Geometry of Fiction Mowhiti nā Nazanin Saranjampour and Mahdi SheykhRezaee

Ko te hoahoa Geometry of Fiction Mowhiti nā Nazanin Saranjampour and Mahdi SheykhRezaee he kaitoa whakahirahira o te 2022 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Whakakai.

RinoWhakakai· 2022

Geometry of Fiction Mowhiti

nā Nazanin Saranjampour and Mahdi SheykhRezaee

Kiritaki: Nazanin Saranjampour

Kaitoa o te A' Design Award Rino i te Wāhanga Whakakai

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #139979

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Geometry of Fiction Mowhiti

Ko te Geometry of Fiction he kohinga taonga hiriwa e toru nga mowhiti. I whakaawehia nga hanga e te hoahoanga o te Whare Kaukau tuku iho o Golshan i Yazd, Iran. I whakamahia he tikanga whakamātau: i whakakotahihia nga hanga taketake pēnei i nga poutarāwhare ā-tapawhā me nga poro porotaka i roto i te hopanga rorohiko ā-toru-ahutanga me te ahupūngao huri o te whare kaukau, whakaputahia ai neke atu i te 250 nga hanga hou. Katahi ka tīpakohia etahi hanga mo nga mowhiti. I hangaia nga taonga ā-mati, i tāia ki te wairākau, ā, i whakarewahia ki te hiriwa. Ka taea nga mowhiti e toru ki te mau tahi, ki te takirua, ki te takitahi ranei.

Te Whakamihi

Mō te A' Design Award Rino

Ko Geometry of Fiction Mowhiti te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Geometry of Fiction Mowhiti he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Geometry of Fiction Mowhiti mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: There are three stages to this experimental design process. In the first phase of the method, some primary shapes such as cubes, cylinders, and other shapes were transformed in 3d software using Rhino. Second, the designer created the antithesis of the Golshan bathhouse's form; the mass space was reversed to empty using an experimental method.Finally, the three-dimensional collision of the primary forms with the reverse geometry of the Golshan bath resulted in the creation of more than 250 new shapes in the following stage. Finally, the designer chose a few of the best shapes to create rings by evaluating them. The use of 3D computer software has enabled the visualization of new forms that would not have been possible otherwise.
Inenga & Pēketanga: This silver jewelry set consists of three pieces of the ring. The pieces in this collection are 28, 20, and 2 grams in weight, respectively. These three rings can be worn as a set, in a double combination, or independently. These rings have been designed to be as ergonomic as possible, so there are no problems with the fingers when wearing them.
Tūtohu: Jewelry, Experimental Design, Speculative Design, Golshan Bathhouse, Ring
Hangarau Whakanao: The shape of the rings is very complex due to their delicate and precise angles, and conventional manual jewelry production methods are not suitable for their production. Therefore, this jewelry collection was first modeled using 3D modeling software and then printed from resin material. And then, they were made of silver metal by the micro fusion casting method.
Wero Hoahoa: The most critical design feature of this jewelrycollection is the aesthetic, which reflects the visual characteristics of the source of inspiration and has unpredictable forms due to its experimental design method. There are two significant obstacles to overcome when designing such a project: 1. Each piece's weight should be kept under control. 2. Take into account the ergonomics of the user's hands and fingers. Heavy forms were removed to optimize the result in design development and evaluation as forms inconsistent with hand anthropometry. Finally, the forms were lightened so that they could be easily worn.
Rangahau: Since old artifacts have always been a source of inspiration for designers, this jewelry collection was born out of research and study into the roots of Iraniandesign, which are found in Persian architecture, to create new Persian forms. Is it possible to be inspired by a monument without getting a repetitive and predictable result? That was the starting point for the design. This collection's design process is speculative and employs an experimental design method developed by the designer. Iranian design has essential characteristics such as balance, two-dimensional order, and many details; the researcher expected these characteristics to appear in a newer aesthetic and represent Persian thoughts, so ideationbegan, leading to the production of over 250 experimental forms of origin. They re-created the above-mentioned Iranian features in Persian design.
Whakaaweawe: The historic Golshan Bathhouse in Yazd served as the project's primary source of inspiration. The Iranian architecture of the Golshan Bathouse is typical of Qajar-period Iran, and the structure's geometry demonstrates many aspects of Iranian art. This collection has created new ring forms due to formal alternatives to Golshan bathhouse geometry. Roofs, corridors, and pools have visual elements that can be seen in the shapes of the rings indirectly in the details of this collection's pieces.
Roanga o te Kaupapa: April 2021-November 2021 Tehran, IRAN
Rerenga Mahi: Persian architecture is rich in meaningful concepts that can inspire a great deal of creativity when translated into modern language. Jewelry is the meeting point of art and design, and it can be used to convey a message in the same way that a medium can. This jewelry collection has been able to demonstrate the complexity of Iranian art. One of the most appealing aspects of this collection is that it can be viewed from various perspectives and represent a new form; it can also be worn from any angle without looking the same. This feature delights the user every time she wears it.
Ngā Mema o te Rōpū: Mohammadmahdi Sheykh rezaee