Quadrant Arcade Ny Faritra Iraisana nataon'i Cehao Yu

Ny endrika Quadrant Arcade Ny Faritra Iraisana nataon'i Cehao Yu dia mpandresy sarobidy amin'ny 2020 A' Design Award Volamena amin'ny Sokajin'ny Fifanintsanana Famolavolana Vokatra sy Fitaovana Jiro.

VolamenaJiro· 2020

Quadrant Arcade Ny Faritra Iraisana

nataon'i Cehao Yu

Mpanjifa: Aecom

Mpandresy A' Design Award Volamena amin'ny Sokajy Jiro

72,332

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #95794

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Quadrant Arcade Ny Faritra Iraisana

Ny arcade vita lisitra Grade II dia navadika ho fidirana an-dalambe amin'ny alàlan'ny fikarakarana ny hazavana mety amin'ny toerana mety. Ny taratra ankapobeny dia ampiasaina amin'ny haino aman-jery tanteraka ny fiantraikany ary ny fiantraikany dia mihazakazaka mba hahatratrarana ny fiovan'ny patterning maivana izay miteraka fahalianana ary mampiroborobo ny fampiasana bebe kokoa. Ny fampidirana stratejika ho an'ny famolavolana sy ny fametrahana ny endri-panamboarana mavitrika dia niara-niasa tamin'ny mpanakanto, ka ny fijerin'ny maso dia miharihary kokoa noho ny tsy fihoaram-pefy. Rehefa mihamiratra ny andro dia ny hazondamosim-bolo tsara tarehy dia ampitahaina amin'ny gadra jiro amin'ny herinaratra.

Ny Fankasitrahana

Momba ny A' Design Award Volamena

Nandresy ny A' Design Award Volamena ny famolavolana Quadrant Arcade Ny Faritra Iraisana, fankasitrahana malaza indrindra tsy refesi-mandidy omena ny famolavolana kilasy voalohany, mahagaga ary miavaka. Ny mpandresy Volamena dia famoronana vaovao indrindra, mahay mijery lavitra ary mamirapiratra mahafinaritra izay maneho ny fahamoramoran-tsaina, ny fahendrena ary ny fahaizan'ny mpamolavola azy. Andrasana ho fikarohana mahazo ankasitrahana indrindra, mitarika ny fironana ary tsangambato ny famolavolana Quadrant Arcade Ny Faritra Iraisana izay mamatsy sanda tsy mbola nisy toy izany. Ity famolavolana nandresy ny A' Design Award Volamena ity dia tetikasa mahavariana sy hajaina izay mahasoa be ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Quadrant Arcade Ny Faritra Iraisana dia mamorona fihetseham-po mafy momba ny faniriana, mamelona ny ahiahy, mamporisika ny fahaiza-mamorona ary mahasarika antsika.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The lighting design was made for revitalizing a historical shopping environment. The designers have inserted a light installation that creates a very special mood during the day and night. Thanks to the intelligent control system, interaction between architectural ambient lighting and the theatrical feature pendant encourages the perception of a unique rhythm reflective of the West End. When daylight falls, the installation with visible dynamics gains more attentions and attracts visitors.
Refy & Fonosana: Despite the temporal dynamism of ambient lighting, light levels have been achieved according to British Standards. The sustainability led lighting design approach for Quadrant Arcade targets delivery of an ‘Excellent’ rating against the BREEAM UK Refurbishment and Fit Out 2014 methodology.
Marika: Visual navigation, heritage illumination, dynamic lighting, visual interest
Teknolojia Famokarana: The various lighting elements are divided into groups that can be individually controlled, offering different light scenarios whose performance corresponds to the movement of feature pendants. Emergency lighting has been discretely recessed into the underside of the cornice to limit visibility and meet statutory norms. Terrazzo flooring, inspired by tiles from Pompeii revealed by uneven lighting provides visual drama.
Fanamby Endrika: Listed interiors have been rigorously restored and highlighted with focal illumination, taking care to consider how new lighting would be installed. The challenge was to reveal historical feature details without exposing direct light sources which would visually compete with the listed building. Luminaire mounting and cable run placement are discreet so that contemporary elements and visual clutter are minimized.
Fikarohana: The design involves site appraisal, conservation planning, lighting planing application, computer based lighting simulation and on-site mock up to ensure the finished visual appearance is close to initial aspiration. Final lit appearance has increased the spatial usage dramatically especially during nighttime. Street users passing by are tend to stop over to appreciate the public space and bespoke pendant art. With the increased spatial usage, people feel safer navigating the public space nearby. The social and financial benefits gained due to the lighting transformation are far beyond the energy cost.
Aingam-panahy: Quadrant Arcade is a jewel of The Crown Estate on Regent Street. The design focusses on highlighting essential historical architectural features with minimal interventions and luminaire geometries are selected to match iconic historical forms. The art installation was inspired by paraboloid to create a mathematically generated quadrant in three dimensions using linear lights to achieve an overall curve. The cluster of pendants creates a sweep along the whole length of the arcade.
Faharetan'ny Tetikasa: The project started in March 2015 in London and finished in Feb. 2019 in London, and was awarded Lit Lighting Design Awards heritage illumination category winner.
Fizotr'asa: The ethereal quality of the structure is accentuated at dusk by concealed and carefully aimed light elements. The contrast between warm, ambient lighting and cool, dynamic feature pendants provide a strong focus in supporting the artistic vision. The high output and efficacy of new fittings were key in resolving the challenge to provide sufficient ambient light to the space with the variable intensity of the feature pendant.
Patanta: N/A
Mpikambana ao amin'ny Ekipa: Cehao Yu
Loharanon-tsary: Image #1: Photographer Philip Ville, 2019
Image #2: Photographer Philip Ville, 2019
Image #3: Photographer Philip Ville, 2019
Image #4: Photographer Philip Ville, 2019
Image #5: Photographer Philip Ville, 2019