Looping Flower Ikebanas kultūras telpa — Ni Jie Guo

Darbs Looping Flower Ikebanas kultūras telpa, kura autors ir Ni Jie Guo, ir augsti novērtēts un ļoti prestižās 2024 Bronzas balva A' Design Award ieguvējs kategorijā Interjera, tirdzniecības un izstāžu dizains.

BronzasInterjers· 2024

Looping Flower Ikebanas kultūras telpa

Autors: Ni Jie Guo

Klients: Blankspace

Bronzas balva A' Design Award ieguvējs kategorijā Interjers

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Dizains

Par Looping Flower Ikebanas kultūras telpa

Ikebanas māksla ir meditācija par dzīvi četru gadalaiku plūsmā, ietverot īslaicīgu mirkļu tveršanu Japānas estētikā, ziedu un zaru dzīvības rekonstrukciju un inovatīvu struktūras un estētikas sadursmi. Visas telpas dizains balstās uz Kusatsuki-ryu garu, izceļot elementus no tradicionālās Japānas arhitektūras un pārveidojot tos mūsdienīgā arhitektoniskā valodā, pētot attiecības starp laikmetīgo būvniecību un estētiku ar abstraktiem Japānas elementiem.

Atzinība

Par Bronzas balva A' Design Award

Looping Flower Ikebanas kultūras telpa ir Bronzas balvas A' Design Award ieguvējs, ļoti prestiža atzinība, ko piešķir izciliem dizainiem, kas izceļas ar radošumu, atjautību un viedumu. Bronzas ieguvēji ir pietiekami prasmīgi un pārsteidzoši radoši darbi, kas apliecina to dizaineru plašo pieredzi, iztēli un izdarību. Sagaidāms, ka Looping Flower Ikebanas kultūras telpa būs augsti vērtēts, apbrīnots un cienīts priekšmets, ievērojami profesionāls un inovatīvs. Šis ar Bronzas balvu apbalvotais dizains iekļauj labāko praksi mākslā, zinātnē, dizainā un tehnoloģijās un izceļas ar uzmanību detaļām. Looping Flower Ikebanas kultūras telpa lieliski apmierina vajadzības, skar vēlmes, valdzina jūtas un piesaista zinātkāri.

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Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Izmēri un iepakojums: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Birkas: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Ražošanas tehnoloģija: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Dizaina izaicinājums: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Pētījums: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Iedvesma: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Projekta ilgums: The project started in August 2022 and finished in December 2022 in China .
Darbības plūsma: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Komandas dalībnieki: NI JIE GUO
Attēlu autori: BLANKSPACE