Ny endrika Move Seza nataon'i Ariel Sliwinski dia mpandresy sarobidy amin'ny 2024 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanaka.

VarahinaFanaka· 2024

Move Seza

nataon'i Ariel Sliwinski

Mpanjifa: Ariel Śliwiński Studio

Mpandresy A' Design Award Varahina amin'ny Sokajy Fanaka

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #156196

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Move Seza

Ny Move dia seza natao mba hifanaraka amin'ny bikan'ny vatan'ny olona tsirairay sy ny filany ara-ergonomika. Ny toerana ipetrahana dia afaka manova ny zoro fiondrehany toy ny fandrian-jaza, ary ny tehezan-damosina kosa mihantona amin'ny teboka roa mifamotoana, ka afaka mihodina sy miondrika izy io. Misy fitaovana mpamantatra tsindry (pressure sensor) ao anatin'ny toerana ipetrahana, izay mampahatsiahy ny mpampiasa mba hitsangana rehefa afaka fotoana voafaritra, amin'ny alalan'ny fihozongozonana. Ny rafitry ny seza dia vita amin'ny vy fanta (aluminium) namboarina tamin'ny fomba "cast" avy amin'ny akora naverina nampiasaina tanteraka (recycled), ary ny toerana ipetrahana, ny tehezan-damosina ary ny tehezan-tanana dia samy vita amin'ny hazon-drota (cork) nosokirina tamin'ny milina misy axe dimy. Ny Move dia azon'ny mpampiasa atambatra samirery, sady alefa ao anaty boaty fisaka (flat boxes), izay mampihena ny fandrafesan-tany ara-tsimba-piainana (carbon footprint).

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Move Seza, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Move Seza. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Move Seza dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
Refy & Fonosana: 550mm x 515mm x 740mm
Marika: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
Teknolojia Famokarana: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
Fanamby Endrika: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
Fikarohana: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
Aingam-panahy: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
Faharetan'ny Tetikasa: the project started in April 2023 in Poland
Fizotr'asa: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.