Reborn Koka Vāze by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Reborn Koka Vāze by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching is a highly esteemed winner of the very prestigious 2023 Dzelzs balva A' Design Award in Tēlotājmākslas un mākslas instalāciju dizains Competition Category.

DzelzsTēlotājmāksla· 2023

Reborn Koka Vāze

by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Client: Tainan University of Technology/Product Design Deparment

Dzelzs balva A' Design Award Winner in Tēlotājmāksla Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Reborn Koka Vāze

Vērtības radīšana mēbeļu rūpniecības izmestajai un pārpalikušajai koksnei, izmantojot metāla inkrustācijas tehnikas uz organiski sfēriskas koka virsmas. Iedvesmojoties no sēklu audzēšanas dzīvības formas, koksnes graudos ir iestrādāta misiņa stieple, kas stiepjas kā sakņu forma, lai atbalstītu koka vāzi. Rakstam ir funkcionāls pielietojums, jo no koka pārpalikumiem tiek izveidots stādīšanas konteiners, kas atgādina dīgstu sēklu, kas simbolizē dzīves ciklu. Plūstošā metāla saknes forma sniedz vitalitātes sajūtu, atgādinot kustīgu organismu.

The Recognition

About the Dzelzs balva A' Design Award

Reborn Koka Vāze ir Dzelzs balvas A' Design Award ieguvējs, prestiža atzinība, ko piešķir labiem dizainiem, kas atbilst profesionālajām un rūpnieciskajām prasībām, kādas sagaidāmas no labi izstrādātiem darbiem. Dzelzs ieguvēji parāda to radītāju lielo prasmi, augsto specializāciju, ekspertu izpratni un radošo spēju. Sagaidāms, ka Reborn Koka Vāze būs augsti vērtēts, apbrīnots un cienīts darbs, praktisks un inovatīvs. Šis ar Dzelzs balvu apbalvotais dizains integrē nozares labāko praksi un tam ir kompetentas tehniskās īpašības, kas saistītas ar zinātību un talantu. Reborn Koka Vāze tiek cienīts par rūpību un ir izstrādāts, lai uzlabotu dzīves kvalitāti un palīdzētu padarīt pasauli labāku.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Dimensions & Packaging: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Tags: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Production Technology: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Design Challenge: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Research: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Inspiration: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Project Duration: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Operation Flow: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Team Members: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Image Credits: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng