ມູນ, ສະມາຊິກທີມ ແລະ ລາຍລະອຽດທາງເຕັກນິກທີ່ສະໜອງໂດຍນັກອອກແບບ.
- ຄຸນສົມບັດພິເສດ
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - ຂະໜາດ ແລະ ບັນຈຸພັນ
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - ແທັກ
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- ເຕັກໂນໂລຊີການຜະລິດ
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- ສິ່ງທ້າທາຍດ້ານການອອກແບບ
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - ການຄົ້ນຄວ້າ
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - ແຮງບັນດານໃຈ
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - ໄລຍະເວລາໂຄງການ
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - ຂັ້ນຕອນການດຳເນີນງານ
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - ສິດທິບັດ
- F.A.D.S + Fujiki Studio, KOU::ARC
- ສະມາຊິກທີມ
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - ເຄຣດິດຮູບພາບ
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
ໂຄສະນາ
ສຳຫຼວດນອກເໜືອຈາກ Designers.org
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