Jinglan Bay Art Tirdzniecības centrs — Nic Lee

Darbs Jinglan Bay Art Tirdzniecības centrs, kura autors ir Nic Lee, ir augsti novērtēts un ļoti prestižās 2024 Sudraba balva A' Design Award ieguvējs kategorijā Interjera, tirdzniecības un izstāžu dizains.

SudrabaInterjers· 2024

Jinglan Bay Art Tirdzniecības centrs

Autors: Nic Lee

Klients: China Resources Land South China Guangxi Co.

Sudraba balva A' Design Award ieguvējs kategorijā Interjers

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Krāsas

Dizains

Par Jinglan Bay Art Tirdzniecības centrs

Jinglan Bay Art ir tirdzniecības centra interjers, kas atrodas Liudžou — kalnainā apvidū ar līkumotiem ūdeņiem. Interjers aizņem 1705 kvadrātmetrus un ietver uzņemšanas, tirdzniecības, ekspozīcijas, digitālo mediju un VIP zonas. Tā vietā, lai kopētu ainavu ar formu palīdzību, gaisma un ēnas tiek izmantotas, lai radītu priekšstatu par augstiem kalniem un dziļiem ūdeņiem. Melnais terrazzo ir noslīpēts līdz spoguļspīdumam, tāpēc tajā atspoguļojas āra ainava un apmeklētāju kustība. Neapstrādāts akmens pie ieejas rada ielejas dziļuma sajūtu. Citi izmantotie materiāli ir kaltais marmors, minerālkrāsa, melnais koks un ozols.

Atzinība

Par Sudraba balva A' Design Award

Jinglan Bay Art Tirdzniecības centrs ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka Jinglan Bay Art Tirdzniecības centrs būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. Jinglan Bay Art Tirdzniecības centrs ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Izmēri un iepakojums: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Birkas: sales center, landscape, museum, indoor architecture, interior design
Ražošanas tehnoloģija: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Dizaina izaicinājums: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Pētījums: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Iedvesma: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Projekta ilgums: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Darbības plūsma: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Attēlu autori: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.