Tea Culture Tējas kultūras pieredzes zāle — Shenzhen Horizon Space Design Co.,Ltd

Darbs Tea Culture Tējas kultūras pieredzes zāle, kura autors ir Shenzhen Horizon Space Design Co.,Ltd, ir augsti novērtēts un ļoti prestižās 2021 Sudraba balva A' Design Award ieguvējs kategorijā Interjera, tirdzniecības un izstāžu dizains.

SudrabaInterjers· 2021

Tea Culture Tējas kultūras pieredzes zāle

Autors: Shenzhen Horizon Space Design Co.,Ltd

Klients: Shenzhen Horizon Space Design Co.,Ltd

Sudraba balva A' Design Award ieguvējs kategorijā Interjers

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Dizains

Par Tea Culture Tējas kultūras pieredzes zāle

Tējas kultūra ir neliela tējas kultūras pieredzes zāle, kas veidota kā mierīga vide tējas baudīšanai. Vairākas horizontālas un vertikālas telpas ir savienotas vienā nepārtrauktā zonā, kur apmeklētāji var brīvi pārvietoties, satikt cits citu vai apstāties un paraudzīties atpakaļ. Izkārtojumu iedvesmoja salocīts papīrs, un no tā izrietošās perspektīvas maiņas piešķir interjeram gan klasisku klusumu, gan mūsdienīgu dzīvīgumu. Smalki režģi aizstāj papīra virsmas faktūru. Katra telpa ir vienkāršota līdz pamata funkcijai, lai apmeklētāji varētu atpūsties, pirms tiek pasniegta tēja.

Atzinība

Par Sudraba balva A' Design Award

Tea Culture Tējas kultūras pieredzes zāle ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka Tea Culture Tējas kultūras pieredzes zāle būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. Tea Culture Tējas kultūras pieredzes zāle ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

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Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Izmēri un iepakojums: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Birkas: Tea Culture Exploration Hall
Ražošanas tehnoloģija: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Iedvesma: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Komandas dalībnieki: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu