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Uiuinga Tohunga Hoahoa

50 pātai

I got the Bachelor Degree in Interior Architecture from University of Sedaya International, Malaysia. After graduation, I got the chance to work with Henry Leung, a famous Hospitality designer from CAP Atelier(former…

Could you please tell us a bit about your design background and education?

I got the Bachelor Degree in Interior Architecture from University of Sedaya International, Malaysia. After graduation, I got the chance to work with Henry Leung, a famous Hospitality designer from CAP Atelier(former company name was Chhada Siembieda Leung Pte. Ltd in Hong Kong). Henry has been my great mentor in my design life.

What motivates you to design in general, why did you become a designer?

I always wished to be an architect, but end-up to be an interior architect. I am passionate about using work to make a difference, whether by improving the quality of everyday life, shaping culture, or contributing to social change. I am inspired by a desire to create spaces, products, or experiences that bring people together or foster well-being.

Did you choose to become a designer, or you were forced to become one?

It was surely my choice, a passionate choice for aesthetic building and space.

What do you design, what type of designs do you wish to design more of?

I do design for Hospitality space,School/Academy space, Commercial retail/ corporate offices and also some private residences. I love for projects that are seeking for new thoughts and direction, that challenge more creativity.

What should young designers do to become a design legend like you?

To have persistence in the right position. Design is a long process, we need to keep learning and explore to get different experience.

What distinguishes between a good designer and a great designer?

Vision and practice, a different way in seeing and doing things.

What makes a good design a really good design, how do you evaluate good design?

The intention and approach based on the medium and context on the design, that carry out well-functional, aesthetic and wow factor.

What is the value of good design? Why should everyone invest in good design?

Good design generates economic and social value, and could enhance our lives.

What would you design and who would you design for if you had the time?

Projects that are seeking for new thoughts and direction; Client who are willing to try and go for something unique with their own personality.

What is the dream project you haven't yet had time to realize?

I dream of creating furniture and decorative products of my own brand. This is a very big project.

What is your secret recipe of success in design, what is your secret ingredient?

Ok, I tell you secretly... keep passion, and stay out of the box.

Who are some other design masters and legends you get inspired from?

Avel Verdvoot, Carlo Scarpa, Tadao Ando, Kengo Kuma, Christian Liaigre etc.

What are your favorite designs by other designers, why do you like them?

I like design that somehow got the shadow of Japanese Zen Influences that speaks to the universe and nature, which is soothing and poetic. But i also like wild and fascinating design from Philip Starck.

What is your greatest design, which aspects of that design makes you think it is great?

Salon de Ning, Peninsula Shanghai. Salon de Ning is a place where history, art, luxury, and modern design come together. It provides a refined experience that appeals to those seeking both cultural richness and sophisticated relaxation in Shanghai. Whether for its elegant ambiance, spectacular views, or its distinctive design, Salon de Ning is a memorable destination for those wanting a unique and exclusive experience.

How could people improve themselves to be better designers, what did you do?

Keep the passion, keep trying and exploring.

If you hadn't become a designer, what would you have done?

Architect.

How do you define design, what is design for you?

Design is a language to connect people, the body and soul to the environment. It makes the world better.

Who helped you to reach these heights, who was your biggest supporter?

My business partner Samme Goh, and my family who always support me.

What helped you to become a great designer?

Learning and Exploring, and importantly listening the inner voice of myself.

What were the obstacles you faced before becoming a design master?

Learning to organize myself in between lots of different thoughts.

How do you think designers should present their work?

With confidence and conviction.

What's your next design project, what should we expect from you in future?

We are now designing a spa in French style. It is totally different from the GTR and Teleport project. We transform the classic elements into a modern way of presentation, carrying some sense of romance and softness.

What's your ultimate goal as a designer?

To make lives and world better.

What people expect from an esteemed designer such as yourself?

Better understanding about what they need.

How does design help create a better society?

