Hoshino Jinja Svētnīca — Shigetaka Mochizuki

Darbs Hoshino Jinja Svētnīca, kura autors ir Shigetaka Mochizuki, ir augsti novērtēts un ļoti prestižās 2024 Sudraba balva A' Design Award ieguvējs kategorijā Kultūras mantojuma un kultūras nozares dizains.

SudrabaKultūras mantojums· 2024

Hoshino Jinja Svētnīca

Autors: Shigetaka Mochizuki

Klients: Mochizuki Corporation

Sudraba balva A' Design Award ieguvējs kategorijā Kultūras mantojums

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Krāsas

Dizains

Par Hoshino Jinja Svētnīca

Tas ir inovatīvs pieejas veids, kas apvieno vecās un jaunās tehnoloģijas, piemēram, tradicionālo japāņu celtniecības metodi bez metāla savienojumiem, Ishiba būvniecību un robežizturības aprēķinu, kas balstīts uz mūsdienu konstrukciju analīzi. Dizains, ko veido horizontālas un vertikālas līnijas, ir augsti estētisks, un to raksturo pievilcīgs konstrukcijas skaistums, kas balstīts uz unikālo japāņu estētikas izjūtu.

Atzinība

Par Sudraba balva A' Design Award

Hoshino Jinja Svētnīca ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka Hoshino Jinja Svētnīca būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. Hoshino Jinja Svētnīca ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Izmēri un iepakojums: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Birkas: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Ražošanas tehnoloģija: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Dizaina izaicinājums: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Pētījums: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Iedvesma: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Projekta ilgums: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Darbības plūsma: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Attēlu autori: Photographer, Yasuo Hagiwara