Tokyo Seza Fialan-tsasatra nataon'i Isabelle De Mari

Ny endrika Tokyo Seza Fialan-tsasatra nataon'i Isabelle De Mari dia mpandresy sarobidy amin'ny 2026 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanaka.

VolafotsyFanaka· 2026

Tokyo Seza Fialan-tsasatra

nataon'i Isabelle De Mari

Mpanjifa: Olho Moveis Autorais

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Fanaka

18,400

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #181979

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Tokyo Seza Fialan-tsasatra

Tokyo dia seza fialan-tsasatra vita amin'ny hazo mafy sucupira breziliana fonosina. Aseho tanteraka ny rafiny, ka hita ny fifamatoran'ny hazo sy ireo faritra hazo novolavolaina. Ny sandriny sy ny tohan-damosiny dia natao tamin'ny milina fanodinana hazo notantanana amin'ny tanana, miaraka amin'ny antsipiriany miolikolika any amin'ny tendrony. Misy hoditra voajanahary napetraka ao anaty lavaka amin'ny fitoeran-tsandry tsirairay ary vita amin'ny zaitra. Ny ondan'ny fipetrahana sy ny lamosina dia manambatra sosona fongo polyuréthane sy volom-borona, voarakotra lamba rongony volontany. Ny velarany dia nokosehina tamin'ny tanana ary vita amin'ny varnia tsy mamirapiratra. Ity endrika ity dia mampihatra ny fitsipika japoney amin'ny asa hazo amin'ny akora breziliana.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana Tokyo Seza Fialan-tsasatra, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana Tokyo Seza Fialan-tsasatra. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Tokyo Seza Fialan-tsasatra dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
Refy & Fonosana: Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction.
Marika: Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
Teknolojia Famokarana: Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
Fanamby Endrika: The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
Fikarohana: Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
Aingam-panahy: Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
Faharetan'ny Tetikasa: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Fizotr'asa: Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
Mpikambana ao amin'ny Ekipa: Designer: Isabelle De Mari
Designer: Filipe Melo