Turquerie Fitafiana ho an'ny Vehivavy nataon'i Catalina Paladi

Ny endrika Turquerie Fitafiana ho an'ny Vehivavy nataon'i Catalina Paladi dia mpandresy sarobidy amin'ny 2021 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Lamaody, Fitafiana ary Akanjo.

VolafotsyLamaody· 2021

Turquerie Fitafiana ho an'ny Vehivavy

nataon'i Catalina Paladi

Mpanjifa: Catalina Paladi

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Lamaody

61,276

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #112264

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Turquerie Fitafiana ho an'ny Vehivavy

Turquerie dia fitambaram-pitafiana ho an'ny vehivavy izay avy amin'ny kolontsaina an-tsary an'ny Fanjakana Ottoman. Ny fitambarana dia ahitana endrika enina sy singa folo natao manokana, amin'ny habe extra small ka hatramin'ny medium. Ny fitaovana fanaka toy ny jacquard, velaoro ary chiffon dia mamorona fifanoheran-doko sy fikorianana, mampanan-karena ny endrika tsotra sy ny tsipika maoderina madio. Ny lamba mifanongoa amin'ny hakitroka sy ny fangaraharana samihafa, miaraka amin'ny tanana natao amin'ny endrika stylizé sy ruffles, dia manome fahatsapana fihetsika ho an'ny akanjo. Zaitra maro no zairina an-tanana, satria marefo ny lamba.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana Turquerie Fitafiana ho an'ny Vehivavy, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana Turquerie Fitafiana ho an'ny Vehivavy. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Turquerie Fitafiana ho an'ny Vehivavy dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Turquerie is a maximalist collection, dynamic, full of textile ornaments, colours, embellishments, accessories, jewelleries and other decorations, all intended to eloquently reflect the Ottoman influence sheltering a modern allure. Luxury materials such as jacquards, velvet, chiffon create both chromatic contrast and fluidity, furthermore enriching the simple shapes and the clean modern lines. Made of six silhouettes, it gives a wide range of outfits to choose from, for every occasion.
Refy & Fonosana: The entire collection consists of 6 looks, 10 custom made pieces. Size XS to M.
Marika: Turquerie, velvet, jacquard, chiffon, modern, classic, couture.
Teknolojia Famokarana: Due to the delicate nature of the fabrics, the collection has a lot of hand sewn stitches, approaching the old school techniques. It is composed of six silhouettes: 1. A modern velvet jumpsuit, 2. A classic velvet suit with jacquard vest with a mosque like ornament, 3. a jaquard tunic with chiffon layered sleeves, 4. a jaquard ornamented dress with a chiffon kaftan with ruffled sleeves, 5. A chiffon dress with a striped golden jacquard overcoat. 6. A chiffon maxi dress, with a long velvet vest.
Fanamby Endrika: Some of the challenges that arose during the process were: 1) the volume of labour was daunting for one person (CAD pattern making, cutting and sewing the cotton mock-ups, cutting and sewing the final pieces, multiple fittings and alterations); 2) the gentle and delicate fabrics needed special care (plenty of stitches had been hand sewn: velvet ). 3)the project involved an extensive research part as well, since it served as final course work for the author's Textile Engineering Degree.
Fikarohana: The research focuses on the Ottoman Empire: the tolerance they displayed towards vasal nations, the social role they attributed to women, the majesty of their culture and their ability to embrace foreign influences in order to enrich their own culture. This inspired the author to find balance between her Moldovan roots and her addictive love towards other cultures. Still, it was a risky yet good decision to pin the Ottoman inspiration against a Moldovan ethnic background for the campaign shooting.
Aingam-panahy: The majestic Ottoman Empire served as inspiration for this collection. Tolerant ottoman politics implemented towards conquered territories resulted in a rich, colourful cultural life which upheld a harmonious interaction between the arts. Thus, a mix of byzantine, european and persan influences flourished in the turkish culture. The collection and its campaign illustrates both the refined esthetics of the Ottoman Empire and their open-minded approach to foreign cultures. Being shot in a folkloric Moldovan background, it emphasizes the importance of interaction between nations and encourages the viewer to open his heart to the multitude of the different cultures, since every person is a sum of the many peoples and nations that his ancestors had crossed. Evreyone has in his cells a richness of colour, energy and temper of so many unknown to him individuals who fill his genealogy up, people who had their joy and happiness, sufferings and burdens, but nevertheless, they had gifted the modern man a part of themselves.
Faharetan'ny Tetikasa: The project had begun in September 2016 and was completed in June 2017. It served as the final project for the Textile Engineering degree, part of the University graduation. The idea of placing the collection in the Moldovan rustic background for the campaign came in early 2020, whilst the shooting took place in September 2020.
Fizotr'asa: The collection dynamics are conveyed by the layering of fabrics which differ in density, opacity and colour. The dynamics are obtained by the stylization of the sleeves, which creates a rhythmic movement of flounces; different velvet textures; expressive jacquards and a playful dance of transparencies.
Loharanon-tsary: Image #1, #2, #3, #4, #5
Photographer: Sergiu Rotaru, 2020
Styling: Corina Croitor
Model: Sabrina Danilova
Model: Valeria Untu
Model: Maria-Magdalena Cucu
Video credits: Corina Croitor
Video Montage: Selina Paladi