Design influences people and, anything that can influence people can make an impact on society.

What are you currently working on that you are especially excited about?

We are now creating our own two brands : RFLAB and ELTOMADE

RF Lab is a brand that specializes in creating innovative, sustainable, and culturally rich décor products that blend traditional craftsmanship with modern design aesthetics. The brand is known for its focus on sustainability, ethical production, and cultural preservation, promoting the idea of east meet west, where it collaborates with local artisans to create high-quality, handcrafted pieces.

ELTO Made is an art and décor brand, dedicated to creating unique masterpiece that elevate living spaces and reflect individual styles and personalities. The collections are a fusion of artistry and inspiration, curated through collaborations with artists and visionary designers.

Which design projects gave you the most satisfaction, why?

One of the most acclaimed projects is the GTR and Teleport Office, which exemplifies lots of innovative approach and our commitment to creating spaces that are not only functional but also rich in character and context.

What would you like to see changed in design industry in the coming years?

Design that embrace technology, but sustainable design.

Where do you think the design field is headed next?

The design field is heading towards more sustainable, inclusive, and technologically driven approaches. With a focus on human-centered experiences, digital integration, and eco-conscious practices, design will continue to evolve to meet the demands of a rapidly changing world. The boundaries between the physical and digital realms will blur, offering endless opportunities for creative innovation.

How long does it take you to finalize a design project?

It depends... few days to few months.

When you have a new design project, where do you start?

I will first do research on the client background, specificities of program, site, function, and history which is essential to the creation of rigorous design work. From there, i will come out with a concept or story for the design.

What is your life motto as a designer?

What you think, you become. What you feel, you attract. What you imagine, you create.

Do you think design sets the trends or trends set the designs?

They both goes together proportionally, like "Chicken and Egg" Theory.

What is the role of technology when you design?

The usage of modern technology performs the tasks in effective time and reasonable cost.

What kind of design software and equipment do you use in your work?

Photoshop, Autocad, 3d max, Microsoft Words/ Powerpoint.

What is the role of the color, materials and ambient in design?

They are the key to express design intention.

What do you wish people to ask about your design?

I hope design can speaks by itself without questions. but I would still love to share the story behind.

When you see a new great design or product what comes into your mind?

I would appreciate it and wonder how did he/she came out with this idea?

Who is your ideal design partner? Do you believe in co-design?

My business partner Samme Goh, who complementary and challenge me. There must be chemistry occurs for co-design.

Which people you interacted had the most influence on your design?

Someone who are extraordinary and have great vision.

Which books you read had the most effect on your design?

Kengo Kuma .

How did you develop your skills as a master designer?

Practicing and cultivating appetite for discovery. never give up.

Irrelative of time and space, who you would want to meet, talk and discuss with?

Buddha. His teachings offer profound insight into how to live more mindfully, with compassion, and in harmony with the world around you. Buddha’s wisdom can be a source of light in times of darkness, offering a roadmap to a life of greater understanding and inner peace.

How do you feel about all the awards and recognition you had, is it hard to be famous?

I feel honored and it gives encouragement to produce more great works.

Yes it is difficult to be famous. We need to work hard for it.

What is your favorite color, place, food, season, thing and brand?

Grey and white.

Malaysia local flavor food.

I love Autumn.

I love my British shorthair cat.

Please tell us a little memoir, a funny thing you had experienced as a designer?

I tried to gain more inspiration when I drank wine. But normally I would fall asleep directly...

What makes your day great as a designer, how do you motivate yourself?

I always like this quote to motivate myself in design: If you light a lamp for somebody, it will also brighten your path.

When you were a little child, was it obvious that you would become a great designer?

No. I thought I would be a teacher.

What do you think about future; what do you see will happen in thousand years from now?

I see I will be still designing for a better life for all beings.

Please tell us anything you wish your fans to know about you, your design and anything else?

