Nakovalnya Seza nataon'i Nataliya Naymark

Ny endrika Nakovalnya Seza nataon'i Nataliya Naymark dia mpandresy sarobidy amin'ny 2026 A' Design Award Vy amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanaka.

VyFanaka· 2026

Nakovalnya Seza

nataon'i Nataliya Naymark

Mpanjifa: NNaymark.design

Mpandresy A' Design Award Vy amin'ny Sokajy Fanaka

6,154

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #181782

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Nakovalnya Seza

Nakovalnya dia seza goavana izay manome voninahitra ny fanahin'ny indostrian'ny trano fanefena rosianina tamin'ny andron'ny empira. Naka aingam-panahy avy amin'ny lova nentin'ny razamben'ny mpamorona amin'ny asa fanefena vy, ity asa ity dia mamadika ny endrika mavesatra sy mafy orina an'ny riandriana (anvil) ho lasa sary sokitra hazo maoderina. Manana toerana fipetrahana lempona nofaritana tamin'ny fikirakirana milina marani-tsaina sy endrika brutalista izy, ka i Nakovalnya dia sady seza azo ampiasaina no fitoeran-damba (valet). Maneho ny votoatin'ny fiandohana izy, dia toerana fiasana novaina ho ravaka afovoan-trano amin'ny alalan'ny asa tanana avo lenta.

Ny Fankasitrahana

Momba ny A' Design Award Vy

Nandresy ny A' Design Award Vy ny famolavolana Nakovalnya Seza, fankasitrahana malaza omena ny famolavolana tsara izay mahafeno ny fepetra ara-barotra sy ara-indostria andrasana amin'ny famoronana natao tsara. Ny mpandresy Vy dia mampiseho fahaiza-manao lehibe, fahaizana manokana ambony, fahatakarana manam-pahaizana ary fahaizana mamorona an'ireo mpamorona azy. Andrasana ho famoronana ankasitrahana be, ankafizina ary tiana izay azo ampiharina sady vaovao ny famolavolana Nakovalnya Seza. Ity famolavolana nandresy ny A' Design Award Vy ity dia mampiray ny fomba fanao tsara indrindra amin'ny indostria ary manana toetra ara-teknika mahomby mifandray amin'ny fahalalana sy ny talenta. Ny famolavolana Nakovalnya Seza dia hajaina noho ny fitandremany ary natao hanome fanatsarana ny kalitaon'ny fiainana izay manampy hahatonga ny tontolo ho toerana tsara kokoa.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The Nakovalnya Chair explores ancestral heritage and the primordial act of creation. Inspired by the designer's great-great-grandfather, a blacksmith in Imperial Russia, the project embodies the grit and transformative power of the forge. The motive was to translate the "Anvil" - a site of intense labor and fire - into a domestic center piece. It serves as a tribute to the humble beginnings where raw materials are struck into beauty, positioning the chair as the essence of the home.
Refy & Fonosana: 700*640*680
Marika: Anvil Chair, Nakovalnya Design, Blacksmith Heritage, Russian Brutalism, Sculptural Seating, Solid Wood Furniture, Valet Chair, Ancestral Storytelling, Imperial Russia, Modernist Craft, Monumental Furniture, Functional Art, CNC Woodworking, Hand-finished Timber, Heritage Design.
Teknolojia Famokarana: The chair is realized through high-precision solid wood joinery, using oversized ash or oak to achieve its brutal mass. The primary structural challenge involved the deep concave seat, achieved through multi-axis cnc milling and hand-finishing to highlight the grain. The assembly uses mortise-and-tenon joints, reinforced to support the cantilevered backrest and hanging rail. The finish is a matte, low-voc oil that preserves the raw, tactile nature of the timber.
Fanamby Endrika: The hardest part was balancing brutalism with human ergonomics. To honor the anvil, the chair needed to feel heavy and immovable while remaining a comfortable seat. Overcoming the internal factor of personal history, ensuring the tribute was respectful yet modern, required multiple iterations of the silhouette. Structural limits of wood when mimicking the weight of iron posed engineering challenges. Achieving the deep seat curve without compromising the grain was the main technical hurdle.
Fikarohana: This project is a work of Applied Conceptual Research aimed at bridging ancestral history with modern furniture typology. The objective was to distill the "spirit of the forge" into a functional domestic object. The methodology involved a deep dive into 19th-century blacksmithing tools and Russian peasant heritage, translating heavy iron geometries into wood. Data collection consisted of studying anvil proportions and ergonomic testing of concave surfaces. Through experiments with 1:1 scale prototypes, the research successfully balanced "brutalist" aesthetics with seating comfort. The insight gained is that furniture can act as a vessel for historical memory, impacting design by moving away from clinical minimalism toward soulful, narrative-driven objects that resonate with a society seeking deeper connections to their past.
Aingam-panahy: Nakovalnya is a sculptural seating element prioritizing a brutalist aesthetic. Characterized by thick-set wooden members and a dramatic concave seat, the design mimics the grounded geometry of traditional iron-working tools. Its unique strength lies in its dual functionality: it serves as a robust seating vessel and a sculptural valet for garments. Unlike standard furniture, Nakovalnya acts as a physical manifesto of historical labor, bridging the gap between utilitarian craft and art.
Faharetan'ny Tetikasa: autumn 2025
Fizotr'asa: The chair functions as a heavy-duty sanctuary for both the body and belongings. Its deep, scooped seat provides a grounded sitting experience, while the high, sturdy backrest is designed to double as a valet for hanging heavy coats or everyday clothes. Interaction is simple and tactile: the oversized wooden frame encourages the user to feel the history of the forge. It performs better than standard seating by offering a dual-purpose "sculptural anchor" that organizes the space around it.