The Japanese Forest Fotografija by Masaru Eguchi is a highly esteemed winner of the very prestigious 2020 Sidabrinis apdovanojimas A' Design Award in Fotografijos ir nuotraukų manipuliavimo dizainas Competition Category.
SidabrinisFotografija· 2020
The Japanese Forest Fotografija
Client: Sunpono
Sidabrinis apdovanojimas A' Design Award Winner in Fotografija Category
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The Design
About The Japanese Forest Fotografija
Japonijos miškas vertinamas iš japonų religinės perspektyvos. Viena iš senovės japonų religijų yra animizmas. Animizmas yra įsitikinimas, kad ne žmogaus būtybės, natiurmortas (mineralai, daiktai ir kt.) Ir nematomi daiktai taip pat turi intenciją. Fotografija panaši į šią. Masaru Eguchi fotografuoja tai, kas sukelia jausmą objekte. Medžiai, žolė ir mineralai jaučia gyvenimo valią. Ir net artefaktai, tokie kaip užtvankos, kurios ilgą laiką liko gamtoje, jaučia norą. Kaip matysite nepaliestą gamtą, ateitis išvys ir dabartinį peizažą.
The Recognition
About the Sidabrinis apdovanojimas A' Design Award
The Japanese Forest Fotografija laimėjo Sidabrinį apdovanojimą A' Design Award, nepaprastai prestižinį pripažinimą, skiriamą aukščiausios klasės, puikiems ir įspūdingiems dizainams. Sidabro laureatai yra itin puikūs ir labai kūrybingi darbai, rodantys jų kūrėjų išskirtinę kompetenciją, talentą ir įžvalgumą. Tikimasi, kad The Japanese Forest Fotografija bus nuostabus, pavyzdinis, labai profesionalus ir giliai novatoriškas kūrinys. Šis Sidabriniu apdovanojimu įvertintas dizainas yra žymus, žavimas išradimas, padedantis plėsti meno, mokslo, dizaino ir technologijų ribas. The Japanese Forest Fotografija yra kūrinys, kuriam daugelis pavydi, žadinantis troškimus, teikiantis teigiamų jausmų ir sukeliantis nuostabą bei stebėjimąsi.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people. - Dimensions & Packaging
- The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
- Tags
- Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
- Production Technology
- The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
- Design Challenge
- The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
- Research
- Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
- Inspiration
- One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
- Project Duration
- The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
- Operation Flow
- This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
- Patents
- Copyright: Masaru Eguchi
- Image Credits
- Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.
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