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The Opposite Trikotāžas kolekcija — Yishu Yan

Darbs The Opposite Trikotāžas kolekcija, kura autors ir Yishu Yan, ir augsti novērtēts un ļoti prestižās 2024 Sudraba balva A' Design Award ieguvējs kategorijā Modes, apģērbu un tērpu dizains.


SudrabaMode· 2024

The Opposite Trikotāžas kolekcija

Autors: Yishu Yan

Sudraba balva A' Design Award ieguvējs kategorijā Mode

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Verificēt balvas statusu dizainam #157237

Krāsas

Dizains

Par The Opposite Trikotāžas kolekcija

The Opposite ir unisex trikotāžas kolekcija, kas radīta, lai to varētu valkāt vairākos veidos. Kolekcija ir izgatavota, izmantojot bezgriezuma un bezatlikumu metodes, tāpēc neviens auduma gabals netiek izmests. Digitālā adīšana tiek izmantota, lai veidotu elastīgas trīsdimensionālas struktūras un maināmas apģērba konstrukcijas. Abu tērpu elementus var savstarpēji mainīt un kombinēt dažādos salikumos, kas ļauj katram valkātājam radīt personisku stilu. Universālā izmēra dizains der lielākajai daļai cilvēku ar vidēju augumu. The Opposite apšauba ierastos priekšstatus par vīriešu un sieviešu apģērbu.

Atzinība

Par Sudraba balva A' Design Award

The Opposite Trikotāžas kolekcija ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka The Opposite Trikotāžas kolekcija būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. The Opposite Trikotāžas kolekcija ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības
"The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Izmēri un iepakojums
This garment is an all-size design and will fit most people of average build.
Birkas
Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Ražošanas tehnoloģija
This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Dizaina izaicinājums
The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Pētījums
This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Iedvesma
The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Projekta ilgums
This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Darbības plūsma
The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Komandas dalībnieki
Academic adviser: Kinor Jiang & Jinyun Zhou
Attēlu autori
Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova

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