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Yan Mākslas muzejs — Guanyu Tao

Darbs Yan Mākslas muzejs, kura autors ir Guanyu Tao, ir augsti novērtēts un ļoti prestižās 2025 Zelta balva A' Design Award ieguvējs kategorijā Arhitektūras, ēku un būvju dizains.


ZeltaArhitektūra· 2025

Yan Mākslas muzejs

Autors: Guanyu Tao

Klients: Gerry Tao

Zelta balva A' Design Award ieguvējs kategorijā Arhitektūra

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Krāsas

Dizains

Par Yan Mākslas muzejs

Yan mākslas muzejs pārdefinē attiecības starp arhitektūru un dabu, kalpojot kā kultūras centrs, kas godina vietējo mantojumu. Izvietots raupjajā Rušanas ainavā Šandunas provincē, tā dekonstruktīvistiskais dizains smeļas iedvesmu no akmeņainām tekstūrām un plūstošiem konturiem. Muzejā ir ar ūdeni apjozti laukumi, mākslinieku studijas, dinamiskas galerijas un izrāžu telpas, kas visas ir savstarpēji saistītas dažādos līmeņos. Teksturētais betons atdarina dabīgo akmeni, nemanāmi integrējot struktūru ar tās apkārtni, vienlaikus pārvēršot slīpo reljefu funkcionālajos ceļos un laukumos.

Atzinība

Par Zelta balva A' Design Award

Yan Mākslas muzejs ir Zelta balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir pirmšķirīgiem, brīnišķīgiem un izciliem dizainiem. Zelta ieguvēji ir ļoti inovatīvi, tālredzīgi un žilbinoši spoži darbi, kas atspoguļo to dizaineru talantu, gudrību un meistarību. Sagaidāms, ka Yan Mākslas muzejs būs ļoti slavēts, tendenci veidojošs un monumentāls izgudrojums, kas sniedz nebijušu vērtību. Šis ar Zelta balvu apbalvotais dizains ir lielisks, cienīts projekts, kas paplašina mākslas, zinātnes, dizaina un tehnoloģiju robežas. Yan Mākslas muzejs izraisa intensīvu vēlmi, modina kaislību, veicina radošumu un valdzina.

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Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības
Yan Art Museum is a cultural hub that harmonizes architecture with the rugged terrain of Rushan. Unlike traditional museums, it transforms natural slopes into functional elements like pathways, plazas, and viewing platforms. Its dynamic layout fosters interaction between visitors and local artists through integrated studios and galleries. With textured concrete echoing rocky formations, Yan seamlessly blends cultural expression, innovation, and environmental integration.
Izmēri un iepakojums
Yan Art Museum is situated on a 2,700-square-meter site, with a total building area of 1,650 square meters distributed across three levels. The first floor features a courtyard-style entrance surrounded by scattered artist studios and galleries, creating an inviting and interactive environment. The second floor includes a small open plaza, a compact gallery space, and essential auxiliary facilities. The third floor houses an open-air theater designed for traditional Chinese performances, providing a cultural focal point while blending seamlessly with the natural terrain.
Birkas
Architecture, Subterranean architecture, Rural architecture, Cultural architecture, Museum
Ražošanas tehnoloģija
Yan employs form board texture reinforced concrete, creating rock-like surfaces while ensuring structural stability during excavation. The design incorporates shallow-rooted plants in the landscaping to safeguard the building's structure and waterproofing. Its three interconnected levels, linked by stairs and elevators, are carefully oriented to harmonize with the site’s layout and ensure accessibility, blending functionality with thoughtful integration into the natural environment.
Dizaina izaicinājums
Addressing the site's varied slopes was challenging. The design cleverly integrates the natural incline to facilitate plazas and pathways, turning elevation changes into advantageous viewing platforms. This strategic use of the landscape not only enhances functionality but also establishes visual corridors that accentuate the architectural form, allowing the building to blend seamlessly with its environment.
Pētījums
Inspired by the deconstructivism movement and the works of Thom Mayne and Zaha Hadid, Yan Art Museum integrates seamlessly into Rushan’s rugged terrain. The research involved site, cultural, and user analysis, employing techniques such as hand-drawing and collage to explore design possibilities. Tools like Rhinoceros, Adobe Suite, and D5 Render were used to refine the dynamic structure, harmonizing architecture with topography and cultural identity while enhancing visitor experiences.
Iedvesma
The design of Yan Art Museum stems from a deep desire to harmonize architecture with nature while engaging in a meaningful dialogue with the local culture of Rushan. Drawing inspiration from the rugged, dramatic landscape of the Rushan mountain range, the museum reflects the stony textures and flowing contours of the region. Through its loosely arranged, courtyard-style layout, the design pays homage to the organic forms of traditional Chinese villages, weaving cultural heritage into its spatial composition. This approach transforms natural and cultural elements into a dynamic hub for artistic and cultural expression. By intertwining natural forms with human creativity, the museum becomes both a tribute to and an extension of its surroundings, celebrating the beauty of the terrain and the spirit of the community it serves.
Projekta ilgums
The concept design was finished in 2024 Sep, with site location at Shandong, Rushan, China.
Darbības plūsma
Upon entering Yan, visitors arrive at a plaza encircled by a pool and walls, leading to artist studios and the main gallery with rotating exhibits. An elevator and external stairs from the main gallery provide access to the second floor’s L-shaped plaza, which connects to the second gallery for permanent exhibitions. Visitors can ascend to the third floor via elevator or plaza stairs to reach the outdoor amphitheater, a venue for traditional performances.
Patenti
Copyrights belong to Guanyu Tao, 2024
Komandas dalībnieki
Guanyu Tao
Attēlu autori
Image #1: Designer and Photo Rendering Guanyu Tao
Image #2: Designer and Photo Rendering Guanyu Tao
Image #3: Designer and Photo Rendering Guanyu Tao
Image #4: Designer and Photo Rendering Guanyu Tao
Image #5: Designer and Photo Rendering Guanyu Tao

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