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Fujifilm Clay Studio2 Biuro interjero dizainas by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Biuro interjero dizainas by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 Bronzinis apdovanojimas A' Design Award in Interjero ir parodų erdvių dizainas Competition Category.


BronzinisInterjeras· 2022

Fujifilm Clay Studio2 Biuro interjero dizainas

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

Bronzinis apdovanojimas A' Design Award Winner in Interjeras Category

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The Design

About Fujifilm Clay Studio2 Biuro interjero dizainas

„Clay Studio 2“ – tai biuro interjeras, sukurtas produktų ir vizualinio dizaino darbui Tokijuje. 300 kvadratinių metrų erdvė sumanyta kaip rami aplinka susikaupimui, kontrastuojanti su biurais, kuriuose pagrindinis dėmesys skiriamas bendravimui. Betonas, dažai ir medžio cemento plokštės palikti neapdoroti, todėl patalpa atrodo sudaryta vien iš sijų ir kolonų. Sodo kraštovaizdis ir natūrali gamtovaizdžio scena sudaro foną ir įneša sezoninių pokyčių į erdvę. Stalai orientuoti į išorę, o septynių metrų ilgio stalas leidžia rengti trumpus susitikimus, kartu išlaikant atstumą tarp žmonių.

The Recognition

About the Bronzinis apdovanojimas A' Design Award

Fujifilm Clay Studio2 Biuro interjero dizainas laimėjo Bronzinį apdovanojimą A' Design Award, labai prestižinį pripažinimą, skiriamą išskirtiniams dizainams, kuriuos žymi kūrybiškumas, išradingumas ir sumanumas. Bronzos laureatai yra pakankamai įgudę ir stulbinamai kūrybingi dirbiniai, patvirtinantys jų kūrėjų didelę patirtį, vaizduotę ir išteklių gausą. Tikimasi, kad Fujifilm Clay Studio2 Biuro interjero dizainas bus aukštai vertinamas, žavimas ir brangus daiktas, žymiai profesionalus ir novatoriškas. Šis Bronziniu apdovanojimu įvertintas dizainas įtraukia geriausias praktikas mene, moksle, dizaine ir technologijose ir yra puikus dėl dėmesio detalėms. Fujifilm Clay Studio2 Biuro interjero dizainas puikiai tenkina poreikius, paliečia troškimus, žavi jausmus ir traukia smalsumą.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging
The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags
a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology
concrete, painting, wood cement board
Design Challenge
It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research
This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration
The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration
Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo 
Operation Flow
While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members
Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita

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