Arrival Zavakanto Fametrahana, Fametrahana Hazavana nataon'i Daisuke Nagatomo and Minnie Jan

Ny endrika Arrival Zavakanto Fametrahana, Fametrahana Hazavana nataon'i Daisuke Nagatomo and Minnie Jan dia mpandresy sarobidy amin'ny 2026 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Tetikasan'ny Jiro sy Zavakanton'ny Hazavana.

VarahinaTetikasan'ny Jiro· 2026

Arrival Zavakanto Fametrahana, Fametrahana Hazavana

nataon'i Daisuke Nagatomo and Minnie Jan

Mpanjifa: MisoSoupDesign

Mpandresy A' Design Award Varahina amin'ny Sokajy Tetikasan'ny Jiro

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #180159

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Arrival Zavakanto Fametrahana, Fametrahana Hazavana

Arrival dia fametrahana hazavana vonjimaika naorina avy amin'ny kaontenera fitaterana roa nohavaozina izay nifanongoa mitsangana. Ny kaontenera dia mamorona lalantsara tery azo andehanana miaraka amin'ny velaran-tsy vy miolikolika nahazo aingam-panahy avy amin'ny lohan-tsambo miditra ao anaty seranana. Ny fitaratra eo amin'ny farany roa dia mitaratra ny tanàna, ny ranomasina, ary ny mpitsidika, ka manamaizina ny fetra manasaraka ny habaka tena izy sy ny taratra. Ny jiro LED tafiditra ao anatiny sy ny rafitra zavona dia mampiasa ny lalantsara mandritra ny ora hariva. Arrival dia mampiseho ny fomba ahafahan'ny fitaovana indostrialy efa tsy ampiasaina intsony lasa zavakanto ho an'ny besinimaro mahasarika ny saina.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Arrival Zavakanto Fametrahana, Fametrahana Hazavana, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Arrival Zavakanto Fametrahana, Fametrahana Hazavana. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Arrival Zavakanto Fametrahana, Fametrahana Hazavana dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Refy & Fonosana: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Marika: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Teknolojia Famokarana: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Fanamby Endrika: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Fikarohana: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Aingam-panahy: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Faharetan'ny Tetikasa: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Fizotr'asa: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Mpikambana ao amin'ny Ekipa: Jenny Yeh, Sugar Hu
Loharanon-tsary: Kaohsiung Art Museum