Darbs Tianjin Zarsion Izstāžu centrs, kura autors ir RUF Architects, ir augsti novērtēts un ļoti prestižās 2021 Platīna balva A' Design Award ieguvējs kategorijā Arhitektūras, ēku un būvju dizains.
PlatīnaArhitektūra· 2021
Tianjin Zarsion Izstāžu centrs
Autors: RUF Architects
Klients: RUF Architects
Platīna balva A' Design Award ieguvējs kategorijā Arhitektūra
Verificēts balvas ieguvējs
Verificēt balvas statusu dizainam #114671Dizains
Par Tianjin Zarsion Izstāžu centrs
Tianjin Zarsion ir izstāžu centrs, kas uzbūvēts blakus Jundinas upes pietekai Tjaņdziņā, Ķīnā. Plānojumā izmantota ūdens piliena forma, kas novietota diagonāli uz apbūves gabala, tādējādi pagarinot pieejas ceļu no pilsētas malas līdz ieejai. Dziļas dzegas un lielas stikla virsmas veido vieglu jumtu, kas šķietami lidinās gaisā. Konstrukcija galvenokārt ir no koka, papildināta ar tēraudu, un 68 radiāli izvietotas sarkanās priedes sijas veido lietussarga formas arkveida karkasu. Astoņas iekšējās koka kolonnas ļauj izveidot plašu zāli bez kolonnām. Lapas formas jumta logs ir izmērots tā, lai iekštelpu apgaismojums saglabātos maigs un mierīgs.
Atzinība
Par Platīna balva A' Design Award
Tianjin Zarsion Izstāžu centrs ir Platīna balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir patiesi izciliem, elegantiem un majestātiskiem dizainiem. Platīna ieguvēji ir radīšanas brīnumi, intelektuālās radošuma robežu apliecinājums un parāda savu dizaineru nepārspējamo profesionalitāti un ģēniju. Sagaidāms, ka šie dizaini būs visslavenākie darbi, kas definē laikmeta estētiku, sniedz ieguldījumu sabiedrības labklājībā un paplašina mākslas, zinātnes, dizaina un tehnoloģiju robežas. Tianjin Zarsion Izstāžu centrs parāda transcendentu izcilības līmeni un ar savām labvēlīgajām īpašībām padara pasauli labāku. Tianjin Zarsion Izstāžu centrs ir darbs, kas ieguvis Platīna balvu A' Design Award un kas pamodina vēlmes, iedvesmo, iepriecina un raisa lielu prieku.
Aiz dizaina
Preses materiāli
Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.
- Unikālās īpašības
- Architects initially tried to use symbolic architectural language to establish a connection with the historical environment.
As to layout, water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the shape more intuitive. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees. - Izmēri un iepakojums
- The interior 8 wooden columns and the 3 diagonal wooden columns at the front make the structure realize the 34.0mx14.5m indoor column-free space and the 3.7m outdoor cantilever.
The smoke-gray aluminum-magnesium plates, ultra-white tempered glass, small faceted spruce suspended ceiling and leaf-shaped exterior outline create an honest expression of microscopic stress. - Birkas
- Innovative, New Experience, Polysemy, Community, Commercial, Dynamic, Architecture, Interaction
- Ražošanas tehnoloģija
- The project’s structure went through three rounds of schemes, and final scheme is dominated by wood structure and supplemented by steel structure.
The concept of three rings is adopted. The roof uses the skylight and the beam columns to realize force conversion. The cornice is made of steel structure and the rest is made of wood structure to achieve perfect radiating effect. - Dizaina izaicinājums
- The project was completed in the form of wooden structure. The biggest challenge in the process of project implementation is the large span and overhang in the structure. After several rounds of structural tests, the final shape is umbrella-shaped spoke-type arched architecture scheme, which is formed by inner, middle and outer circular steel beams and 68 radial red pine beams.
- Pētījums
- At the initial design stage, the external place is not clearly defined, and the relationship between the building and the place presents a sense of spontaneous floating. Along with the design development forwarded, metaphorical polysemy emerges. Architects use the cavities of roof sheathing and inclined beams as well as the cavities of main ring beams to hide all pipelines involving water, electricity, air conditioning and so on.
- Iedvesma
- The project locates next to a meandering tributary of the Yongding River. In this vast expanse of grass, the external place is not clearly defined.
The design started with the roof, architects initially tried to use symbolic architectural language to establish a connection with the historical environment. This is like a crystal clear water drop quietly dissolves into the endless winding river. However, with the gradual development of the narrative, metaphorical polysemy emerges. - Projekta ilgums
- The project started in July. 2019 in Tianjin Municipality, China and was completed in March 2020.
- Darbības plūsma
- The building does not have a clear main entrance. Three exposed diagonal wooden posts are used to define the entrance space at the front.
To enter the exhibition space from the front, visitors will enter a lower transitional space under the eaves, and then gradually move to the space under the leaf-shaped skylight, which is covered with light. We deliberately control the interference of excessive direct light through the size of the skylight, so as to ensure the soft and quiet space atmosphere inside. - Komandas dalībnieki
- RUF Architects
Lead Architect:Qian Mingbo
Design Team:Song Xinhua,Wu Meihong, Rao Zeming, Ji Changshuai - Attēlu autori
- Photo Credits: Hu Yijie
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