Darbs New Year Ilustrācija, kura autors ir Jui-Ping Lee, ir augsti novērtēts un ļoti prestižās 2024 Dzelzs balva A' Design Award ieguvējs kategorijā Digitālā māksla.

DzelzsDigitālā māksla· 2024

New Year Ilustrācija

Autors: Jui-Ping Lee

Dzelzs balva A' Design Award ieguvējs kategorijā Digitālā māksla

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Dizains

Par New Year Ilustrācija

Mierīgā pagalmā, maigā ziemas sniega virpulī un spilgto rudens lapu krāsu vidū sēž gracioza figūra, tērpusies izsmalcinātā kimono. Aina iemieso Wabisabi būtību, atklājot vientulības un miera skaistumu. Audumu rotā smalkie raksti, galvenokārt priedes, simbolizējot svinīgumu, un ritmiskais Seigaiha, kas atspoguļo jūras mierīgumu. Pietuvinoties atklājas vēl sarežģītāki detaļi - akmens plāksne ar mākslinieka pseidonīmu pa kreisi un uz kimono peļu motīvi, kas simbolizē jauno 2020. gadu, peļu gadu.

Atzinība

Par Dzelzs balva A' Design Award

New Year Ilustrācija ir Dzelzs balvas A' Design Award ieguvējs, prestiža atzinība, ko piešķir labiem dizainiem, kas atbilst profesionālajām un rūpnieciskajām prasībām, kādas sagaidāmas no labi izstrādātiem darbiem. Dzelzs ieguvēji parāda to radītāju lielo prasmi, augsto specializāciju, ekspertu izpratni un radošo spēju. Sagaidāms, ka New Year Ilustrācija būs augsti vērtēts, apbrīnots un cienīts darbs, praktisks un inovatīvs. Šis ar Dzelzs balvu apbalvotais dizains integrē nozares labāko praksi un tam ir kompetentas tehniskās īpašības, kas saistītas ar zinātību un talantu. New Year Ilustrācija tiek cienīts par rūpību un ir izstrādāts, lai uzlabotu dzīves kvalitāti un palīdzētu padarīt pasauli labāku.

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Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Izmēri un iepakojums: Original dimensions at 5600*3150 px, with 935 canvas layers
Birkas: Illustration, Kimono, Furisode, Kouyou, Karesansui
Ražošanas tehnoloģija: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Dizaina izaicinājums: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Pētījums: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Iedvesma: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Projekta ilgums: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Darbības plūsma: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.