Ny endrika Penumbra Ny Sary nataon'i Maja Zinczuk dia mpandresy sarobidy amin'ny 2021 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Fakana Sary sy Fanovana Sary.

VolafotsyFakana Sary· 2021

Penumbra Ny Sary

nataon'i Maja Zinczuk

Mpanjifa: Maya Zet

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Fakana Sary

27,800

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #123551

Fantaro bebe kokoa Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Ny Endrika

Momba ny Penumbra Ny Sary

Naka sary ny mpamorona tamin'ny fotoana nandaozana ny trano sy nihaona tamin'ny olona dia fanamby, izany hoe nandritra ny areti-mifindra. Ny fijanonana ao an-trano nandritra ny fotoana ela dia niteraka ny famoronana'ny mpanoratra. Noho izany, ny zavatra isan'andro hita ao an-trano, toy ny lovia misy rano, fitaovana fisaintsainana, varavarankely ao amin'ny tranobe dia nampiasaina ho modely ny hazavana. Noraisina tamin’ny loko aloha ny sanganasany, ary novana ho mainty sy fotsy. Natao tamin'ny nomerika ny zava-drehetra. Sary iray ihany no nalainy tamin'ny hazavana artifisialy avy amin'ny jiro ary sarin'ankizilahy io. Matetika ny Silhouette no aseho miafina.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana Penumbra Ny Sary, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana Penumbra Ny Sary. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Penumbra Ny Sary dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The photos were taken during the global pandemic. The most important challenge of this project was the limitations of leaving the house and meeting people.The point was to show, with minimal resources, what our life was like then.Everyday items were used for this photo session
Refy & Fonosana: Nikon D800 camera, black and white mode for most of the photos. Some photos were taken in color, then changed to black and white.
Marika: contrast, light, chiaroscuro, black and white, mood, Poland, portraits
Teknolojia Famokarana: Fot photography were used various objects found in the house: bowls of water, reflective materials, decorative lamps, sometimes it was also the setting sun or elements of the architecture of buildings. These photos were taken in homes of photographed people or close to them.
Fanamby Endrika: The biggest difficulty was the constraints of a global pandemic and finding the right means to tell a story when you are limited in moving.
Fikarohana: Type of study was: how can you capture fleeting moments in our everyday life? When we stop for a moment and start looking more closely. We can then notice things that we have missed so far.When you look at these photos, you will see not only light contrasts, but that opposites attract.
Aingam-panahy: Caravaggio's paintings were the inspiration for these photos. Especially his passion for sharp contrasts and sharp chiaroscuro. In his paintings, many things remained in the dark, but nevertheless revealed what was most important. He modeled the silhouettes in a theatrical way, giving them a slightly religious expression.The clash of reality and spirituality was the most important. These were main subjects when shooting.People around the photographer were also an inspiration.These are the people she knows well.During the shooting, she was able to show some of the nature of the photographed people, their interests and feelings that accompanied them at that time.
Faharetan'ny Tetikasa: The works were photographed in 2019 in Białystok Poland.The most common places were the homes of the photographed people and their surroundings.
Fizotr'asa: It was a big challenge to wait for the right moment during the day to capture the right light.
Loharanon-tsary: Image#1:Białystok,Poland,Joanna in her studio, 2019
Image#2:Białystok,Poland,Singer,2019
Image#3:Białystok,Poland,My son,2019
Image#4:Białystok,Poland,Paulina in garden,2019
Image#5:Białystok,Poland,Cecylia,2019