Clay Moulded Teātra interjera dizains — Marius Mateika

Darbs Clay Moulded Teātra interjera dizains, kura autors ir Marius Mateika, ir augsti novērtēts un ļoti prestižās 2025 Zelta balva A' Design Award ieguvējs kategorijā Interjera, tirdzniecības un izstāžu dizains.

ZeltaInterjers· 2025

Clay Moulded Teātra interjera dizains

Autors: Marius Mateika

Klients: Mama architects

Zelta balva A' Design Award ieguvējs kategorijā Interjers

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Krāsas

Dizains

Par Clay Moulded Teātra interjera dizains

Clay Moulded ir muzikālā teātra interjera dizains Klaipēdā, Lietuvā. Māls klāj sienas un griestus, un vairāk nekā 30 tonnas šī materiāla tika uzklātas ar rokām. Galvenās zāles raksts ir nepārtraukts un stiepjas no viena telpas gala līdz otram. Projektam tika izstrādāts septiņu posmu pārklāšanas process, kas ietver izsmidzināšanu, raksta veidošanu, žāvēšanu, beršanu, glazēšanu un konservāciju. Sienas un griesti var atvērties un aizvērties, lai kontrolētu skaņas atstarojumus, tāpēc telpa pielāgojas koncertiem, izrādēm un sanāksmēm. Zālē ir 700 sēdvietu.

Atzinība

Par Zelta balva A' Design Award

Clay Moulded Teātra interjera dizains ir Zelta balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir pirmšķirīgiem, brīnišķīgiem un izciliem dizainiem. Zelta ieguvēji ir ļoti inovatīvi, tālredzīgi un žilbinoši spoži darbi, kas atspoguļo to dizaineru talantu, gudrību un meistarību. Sagaidāms, ka Clay Moulded Teātra interjera dizains būs ļoti slavēts, tendenci veidojošs un monumentāls izgudrojums, kas sniedz nebijušu vērtību. Šis ar Zelta balvu apbalvotais dizains ir lielisks, cienīts projekts, kas paplašina mākslas, zinātnes, dizaina un tehnoloģiju robežas. Clay Moulded Teātra interjera dizains izraisa intensīvu vēlmi, modina kaislību, veicina radošumu un valdzina.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Izmēri un iepakojums: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Birkas: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Ražošanas tehnoloģija: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Dizaina izaicinājums: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Pētījums: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Iedvesma: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Projekta ilgums: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Darbības plūsma: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Komandas dalībnieki: Architects: Marius Mateika
Attēlu autori: Photographer: Leonas Garbačauskas