Coming of Age Ko Te Whakaahua nā Ismail Niyaz Mohamed

Ko te hoahoa Coming of Age Ko Te Whakaahua nā Ismail Niyaz Mohamed he kaitoa whakahirahira o te 2020 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Whakaahua me te Whakarereke Whakaahua.

RinoWhakaahua· 2020

Coming of Age Ko Te Whakaahua

nā Ismail Niyaz Mohamed

Kiritaki: Ismail Niyaz Mohamed

Kaitoa o te A' Design Award Rino i te Wāhanga Whakaahua

24,703

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #96148

Tūhura Ināianei Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Coming of Age Ko Te Whakaahua

I Japan, ka whakanuihia te Raarangi mai i te wa e rua tekau nga tau o nga kotiro me nga tama. He kaupapa nui te wa ka waiho ma o ratau taiohi ka riro i a raatau pakeke me o raatau mana, haepapa me nga mana. He kaupapa ōkawa tenei i roto i te huihuinga ora. Ko nga kotiro e mau ana i te kimono me nga tama kimono, potae Hauauru ranei. Ia tau ka tohua te huihuinga i te rua o nga ra o te Mane.

Te Whakamihi

Mō te A' Design Award Rino

Ko Coming of Age Ko Te Whakaahua te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Coming of Age Ko Te Whakaahua he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Coming of Age Ko Te Whakaahua mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Coming of age day is a ceremony celebrated in Japan when they turn 20 years old, they are officially considered adults in the society and have more rights, responsibilities and liberties. It is a formal event held once in a lifetime which is held on every second Monday of January each year where girls wear Kimono's and boys wear suit and tie or a traditional men's kimono. It is also a spiritual event where many go to a Shrine to pray for health and prosperity.
Inenga & Pēketanga: Nikon D4
1/100 sec f2.8
14mm
ISO 160
Tūtohu: japan, culture, traditional, kimono, bamboo
Hangarau Whakanao: Nikon D4 DSLR
AF-S NIKKOR 14-24mm F2.8G ED
Wero Hoahoa: The most difficult part of this project was the crowd of tourists visiting the Bamboo garden. I had to make sure that no one was on the frame. Even then the background had people which had to be removed in the post production stage.
Rangahau: Bamboo has a lot of significance in the Japanese culture relating to human character. Bamboo is hollow inside how a young adult should ideally be when they leave their teens: leaving behind all the negativity of the teen years behind and receive knowledge and wisdom for the growth, and find wisdom in emptiness. The hard body of the bamboo firmly sways with the wind with harmony which is a symbol of humility. It is also a very strong tree which survives in in the harshest climates from extreme winters to hot summers. These characteristics are important in human life.
Whakaaweawe: The photo shoot was taken in a Temple called Hokokuji in Kamakura. I chose this location because of the Bamboo Garden inside the temple.
Bamboo is a very strong plant and it is a symbol of prosperity and it is also a symbol of purity and innocence and good luck in Japanese culture. Bamboo trees are the fastest growing plants in the world and it is important to the culture and tradition of Japan.
Roanga o te Kaupapa: It was a day project starting and ending on 22 November 2015. The location was Hokokuji Temple, Kamakura, Japan
Rerenga Mahi: I took a full day to do this shoot as there were many factors involved in this project like Hair and makeup, kimono fitting, traveling etc. One of the biggest challenge was the crowd. I spent a lot of time waiting for the people to pass and to clear the area and had to do post processing to remove unwanted objects from the frame later.
Ngā Mema o te Rōpū: Ismail Niyaz Mohamed (Photographer)
Ismail Niyaz Mohamed (Art Direction)
Nagisa Sakurai (Hair & Makeup Artist)
Misaki Kawaguchi (Model)
Whakamana Whakaahua: Ismail Niyaz Mohamed (Photographer)