I always love to share the story of our Company name "Eleven To One" (ELTO). It paints a concept of a clock. To draw a middle line on the clock, 12 o’clock is the boundary. When hour hand straddles from 11 o’clock to 1 o’clock, it is beyond the boundary. It is just as design crossing different fields and creativity is always an essential. From 11am-1pm, or 11pm to 1am, there is neither ending nor beginning. It is a perfection of ever-lasting. It is beyond design through penetration and integration.

Uiuinga Kaihoahoa

40 pātai

I always wished to be an architect, but end-up to be an interior architect. I am passionate about using work to make a difference, whether by improving the quality of everyday life, shaping culture, or contributing to…

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

I always wished to be an architect, but end-up to be an interior architect. I am passionate about using work to make a difference, whether by improving the quality of everyday life, shaping culture, or contributing to social change. I am inspired by a desire to create spaces, products, or experiences that bring people together or foster well-being.

Can you tell us more about your company / design studio?

ELTO CONSULTANCY GROUP ( ELTO ) is a group of companies of which offers targeted services, ranging from master planning and architecture, to interior design, installation, furniture, product, branding, graphic works and project management. ELTO has expanded the conventional boundaries of practice to include complementary disciplines. A critical probing into the specificities of program, site, function, and history is essential to the creation of rigorous work.

The company design philosophy is just like its name. ELTO (Eleven To One) paints a concept of a clock. When hour hand straddles from 11 o’clock to 1 o’clock, it is beyond the boundary of 12 o’clock. It is just as design crossing different fields. ELTO anchors its ethos on the dynamic interaction of experience, detail, material, form, and light rather than conforming to a formulaic style.

What is "design" for you?

Design is about an exploration into life, as if a play that could tell stories.

What kinds of works do you like designing most?

I love interesting projects that could go wild and extraordinary concept, that could raise one's emotions and interactions.

What is your most favorite design, could you please tell more about it?

This award winning project, Avenue Green International Kindergarten. It is a project surrounded with wonderful nature, that reminds me the importance to appreciate mother nature. It makes me feeling young again. It fuels my creativity, tickles my inner child and nurtures my soul for design, like a resurrection.

What was the first thing you designed for a company?

Salon De Ning, a Jazz bar in The Peninsula Hotel, Shanghai

What is your favorite material / platform / technology?

I am open to any materials. But i would like to promote sustainable materials in design, as i believe that we as designers/ architects play very important role in protecting our earth and environment through awareness in sustainability.

When do you feel the most creative?

Every morning. I am not that kind of designer who seek for ideas at late midnight.. I need sufficient rest.

Which aspects of a design do you focus more during designing?

The conceptual stage which is the story-telling part.

What kind of emotions do you feel when you design?

I feel playful, and sentimental.

What kind of emotions do you feel when your designs are realized?

I feel touched and proud of the teams.

What makes a design successful?

Passion and professionalism, that drive the force and desire to create some good stuffs.

When judging a design as good or bad, which aspects do you consider first?

The design intention, and how the intention turns into reality.

From your point of view, what are the responsibilities of a designer for society and environment?

We need to increase our environmental sustainability and social responsibility efforts. We have the opportunity to infuse sustainability concepts into our lives through the products and spaces we design. For example, we can use only environmentally friendly materials and try to promote awareness to the public through the design outcome. Let our design speaks our intention and responsibility.

How do you think the "design field" is evolving? What is the future of design?

I believe there will be impact of COVID-19 on wellbeing and the future of work of design. We need to be well equipped to harness the challenges and explorations in design, to make meaningful contributions in the future. In which the design would be more humane and concern about the environment.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

We will hold an exhibition of our own brand RFLAB and ELTOMADE in November 2025, in Shanghai.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

Design inspiration is coming from everyday life and experience. I think meditation is a very good tool to keep mind calm and focus.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

I do not own any specific style. I have very dynamic and daring approach towards different kind of project identity. Sometimes I can be very soothing, poetic and ZEN, while sometimes I am very playful and wild. I like to tell different story according to the personality I understand from each space.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

I was born and grew up in Malaysia where full of different culture and heritage. Then i start working and living in Shanghai, a very cosmopolitan city. The very different culture and lifestyle at both cities inspires me a lot. I see different effectiveness and mentality, that let me always consider a lot at humanity and the living philosophy.

