Past at Last Lamaody Maharitra nataon'i Tihana Miksa

Ny endrika Past at Last Lamaody Maharitra nataon'i Tihana Miksa dia mpandresy sarobidy amin'ny 2021 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Lamaody, Fitafiana ary Akanjo.

VolafotsyLamaody· 2021

Past at Last Lamaody Maharitra

nataon'i Tihana Miksa

Mpanjifa: Tihana Mikša

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Lamaody

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #113802

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Past at Last Lamaody Maharitra

Ny fampiasana firafitra manankarena sy mahaliana ary loko tsy mitovy no isongadina amin'ny fandrafetana ny akanjo. Noho izany, ny akanjo mihitsy dia manana endrika mifandanja, tsotra ary mihidy izay tsy mila fanovana sarotra amin'ny rafitra. Mandinika ny lafiny hita maso, ny fahatsapana, ny maha-zavatra, ny fihetsika velona ary ny farafitry ny lamba ireo asa ireo. Malemy ny hamafin'ny loko ary tsy misy loko lalina, afa-tsy ny mena izay mitromatroma ao anatin'io tarika loko malemy io.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana Past at Last Lamaody Maharitra, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana Past at Last Lamaody Maharitra. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Past at Last Lamaody Maharitra dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Marika: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Teknolojia Famokarana: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Fanamby Endrika: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Aingam-panahy: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Faharetan'ny Tetikasa: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Loharanon-tsary: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.