Medieval Rethink Ny Foibe Ara-Kolontsaina Medieval nataon'i QUAD studio

Ny endrika Medieval Rethink Ny Foibe Ara-Kolontsaina Medieval nataon'i QUAD studio dia mpandresy sarobidy amin'ny 2020 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Maritrano, Trano ary Rafitra.

VolafotsyMaritrano· 2020

Medieval Rethink Ny Foibe Ara-Kolontsaina Medieval

nataon'i QUAD studio

Mpanjifa: QUAD studio

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Maritrano

49,592

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #98029

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Medieval Rethink Ny Foibe Ara-Kolontsaina Medieval

Medieval Rethink dia valin-kafatra amin'ny vaomiera tsy miankina hanorina ivontoerana ara-kolotsaina ho an'ny vohitra kely tsy voamarina ao amin'ny faritany Guangdong, izay efa tamin'ny 900 taona lasa teo ho an'ny Dynasty Song. Fivoarana efatra, 7000 metatra mirefy afovoany dia miorina manodidina ny vatolampy tranainy fantatra amin'ny anarana hoe Ding Qi Stone, mariky ny fiandohan'ny vohitra. Ny foto-kevitry ny tetik'asa dia mifototra amin'ny fampisehoana ny tantara sy ny kolontsain'ny tanàna taloha raha mampifandray ny taloha sy ny vaovao. Ny Centre Cultural dia mitsangana ho famerenana indray ny vohitra taloha ary fanovana ho lasa maritrano ankehitriny.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana Medieval Rethink Ny Foibe Ara-Kolontsaina Medieval, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana Medieval Rethink Ny Foibe Ara-Kolontsaina Medieval. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Medieval Rethink Ny Foibe Ara-Kolontsaina Medieval dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The cultural centre becomes the new destination for villagers to congregate and to socially interact. Here, opportunities arise to great a truly cultural contemporary icon inspired by a historical monument that links old and new.
We make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Refy & Fonosana: Approx. 7000 square metre GFA
Marika: cultural centre, abstraction, guangdong, songdynasty, dingqistone
Teknolojia Famokarana: Firstly, designers break down the village into components of Positive and Negative space. Defining functions as objects and stitching these objects together to natural courtyards of green space.
They make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Fanamby Endrika: Cultural Differences - The cultural centre was designed for the villagers as their space for social interaction. To design the centre, designers had to meet with the villagers and discuss their personal needs for this project. Apart from understanding their culture, the main difficulties come in syphering all their needs and wants information into a design. Only when one to understand their culture can then try to rethink the whole idea of what a cultural centre means to the villager.

The Abstraction – Abstracting the village into the design took a lot of patience and work so that the final design truly depicts the chosen narrative. By stripping off the facade, a picture like frame is left behind. What it does is it focuses audience's eye towards the objects within the frame. If one to superimpose an image of the medieval village in the frame, a framed skyline of the medieval village appears. Abstraction occurs when the skyline is then pixelated. Using dark and light shades of pixels, designers generate an abstraction with a notion of depth. Abstraction creates a shading device and multi layering of the facade together with the objects inside the cultural centre creates a rich composition depicting a visual depth beyond the facade.
Recreating the village – Ultimately, to create a place that will enhance the lives of the villagers. Creating a narrative for the cultural centre not only help the design collective to create a very special place, it is also an attempt to capture an emotional response for any individual visiting the place. The medieval village has already manifested itself in the planning of the functional objects, the facade and also in the internal public realm.
Fikarohana: The design team has gone through a thorough research on the context and the history of the Zhu Pu Village, the study has become a very influential part on building a narrative on the project and later being represented through the design of the spaces.
Exploration of the existing village - Walking around the village, inspired by the scale and how man and nature exist in harmony. Beautifully preserved, the village of Zhu Pu dates to the Song dynasty. With its organic concentric planning, it relates itself to many medieval Chinese urban planning principles.
Aingam-panahy: Medieval Rethink was an opportunity to recreate a medieval environment in a contemporary cultural setting. The narrative and design approach of the cultural centre has been extensively explored previously. Located in the norther province of Guangdong, this Contemporary Cultural Centre will not only showcase the history culture of the 900-year-old village, it will also function as a cultural exhibition centre and will attract thousands of visitors from all over the region.
Faharetan'ny Tetikasa: The project started in August 2017 in an undisclosed Village in Fujian, China.
Fizotr'asa: As the ground floor is an active floor with many active functions and visitor, the cultural centre is designed to free up the ground plane as much as possible to allow for pedestrian traffic.
Mpikambana ao amin'ny Ekipa: Wai Tang
Kelvin Chu
Landy Liu
Wesley Fung
Samuel Tam
Loharanon-tsary: Image #1, Pictury
Image #2, Submarina
Image #3, SAN CG
Image #4, SAN CG
Image #5 SAN CG