How do you work with companies?

I am the design director and I will gives design thoughts and directions.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

Companies need to encourage designers to think differently and also give them opportunity to try. I always judge on the passion, professionality and responsibility at work.

Can you talk a little about your design process?

I will first do research on the client background, specificities of program, site, function, and history which is essential to the creation of rigorous design work. From there, i will come out with a concept or story for the design.

What are 5 of your favorite design items at home?

Clock, incense holder, tea pot, table lamp, my cat's house.

Can you describe a day in your life?

I will have meditation session in the morning, with my cat sitting next to me before i start working. After work,i will do exercise and reading. If not too busy, i will cook.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

I would like to use this quote from Steve jobs : "stay hungry, stay foolish". Do not limit ourselves or to set any border.

From your perspective, what would you say are some positives and negatives of being a designer?

Positives: Young is always the best to have more opportunities to grow and learn.

Negatives: lacking of experience and people might not trust your ability of design.

What is your "golden rule" in design?

Keep trying and developing design to the max (If time allowed!)

What skills are most important for a designer?

Communication and presentation skills.

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

Photoshop, Illustrator, Autocad, 3d Max, Pinterest, Frame, Dezeen etc.

Designing can sometimes be a really time consuming task, how do you manage your time?

Have a To-Do List and start with the most important tasks.

How long does it take to design an object from beginning to end?

It depends... few days to few months.

This project ( Avenue Green International Kindergarten) took about 15 months from preliminary design to completion of site.

What is the most frequently asked question to you, as a designer?

"What and where is your inspiration coming from?" i think this is a question that most people are curious about designer.

What was your most important job experience?

Few years of time that i stayed with my mentor Henry Leung from CAP atelier ( company name previously was Chhada Siembieda Leung Pte. Ltd).

Who are some of your clients?

Coca-cola, Universal Music, Air Asia.

What type of design work do you enjoy the most and why?

Projects that are seeking for new thoughts and direction; Client who are willing to try and go for something unique with their own personality.

What are your future plans? What is next for you?

I am now doing some product design with Agarwood. I hope my career path is more diversified.

Do you work as a team, or do you develop your designs yourself?

We work as a team.

Do you have any works-in-progress being designed that you would like to talk about?

I am now creating my own two brands : RFLAB and ELTOMADE

RF Lab is a brand that specializes in creating innovative, sustainable, and culturally rich décor products that blend traditional craftsmanship with modern design aesthetics. The brand is known for its focus on sustainability, ethical production, and cultural preservation, promoting the idea of east meet west, where it collaborates with local artisans to create high-quality, handcrafted pieces.

ELTO Made is an art and décor brand, dedicated to creating unique masterpiece that elevate living spaces and reflect individual styles and personalities. The collections are a fusion of artistry and inspiration, curated through collaborations with artists and visionary designers.

How can people contact you?

I can be reached at my email: chloeliew@eltoconsultancy.com, or my partner: sammegoh@eltoconsultancy.com

Any other things you would like to cover that have not been covered in these questions?

No. Thank you very much.

Uiuinga Nui

GTR and Teleport Te Hoahoa o Roto mō te Wāhi Mahi Ngātahi · 10 pātai

Those aviation element with curved, industrial design evokes a sense of motion and innovation, reflecting the terminal's aviation history while fostering creativity and collaboration.

Your transformation of the old airport terminal into GTR and Teleport Office brilliantly preserves aviation heritage - could you elaborate on how the airplane turbines, wings, and runway elements were reimagined to create meaningful workspaces while honoring the building's history?

