Orbit A Collection Rotaslietu kolekcija — Suyu Chen

Darbs Orbit A Collection Rotaslietu kolekcija, kura autors ir Suyu Chen, ir augsti novērtēts un ļoti prestižās 2022 Dzelzs balva A' Design Award ieguvējs kategorijā Juvelierizstrādājumu dizains.

DzelzsJuvelierizstrādājumi· 2022

Orbit A Collection Rotaslietu kolekcija

Autors: Suyu Chen

Klients: Suyu Chen

Dzelzs balva A' Design Award ieguvējs kategorijā Juvelierizstrādājumi

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Dizains

Par Orbit A Collection Rotaslietu kolekcija

"Orbit A" kolekcija ir rokdarbu rotaslietu sērija, kurā ietilpst brošas un divas kaklarotas. Katrs izstrādājums ir unikāls un apvieno sudrabu ar plastmasas caurulītēm, sveķu māliem un krāsu. Viens un tas pats plastmasas komponents tiek atkārtots kā pamata modulis, radot dažādas valkājamas un skulpturālas formas. Tiek izmantotas tradicionālās metālapstrādes metodes, piemēram, lodēšana, formēšana un ķēžu izgatavošana, kā arī plastmasas metināšana, slīpēšana un krāsošana. Kolekcija atspoguļo saikni starp tradicionālo amatniecību un mūsdienu masveida ražošanu.

Atzinība

Par Dzelzs balva A' Design Award

Orbit A Collection Rotaslietu kolekcija ir Dzelzs balvas A' Design Award ieguvējs, prestiža atzinība, ko piešķir labiem dizainiem, kas atbilst profesionālajām un rūpnieciskajām prasībām, kādas sagaidāmas no labi izstrādātiem darbiem. Dzelzs ieguvēji parāda to radītāju lielo prasmi, augsto specializāciju, ekspertu izpratni un radošo spēju. Sagaidāms, ka Orbit A Collection Rotaslietu kolekcija būs augsti vērtēts, apbrīnots un cienīts darbs, praktisks un inovatīvs. Šis ar Dzelzs balvu apbalvotais dizains integrē nozares labāko praksi un tam ir kompetentas tehniskās īpašības, kas saistītas ar zinātību un talantu. Orbit A Collection Rotaslietu kolekcija tiek cienīts par rūpību un ir izstrādāts, lai uzlabotu dzīves kvalitāti un palīdzētu padarīt pasauli labāku.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Izmēri un iepakojums: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Birkas: jewelry, necklace, brooch, craft, mixed material, art jewelry
Ražošanas tehnoloģija: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Dizaina izaicinājums: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Pētījums: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Iedvesma: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Projekta ilgums: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Darbības plūsma: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Komandas dalībnieki: Suyu Chen
Attēlu autori: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020