Chiaroscuro Kohinga Whakapaipai nā Maya McCormack

Ko te hoahoa Chiaroscuro Kohinga Whakapaipai nā Maya McCormack he kaitoa whakahirahira o te 2021 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Whakakai.

ParahiWhakakai· 2021

Chiaroscuro Kohinga Whakapaipai

nā Maya McCormack

Kaitoa o te A' Design Award Parahi i te Wāhanga Whakakai

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #109666

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Chiaroscuro Kohinga Whakapaipai

Ko Chiaroscuro he kohinga whakapaipai i hangaia mai i tētahi āhua hono kotahi e tāruatia ana i roto i ngā momo rerekē maha. Ka tāia-3D ngā hono i roto i te ABS thermoplastic polymer kua honoa kētia, ā, mā konā ka māmā te taumaha me te korikori kore-here o ngā tūemi. Ko ētahi hono kua tīpakohia ka whakarewahia ki te hiriwa parakore, mā te whakamahi i ngā puka rapa me ngā ware i tangohia mai i ngā tā. Ka tāpiritia he kara taiao me ngā crystal kua whakauruhia hei hoatu tae me te ahuahanga ki te aroaro me te tuarā, nā reira ka taea te tirohia ngā whakakai mai i ngā ahunga katoa. Kua whakakotahitia te hoahoa-a-rorohiko me ngā tikanga tito hiriwa o nehe, nā reira ka tīmata ia tūemi mai i te āhua kotahi, engari ka mutu hei mea ahurei.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Chiaroscuro Kohinga Whakapaipai te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Chiaroscuro Kohinga Whakapaipai he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Chiaroscuro Kohinga Whakapaipai i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: A Jewelry collection exploring different iterations of a singular element in repetition to create a whole. Designing an individual link and pushing the boundaries to how it can be transformed with the use of material and technique combinations. Mirroring the uniqueness of the individual, a repetition of the same form in constant evolution, adding and subtracting but always growing. An exploration that has evolved with me and will continue to develop and change. This design is not only unique in its form but also in its process and materials. An intersection between traditional silversmith techniques and technological advances. A back and forth between Computer-Aided Design and organic exploration through the use of 3D printed ABS, natural dye, cast sterling silver and Swarovski sponsored crystals. Reflecting the concept itself. A combination of elements that change over time being held together by history and contemporaneity.
Inenga & Pēketanga: w 37mm x d 12 x h 133.5
Hangarau Whakanao: This design was made through a combination of traditional silversmith techniques and materials hand in hand with contemporary processes. A combination of the organic and the predetermined results of computer-aided design.
Starting with introspection and taking that to pen and paper through sketching and moving that into 3D modelling programmes. Letting go of my control through the process by 3D printing already connected links in an industry-standard prototyping material (ABS - thermoplastic polymer) with countless failures until achieving a fully printed linked piece. Manipulating the results with organic processes such as dyeing and beading, letting the materials speak to me and following along the curves and ridges. Enhancing the texture normally seen as low quality. It was a constant exploration of the form and the boundaries of linkage. Making rubber moulds in order to make waxes of the 3D prints that could be transformed further with additive/subtractive methods. Casting those results in sterling silver through traditional casting techniques and unifying them with the 3D printed/dyed thermoplastic polymer to create a cohesive connection. Even though each piece starts with the same form, they all end up as completely unique and impossible to re-create exactly.
Whakaaweawe: This body of work examines how one can be simultaneously drawn to places and feelings that are not always equally perceived yet naturally balanced.
They are a chiaroscuro of depth and interpretation creating a marble effect, elements combining over time, through pressure and heat, coming in and out of sight at different moments. When held together, each uniquely designed link portrays how one’s own perspective evolves and grows to exist as a whole.
THINGS ARE NOT BINARY.
They are a chiaroscuro of depth and interpretation creating a marble effect, elements combining over time, through pressure and heat, coming in and out of sight at different moments. When held together, each uniquely designed link portrays how one’s own perspective evolves and grows to exist as a whole.
Roanga o te Kaupapa: The project started in Sept 2019 and ended in March 2020. Exhibition at the Savannah College of Art and Design cancelled due to COVID-19. Exhibited virtually.
Rerenga Mahi: These links are 3d printed already connected so there is beautiful movement while wearing and the material makes them extremely weightless. The sterling silver adds the little bit of weight needed to remind yourself you are wearing earrings and the dye/beading is beautiful on the back so the earrings look great from all angles. It performs better because sterling silver can be easily polished and the 3D prints are easy to wipe clean if necessary.