Darbas Tai Quan Palace Biuro erdvė, kurio autorius Shen Fu Chen, yra itin vertinamas prestižinio 2020 Geležinis apdovanojimas A' Design Award laimėtojas konkurso kategorijoje Interjero ir parodų erdvių dizainas.
GeležinisInterjeras· 2020
Tai Quan Palace Biuro erdvė
Dizaineris: Shen Fu Chen
Klientas: Jiun Wen Industrial Co., Ltd
Kategorijos Interjeras laimėtojas – Geležinis apdovanojimas A' Design Award
Patvirtintas apdovanojimo laimėtojas
Patikrinti apdovanojimo statusą – #98645Dizainas
Apie Tai Quan Palace Biuro erdvė
Tai Quan Palace – tai biuro erdvė, esanti Naujajame Taipėjaus mieste, Taivane. Įėjimo koridorius sukurtas tradiciniu kinišku stiliumi ir primena senovinius rūmus. Koridoriaus sienos padengtos 26 000 aukso folijos gabalėlių, uždėtų rankomis ant gruntinio sluoksnio, o ne dažais. Tradicines kiniškas dvivėres duris su durų vinimis bei tarpvinklinėmis (čiaupo ir įmovos tipo) jungtimis sukūrė medžio meistrai. Darbo zonos yra paprastesnės – su baltomis sienomis, spintelėmis, stalais ir kėdėmis bei geležies ir vario detalėmis. Beribė (be kliūčių) rampa sprendžia aukščių skirtumo problemą prie įėjimo.
Pripažinimas
Apie Geležinis apdovanojimas A' Design Award
Tai Quan Palace Biuro erdvė laimėjo Geležinį apdovanojimą A' Design Award, prestižinį pripažinimą, skiriamą geriems dizainams, atitinkantiems profesinius ir pramoninius reikalavimus, kurių tikimasi iš gerai suprojektuotų kūrinių. Geležies laureatai rodo didelius kūrėjų įgūdžius, aukštą specializaciją, ekspertinį supratimą ir kūrybinį gebėjimą. Tikimasi, kad Tai Quan Palace Biuro erdvė bus aukštai vertinamas, žavimas ir brangus kūrinys, praktiškas ir novatoriškas. Šis Geležiniu apdovanojimu įvertintas dizainas integruoja geriausias pramonės praktikas ir turi kompetentingas technines savybes, susietas su patirtimi ir talentu. Tai Quan Palace Biuro erdvė gerbiamas už kruopštumą ir sukurtas taip, kad gerintų gyvenimo kokybę ir padėtų padaryti pasaulį geresne vieta.
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Dizainerio pateikti kreditai, komandos nariai ir techninė informacija.
- Unikalios savybės
- The decoration style and techniques of the project are beyond the existing practice, trying to create a new harmonious aesthetics with contradictory elements in a limited space. The design team used gold foil and manually pasted the entire space surface with luxurious yet low-keyed gold color to the Chinese style corridor. Thereafter, looked for woodworkers to make traditional Chinese double doors, Mortise and tenon joints, bringing the best effort to make the entire space without ambiguity.
- Matmenys ir pakuotė
- Tai Quan Palace is not just a visual experiment. In terms of living functions, the Chinese corridor entrance is designed with barrier-free ramp, which solves the height difference on the raised floor area. In order to connect the Chinese style on the outside and simplicity of European and American style on the inside, the floor tiles are gradually decreasing to create a progressive connection effect. As the line of sight extends to the end of the space, the design team replaced the solid partition with full glass to separate the space. While enlarging the vision, it is also an interesting attempt to make the space into a painting.
- Žymos
- Traditional Chinese Architecture, Chinese and Western combination, Hand-glued gold foil, Modernism, Office Space
- Gamybos technologija
- As the main point of the Chinese style corridor, the design team used 26,000 pieces of gold foil, which was manually pasted to the entire wall surface after applying primer to replace the modern feeling of paint. Mortise and tenon joints, the Chinese double doors and door nails, are specially made by the woodworkers. On the contrary, the office space is relatively simple, which is decorated with details of different materials such as iron and copper. The gold color is used to portray the outline of the space, making a connection in a contrast differences.
- Dizaino iššūkis
- The palace-like entrance corridor breaks the common perception about office, and it is also technically very different with the office in the past. Whether the traditional Chinese double doors with embedded door nails on it, Mortise and tenon joints, a progressive porch tiles, while at the same time a lot of communication and discussion with the technicians are needed for the design execution.
- Tyrimas
- The overall design style derived from the design team concern on the importance of their own tradition and the spirit of reminiscent. Adopting a strong traditional Chinese architectural style to create an ancient-palace-like entry corridor. Using hand-glued gold foil instead of common paint to show the timeless richness. The interior space is based on all white walls, cabinets, desks and chairs, and decorated with beautiful details such as door frames, lamp holders and Chinese cultural elements. Write the design intention between tangible and intangible.
- Įkvėpimas
- The designer upholds the fundamental idea of not forgetting own culture and quoting the traditional Chinese style as the main axis of the design and present the common classical elements one by one. A bold and no-hesitation design vocabulary are implemented, hoping that whoever enters the space may have the sense of acceptance, not just as a visitor but as a guest, who is well received. The style is quite different, but it creates a new balance with the extreme, which is the contradictory balance that the design team wants to try.
- Projekto trukmė
- This project was completed in December 30th, 2019 in New Taipei City, Taiwan.
- Veikimo eiga
- The overall design style is pushed to the extreme. Many seemingly like contrasting elements, whether it is the combination of Chinese and Western cultures, different materials, or the use of single color, which are some rare attempt to be found in commercial space. So, rather than compromising, the design team integrated the conflicting elements in an eclectic way. It is better to say that the design team retains the unique characteristics of each element to the maximum extent within the acceptable range.
- Komandos nariai
- SHEN FU CHEN
- Nuotraukų autoriai
- Chuang-Chieh Chiu, Jan 2019
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