Mei Tao Wan Endrika Maha-izy Hita Maso, Rafitra Fitarihan-dalana nataon'i Zilong Chen

Ny endrika Mei Tao Wan Endrika Maha-izy Hita Maso, Rafitra Fitarihan-dalana nataon'i Zilong Chen dia mpandresy sarobidy amin'ny 2026 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Grafika, Sary ary Fifandraisana Ara-tsary.

VarahinaGrafika· 2026

Mei Tao Wan Endrika Maha-izy Hita Maso, Rafitra Fitarihan-dalana

nataon'i Zilong Chen

Mpanjifa: City University of Macau

Mpandresy A' Design Award Varahina amin'ny Sokajy Grafika

7,303

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #180006

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Mei Tao Wan Endrika Maha-izy Hita Maso, Rafitra Fitarihan-dalana

Mei Tao Wan dia endrika maha-izy hita maso sy rafitra fitarihan-dalana ho an'ny valan-jaridaina ara-kolontsaina eo amin'ny toerana manan-tantara fanaovana tanimanga ao Foshan, Sina. Ny famolavolana dia mandika ny tsipika ara-drafitry ny faritr'i Nanfeng Ancient Kiln ho taolam-paty ara-jeometrika. Io taolam-paty io no mamorona endri-tsoratra manokana misy litera 26 sy ny isa 0 ka hatramin'ny 9, miaraka amin'ny kisary ara-jeometrika. Ny takela-pamantarana dia vita amin'ny akrilika mangarahara be sy vy tsy harafesina misy famaranana varahina mainty. Ny jiro LED tafiditra eo amin'ny fototra dia mitazona ny soratra ho mora vakiana amin'ny alina. Ny rafitra dia mampifandray ny tantaran'ny toerana amin'ny asany ara-kolontsaina vaovao.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Mei Tao Wan Endrika Maha-izy Hita Maso, Rafitra Fitarihan-dalana, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Mei Tao Wan Endrika Maha-izy Hita Maso, Rafitra Fitarihan-dalana. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Mei Tao Wan Endrika Maha-izy Hita Maso, Rafitra Fitarihan-dalana dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: MEITAOWAN transforms the historic ceramic site in Foshan into a cultural hub. The design extracts the architectural structure of the Nanfeng Ancient Kiln historic district. This architectural DNA is rigorously applied to the wayfinding system evolving into a custom 3D typeface comprising 26 English letters and numbers 0 to 9. Distinct from traditional signage the implementation uses black glazed ceramics fired at 1800 degrees Celsius. This approach integrates the material soul of the site into the visual identity creating a system where every character is not just a sign but a durable eco friendly piece of ceramic art.
Refy & Fonosana: Primary Physical Application Banners and Posters 600mm x 900mm. Wayfinding Totem 600mm x 1800mm x 150mm. Wall Signage 400mm x 400mm. Main Logo Application Variable sizes adapted to building facades. Materials Acrylic Stainless Steel with Black Copper Finish LED components.
Marika: Visual Identity, Wayfinding System, Foshan Shiwan, Ceramic Culture, Architectural Typography, Urban Renewal, Industrial Heritage, Branding.
Teknolojia Famokarana: To contrast with the rough texture of the historic red brick buildings the signage system employs modern industrial materials high transparency acrylic and stainless steel with a black copper finish. A key technical innovation is the integrated LED lighting at the base which allows the text and icons to appear as if floating in the dark. This ensures maximum legibility for night time navigation while minimizing light pollution achieving a balance between safety guidance and artistic atmosphere.
Fanamby Endrika: The main challenge was to modernize traditional cultural symbols without losing their historical gravity. We needed to avoid cliché representations of ceramics while ensuring the wayfinding was functional. The solution lay in the strict geometric abstraction of the architecture converting physical building forms into a flexible typographic system that works across various scales and materials.
Fikarohana: The project addresses the challenge of revitalizing an industrial ruin into a modern cultural landmark. Research focused on the visual semantics of Shiwans ceramic history. By analyzing the structural lines of local heritage buildings the team developed a visual grammar that unifies the disparate spaces of the park. This approach ensures the brand identity is not just a label but a continuation of the site historical narrative providing a platform for artists to create and exhibit.
Aingam-panahy: The inspiration is deeply rooted in the Nanfeng Ancient Kiln a living fossil of Foshan ceramic history. We analyzed the structural logic of the kiln sloping roofs and the surrounding historic brick buildings. By extracting these architectural lines we designed a geometric skeleton that forms the basis of the 26 letters and 0 to 9 digits. The choice of black glaze ceramic as the medium is a direct tribute to the site production heritage symbolizing the transformation of mud into eternal art through fire.
Faharetan'ny Tetikasa: The project started in December 2023 in Foshan, China and finished in August 2024. The project is located in Shiwan, Foshan, Guangdong Province, China.
Fizotr'asa: Visitors navigate the park using intuitive geometric icons derived from the brand architectural logic. The signage acts as a silent guide linear patterns on glass surfaces create a rhythmic visual play between transparency and privacy mimicking the stacking of ceramic tiles. This immerses visitors in the ceramic culture atmosphere immediately upon entry making wayfinding an integral part of the artistic experience rather than just a functional necessity.
Mpikambana ao amin'ny Ekipa: Designer：CHEN ZILONG
Loharanon-tsary: Image #1-5 : CHEN ZILONG