Great Blue Hole Vėrinys by Jung Ki Min is a highly esteemed winner of the very prestigious 2026 Bronzinis apdovanojimas A' Design Award in Juvelyrikos dizainas Competition Category.

BronzinisJuvelyrika· 2026

Great Blue Hole Vėrinys

by Jung Ki Min

Bronzinis apdovanojimas A' Design Award Winner in Juvelyrika Category

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Great Blue Hole Vėrinys

Great Blue Hole – tai vėrinys, įkvėptas to paties pavadinimo jūrinės smegduobės Belize. Dizainas didžiulį gamtos kraštovaizdį paverčia dėvima skulptūrine forma. Sluoksniuoti metaliniai komponentai iškelti ant skirtingo ilgio vielų, taip sukuriant erdvinį tūrį ir gylį. Formoms ir paviršiaus tekstūroms kurti buvo naudojamas pjovimas, liejimas, emaliavimas, akmenų įtvirtinimas, kalstymas ir repusė. Vėrinio plotis – 130 mm, gylis – 15 mm, aukštis – 75 mm, o perlų vėrinio ilgis – 450 mm. Kūno judesiai keičia šviesos žaismą sluoksniuose.

The Recognition

About the Bronzinis apdovanojimas A' Design Award

Great Blue Hole Vėrinys laimėjo Bronzinį apdovanojimą A' Design Award, labai prestižinį pripažinimą, skiriamą išskirtiniams dizainams, kuriuos žymi kūrybiškumas, išradingumas ir sumanumas. Bronzos laureatai yra pakankamai įgudę ir stulbinamai kūrybingi dirbiniai, patvirtinantys jų kūrėjų didelę patirtį, vaizduotę ir išteklių gausą. Tikimasi, kad Great Blue Hole Vėrinys bus aukštai vertinamas, žavimas ir brangus daiktas, žymiai profesionalus ir novatoriškas. Šis Bronziniu apdovanojimu įvertintas dizainas įtraukia geriausias praktikas mene, moksle, dizaine ir technologijose ir yra puikus dėl dėmesio detalėms. Great Blue Hole Vėrinys puikiai tenkina poreikius, paliečia troškimus, žavi jausmus ir traukia smalsumą.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Dimensions & Packaging: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Tags: silver, necklace, jewelry, natural
Production Technology: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Design Challenge: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Research: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Inspiration: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Project Duration: The project started in August 2018 in New York, USA, and was completed in May 2019.
Operation Flow: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Image Credits: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.