Kouunji Kyakuden Šventyklos priimamoji salė – autorius Hiroaki Iwasa

Darbas Kouunji Kyakuden Šventyklos priimamoji salė, kurio autorius Hiroaki Iwasa, yra itin vertinamas prestižinio 2025 Bronzinis apdovanojimas A' Design Award laimėtojas konkurso kategorijoje Architektūros, pastatų ir konstrukcijų dizainas.

BronzinisArchitektūra· 2025

Kouunji Kyakuden Šventyklos priimamoji salė

Dizaineris: Hiroaki Iwasa

Klientas: Hiroaki Iwasa Architects Workshop

Kategorijos Architektūra laimėtojas – Bronzinis apdovanojimas A' Design Award

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Patvirtintas apdovanojimo laimėtojas

Patikrinti apdovanojimo statusą – #162806

Aplankykite svetainę Peržiūrėti A' Design Award Pranešimas spaudai Apdovanojimo ženklelis

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Dizainas

Apie Kouunji Kyakuden Šventyklos priimamoji salė

Projektas buvo 140 metų senumo priimamosios salės rekonstrukcija, kuri buvo vienas iš budistų šventyklos Kouunji pastatų. Senoji priimamoji salė ilgą laiką buvo brangi vietinei bendruomenei; tačiau dėl per metus susikaupusių rimtų pažeidimų ją reikėjo rekonstruoti. Architektas išsprendė šias problemas atnaujindamas ir suderindamas, taip pat sukurdamas sistemas, skirtas vietinės bendruomenės atminčiai perduoti kitai kartai. Dėl to naujoji priimamoji salė įgijo ne tik nostalgijos jausmą, bet ir reikšmę istoriniame kontekste.

Pripažinimas

Apie Bronzinis apdovanojimas A' Design Award

Kouunji Kyakuden Šventyklos priimamoji salė laimėjo Bronzinį apdovanojimą A' Design Award, labai prestižinį pripažinimą, skiriamą išskirtiniams dizainams, kuriuos žymi kūrybiškumas, išradingumas ir sumanumas. Bronzos laureatai yra pakankamai įgudę ir stulbinamai kūrybingi dirbiniai, patvirtinantys jų kūrėjų didelę patirtį, vaizduotę ir išteklių gausą. Tikimasi, kad Kouunji Kyakuden Šventyklos priimamoji salė bus aukštai vertinamas, žavimas ir brangus daiktas, žymiai profesionalus ir novatoriškas. Šis Bronziniu apdovanojimu įvertintas dizainas įtraukia geriausias praktikas mene, moksle, dizaine ir technologijose ir yra puikus dėl dėmesio detalėms. Kouunji Kyakuden Šventyklos priimamoji salė puikiai tenkina poreikius, paliečia troškimus, žavi jausmus ir traukia smalsumą.

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Dizainerio pateikti kreditai, komandos nariai ir techninė informacija.

Unikalios savybės: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Matmenys ir pakuotė: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Žymos: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Gamybos technologija: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Dizaino iššūkis: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Tyrimas: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Įkvėpimas: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Projekto trukmė: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Veikimo eiga: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Nuotraukų autoriai: Photographer Kozo Takayama