Geležinis Baldai · 2018
Zene Valgomojo kėdė
- Geležinis apdovanojimas A' Design Award 2018 in Baldai
- CLIENT: John G Williams
- Estimated Number of Design Views: 12,482
- Verification code 96FFCBB562 · Verify this award
Colors
About Zene Valgomojo kėdė
„Zene" valgomojo kėdė įkvėpta vietinių medienos rūšių ir Danijos modernizmo dizaino. Lengvi uosio rėmai yra paprasti bei tvirti ir laiko kietmedžio sėdynes bei atlošus, kurie atrodo tarsi plūduriuotų ant rėmo. Išlenktos sėdynės ir atlošo formos sukurtos ne lenkiant medieną, o jungiant ir formuojant vientisą kietmedžio medieną. Kaip serija, lengvi uosio rėmai suteikia darną, o skirtingos vietinės medžiagos, parinktos sėdynėms ir atlošams, sužadina susidomėjimą bei aktualumą.
About the Geležinis apdovanojimas A' Design Award
Zene Valgomojo kėdė laimėjo Geležinį apdovanojimą A' Design Award, prestižinį pripažinimą, skiriamą geriems dizainams, atitinkantiems profesinius ir pramoninius reikalavimus, kurių tikimasi iš gerai suprojektuotų kūrinių. Geležies laureatai rodo didelius kūrėjų įgūdžius, aukštą specializaciją, ekspertinį supratimą ir kūrybinį gebėjimą. Tikimasi, kad Zene Valgomojo kėdė bus aukštai vertinamas, žavimas ir brangus kūrinys, praktiškas ir novatoriškas. Šis Geležiniu apdovanojimu įvertintas dizainas integruoja geriausias pramonės praktikas ir turi kompetentingas technines savybes, susietas su patirtimi ir talentu. Zene Valgomojo kėdė gerbiamas už kruopštumą ir sukurtas taip, kad gerintų gyvenimo kokybę ir padėtų padaryti pasaulį geresne vieta.
Press Kit
- Unique Properties
- This series of dining chairs have American ash frames and showcase different hardwood timbers for the seat/backrest combinations.
The chairs draw on the ancient art of 'coopering' or how oak barrels are made for fermentation purposes. The curved forms of the seat/backrest are not formed by bending but rather by joining and shaping solid hardwood timber.
The chair strives to be very strong and beautiful. In short: Zene -
elegant, comfortable and dependable. - Dimensions & Packaging
- 515mm wide x 570mm deep x 890mm high
seat: 515mm wide x 390mm deep
back:515mm wide x 200mm high - Tags
- zene, dining chair, south africa, hardwood, curved, cooper, danish modern, minimalist
- Production Technology
- The Zene design evolved over a number of years. The starting point was probably a fascination with the art of coopering and how this has been applied to furniture design. Building the segmented seat and backrests took some practice to perfect, as did the development of custom modifications to standard workshop tools to shape and finish the smoothly shaped forms.
- Design Challenge
- Building the coopered seat/backrests was challenging as it required careful attention to the compression forces on the material and how best to achieve high compression without causing the seats to 'implode'.
Shaping the rough seats into finely finished and smooth curves required considerable re-working of the custom tooling to achieve the desired results - Research
- Danish modern designs were studied and absorbed to consider different ways of rendering the frame, and its relationship to the seat, and to think through the spatial relationship of the seat to the backrest.
Web search was used to think about typical dimensions for the seat but in the end prototyping proved most fun. - Inspiration
- The beauty grain and colour of indigenous African timber was a key aesthetic inspiration for this project. The more technical inspiration for the overall work, including the frame design came from iconic designers such as Hans J Wegner (for example the CH20 Elbow Chair). The coopering technique was inspired by Ontario furniture designer Adrian Ferrazzutti.
- Project Duration
- The first prototype was conceived in Johannesburg in 2007. It was slowly refined as background task over 10 years, and the first set of 6 chairs was produced in 2017
- Operation Flow
- Zene is designed mainly for use at the dining table and is designed for extended dining comfort.
- Patents
- no patents pending
- Image Credits
- all images by the designer: John G Williams
