Shany Abdallah Naji Grafikos meno serija by Shany Dvora is a highly esteemed winner of the very prestigious 2021 Sidabrinis apdovanojimas A' Design Award in Grafikos, iliustracijų ir vizualinės komunikacijos dizainas Competition Category.
SidabrinisGrafika· 2021
Shany Abdallah Naji Grafikos meno serija
by Shany Dvora
Sidabrinis apdovanojimas A' Design Award Winner in Grafika Category
Verified Award Winner
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About Shany Abdallah Naji Grafikos meno serija
Shany Abdallah Naji – tai grafikos darbų serija, atgaivinanti šeimos vardų suteikimo tradiciją. Ši tradicija, nutrūkusi šeimai persikėlus iš Irako į Izraelį, naujagimiui suteikdavo vardą, po kurio sekdavo tėvo ir senelio vardai. Serija buvo sukurta radus senus šeimos imigracijos dokumentus. Penki mišrios technikos darbai – keturi 50 x 70 centimetrų dydžio ir vienas 75 x 70 centimetrų dydžio – įpina vaizdinius į hebrajų kaligrafiją, įkvėptą XII–XV amžiuose Irake, Jemene ir Maroke sukurtų hebrajiškų rankraščių.
The Recognition
About the Sidabrinis apdovanojimas A' Design Award
Shany Abdallah Naji Grafikos meno serija laimėjo Sidabrinį apdovanojimą A' Design Award, nepaprastai prestižinį pripažinimą, skiriamą aukščiausios klasės, puikiems ir įspūdingiems dizainams. Sidabro laureatai yra itin puikūs ir labai kūrybingi darbai, rodantys jų kūrėjų išskirtinę kompetenciją, talentą ir įžvalgumą. Tikimasi, kad Shany Abdallah Naji Grafikos meno serija bus nuostabus, pavyzdinis, labai profesionalus ir giliai novatoriškas kūrinys. Šis Sidabriniu apdovanojimu įvertintas dizainas yra žymus, žavimas išradimas, padedantis plėsti meno, mokslo, dizaino ir technologijų ribas. Shany Abdallah Naji Grafikos meno serija yra kūrinys, kuriam daugelis pavydi, žadinantis troškimus, teikiantis teigiamų jausmų ir sukeliantis nuostabą bei stebėjimąsi.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
- -
- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
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- Patents
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- Team Members
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- Image Credits
- Shany Dvora
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