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Ice Cave Pirmspārdošanas Birojs — Omid Amini and Fatemeh Salehi Amiri

Darbs Ice Cave Pirmspārdošanas Birojs, kura autors ir Omid Amini and Fatemeh Salehi Amiri, ir augsti novērtēts un ļoti prestižās 2021 Zelta balva A' Design Award ieguvējs kategorijā Interjera, tirdzniecības un izstāžu dizains.


ZeltaInterjers· 2021

Ice Cave Pirmspārdošanas Birojs

Autors: Omid Amini and Fatemeh Salehi Amiri

Klients: Sizan

Zelta balva A' Design Award ieguvējs kategorijā Interjers

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Verificēts balvas ieguvējs

Verificēt balvas statusu dizainam #107297

Krāsas

Dizains

Par Ice Cave Pirmspārdošanas Birojs

Ice Cave ir izstāžu zāle klientam, kuram bija nepieciešama telpa ar unikālu kvalitāti. Pa to laiku var demonstrēt dažādas Teherānas acu projekta īpašības. Atbilstoši projekta funkcijai, pievilcīga, bet neitrāla gaisotne, kur pēc vajadzības demonstrēt objektus un notikumus. Dizaina ideja bija minimālas virsmas loģikas izmantošana. Integrēta sieta virsma ir izkliedēta visā telpā. Dažādiem lietojumiem nepieciešamā telpa veidojas, balstoties uz ārējiem spēkiem augšup un lejup vērstā virzienā, kas iedarbojas uz virsmu. Izgatavošanai šī virsma ir sadalīta 329 paneļos.

Atzinība

Par Zelta balva A' Design Award

Ice Cave Pirmspārdošanas Birojs ir Zelta balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir pirmšķirīgiem, brīnišķīgiem un izciliem dizainiem. Zelta ieguvēji ir ļoti inovatīvi, tālredzīgi un žilbinoši spoži darbi, kas atspoguļo to dizaineru talantu, gudrību un meistarību. Sagaidāms, ka Ice Cave Pirmspārdošanas Birojs būs ļoti slavēts, tendenci veidojošs un monumentāls izgudrojums, kas sniedz nebijušu vērtību. Šis ar Zelta balvu apbalvotais dizains ir lielisks, cienīts projekts, kas paplašina mākslas, zinātnes, dizaina un tehnoloģiju robežas. Ice Cave Pirmspārdošanas Birojs izraisa intensīvu vēlmi, modina kaislību, veicina radošumu un valdzina.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības
The need for an exhibition space and the potential to provide features, details, and replicas of the Tehran Eye project. Also, this section's location on the first floor and the use of two skylights for natural light provided very exclusive conditions for the design of a cave space, which provided a ceiling property or a free form as opposed to neutral walls. The emphasis of the space design was focused on the roof and columns, elements that provided a suitable basis for the design of this space.
Izmēri un iepakojums
Ceiling: 290 m2
Ceiling Composite panels: 329
Floor: 200 m2
Birkas
Minimal Surface, Digital fabrication, computational design, Digital design
Ražošanas tehnoloģija
The logic of minimal surfaces was used according to the project's need for an attractive yet neutral atmosphere for showing the project's predicted function.
For Fabrication, this surface has been divided into several panels (329 double curve composite panels). The main constraint for products these panels is using a three-axis CNC machine (Styrofoam block with a density of 37 kg-m3, 1.1.2 m3). At the same time, the method of installing panels and details of connecting to the main structure has also been taken into consideration.
Dizaina izaicinājums
construction, a few points, needed research, at least the change in the size of the parts based on climate change that sometimes reaches forty degrees Celsius, on the other hand, due to the general use of this project and the rapid flammability of the composite Need fire retardant or fire-retardant compounds.
facilities, due to the middle space between the shell and the structural roof, this section was used to reduce the energy required for air circulation.
green wall section, the use of the most suitable type of these walls, as well as plants and irrigation conditions and light required by plants, are among the items studied.
Pētījums
Type of research: Use of current world articles and journals
Objectives of the research: Making a free-form shell with the least use of materials and in the shortest possible time, using the project facilities to save more energy consumption for the cooling and heating system, using green space with optimal irrigation in mind.
Due to the different parts of the project, several topics were important for initial research and studies.
-design section, what needed more research and study in this section was the optimization of consumables and construction stages according to local materials and devices.
Iedvesma
Icy cave project has been designed and built in order to presell commercial units of a commercial-recreational Tehran Eye complex. In its early years of operation, this space will be used for selling commercial units. Then, it will be transformed into an event hall. Therefore, this issue has been taken into consideration in the design of this project, and it's fixed as well as the mobile layout of the furniture.
Projekta ilgums
The project started in April 2016 in Tehran, Iran, and finished in June 2018, and was a sale office for selling stores of Tehran eye Commercial and entertainment complex.
Darbības plūsma
Visitors are first confronted with a section that can personally use the provided tools to overview the different sections and general and technical information of the Tehran Eye.
then they introduced the project with the guidance of staff using wall-mounted displays. In the second part, customers can sit next to fixed and movable furniture, and listen to the sales manager's explanations. In the final stage, visitors face sitting or standing with a large screen that is projected.
Patenti
For copyrights: "Copyrights belong to Fatemeh Salehi Amiri, 2018."

For trademarks: "Sizan (2011) Fatemeh Salehi Amiri, Omid Amini, Avid Amini"
Komandas dalībnieki
Architecture Firm:
Omid Amini and Partners
Architects in charge:
Omid Amini
Fatemeh Salehi Amiri
Design Team:
Mehrad Mahnia
Fatemeh Salehi Amiri
Executive Manager:
Fatemeh Salehi Amiri
Omid Amini
Supervisor:
Fatemeh Salehi Amiri
Mehrad Mahnia
Contractor:
Sizan Company
Attēlu autori
Image #1: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #2: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #3: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #4: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.
Image #5: Photographer Parham Taghiof (Persia Photography Center), Ice Cave, 2018.

Other Images: Photographer Masih Mostajeran (Deed Studio)

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