Interpreting Discomfort Eļļas glezniecības sērija by YunFen Wang is a highly esteemed winner of the very prestigious 2022 Bronzas balva A' Design Award in Tēlotājmākslas un mākslas instalāciju dizains Competition Category.
BronzasTēlotājmāksla· 2022
Interpreting Discomfort Eļļas glezniecības sērija
by YunFen Wang
Client: YunFen Wang
Bronzas balva A' Design Award Winner in Tēlotājmāksla Category
Verified Award Winner
Verify Award Status for #136563The Design
About Interpreting Discomfort Eļļas glezniecības sērija
"Interpreting Discomfort" ir eļļas glezniecības sērija, kas veltīta personiskās telpas un sociālā spiediena tēmai. Darbos attēlotas rokas un acis inscenētos skatos, kuros atveidoti ikdienas neveiklības mirkļi. Rūpes izpaužoša rīcība var tuvināt cilvēkus, taču pārmērīga uzmanība var arī radīt diskomfortu. Gleznās apvienotas divas tehnikas. Netiešā glezniecība veido melnbaltu pamatni, kas pēc tam tiek lazēta ar krāsu. Tiešā glezniecība uzklāj jauktu krāsu tieši uz virsmas. Sērija veidota, izmantojot eļļas krāsas uz audekla un koka paneļa, un tā tiek izstādīta galerijās kā sarunas iedvesmas avots.
The Recognition
About the Bronzas balva A' Design Award
Interpreting Discomfort Eļļas glezniecības sērija ir Bronzas balvas A' Design Award ieguvējs, ļoti prestiža atzinība, ko piešķir izciliem dizainiem, kas izceļas ar radošumu, atjautību un viedumu. Bronzas ieguvēji ir pietiekami prasmīgi un pārsteidzoši radoši darbi, kas apliecina to dizaineru plašo pieredzi, iztēli un izdarību. Sagaidāms, ka Interpreting Discomfort Eļļas glezniecības sērija būs augsti vērtēts, apbrīnots un cienīts priekšmets, ievērojami profesionāls un inovatīvs. Šis ar Bronzas balvu apbalvotais dizains iekļauj labāko praksi mākslā, zinātnē, dizainā un tehnoloģijās un izceļas ar uzmanību detaļām. Interpreting Discomfort Eļļas glezniecības sērija lieliski apmierina vajadzības, skar vēlmes, valdzina jūtas un piesaista zinātkāri.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
- Dimensions & Packaging
- 24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
- Tags
- hands, eyes, oil painting, art, surrealism
- Production Technology
- She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas - Design Challenge
- Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
- Research
- The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
- Inspiration
- The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
- Project Duration
- The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
- Operation Flow
- It will be displayed in a gallery, and these paintings can be a tool for conversation.
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