Those aviation element with curved, industrial design evokes a sense of motion and innovation, reflecting the terminal's aviation history while fostering creativity and collaboration. We hope the design choices ensure the space feels vibrant and contemporary while paying homage to the history and spirit of the site. Each element not only tells a story but also inspires those who work there, creating a unique blend of past and future.

The lighting design in GTR and Teleport Office, particularly the runway-inspired light strips, creates a powerful sense of momentum - what inspired this innovative approach to using illumination as a tool for enhancing workplace efficiency and motivation?

We wanted to create a guide movement through the office, echoing the terminal’s role in directing journeys. Lighting inspired by runway edge lights might add a subtle, atmospheric connection to the building's past.

The perforated panels dividing GTR and Teleport Office's workspace and recreation areas strike an intriguing balance between openness and privacy - could you share your design thinking behind this architectural solution and its impact on workplace dynamics?

Perforated panels offer a visual connection between spaces, maintaining a sense of openness while subtly defining different zones. Clear yet permeable divisions create distinct zones for work and recreation, encouraging employees to engage in both productivity and relaxation without one encroaching on the other. The design of the perforations could subtly reference aviation motifs and symbols. This ties the panels to the building's heritage, reinforcing its narrative.

In designing GTR and Teleport Office, how did you approach the challenge of creating distinct identities for two different companies while maintaining a cohesive aesthetic within the shared terminal space?

The shared space likely utilizes a unified architectural framework, such as a consistent material palette, lighting design, or structural elements, to maintain cohesion. Within this framework:GTR emphasizes bold, industrial elements (e.g., exposed steel or turbine-inspired designs) to reflect its focus on performance and logistics.Teleport Office lean into sleek, futuristic finishes (e.g., dynamic LED lighting) to highlight its tech-forward identity.Areas like meeting rooms, cafes, or lounges maintains neutrality with a versatile design that subtly integrates motifs from both companies. Modular furniture, adaptable layouts, and neutral tones ensure these spaces are functional for both organizations.

The dimensional printing of a universe hole in GTR and Teleport Office adds an unexpected element of whimsy to a corporate environment - what drove this bold design decision and how does it align with your vision for modern workplace culture?

The "universe hole" likely draws on the concept of exploration and discovery, aligning with the aviation heritage of the terminal and the innovative ethos of GTR and Teleport Office. It evokes boundless Potential, creating a visual metaphor for infinite possibilities, encouraging employees to think beyond boundaries and embrace creativity. Secondly, it enhances the inspiration for Innovation Through Imagination. By introducing a fantastical element, the design underscores the importance of curiosity and playfulness in fostering groundbreaking ideas.

The wing-shaped bar top and turbine-inspired seating areas in GTR and Teleport Office demonstrate remarkable creativity in functional design - could you walk us through the process of transforming these aviation elements into practical workplace features?

The design draws inspiration from the building's aviation heritage, integrating recognizable elements of aircraft into everyday office features to create a narrative of innovation, movement, and history. The idea starts with imagining how these elements—wings and turbines—can transition from purely mechanical components into forms that serve practical needs in a workplace, such as providing surfaces for interaction or comfortable seating. The bar top replicates the aerodynamic curve of an airplane wing, with special selection of aluminum materials and colors of industrial feel.

Your Gold A' Design Award-winning GTR and Teleport Office masterfully balances industrial elements with vibrant touches - how did you determine the perfect mix of materials, colors, and textures to create this harmonious environment?

We work on balancing industrial elements with vibrant touches in the GTR and Teleport Office to achieve a harmonious environment required a thoughtful and layered approach to selecting materials, colors, and textures. For examples: We are anchoring the design with Industrial elements such as steel and aluminum, glass, grey and white silver tone of colors were chosen for their connection to aviation and their modern, sleek appearance. We also introduce contrasting finishes and vibrant touches for energy and warmth, by using some accent colors of orange, which is also the corporate colors of GTR.

The tunnel-like architrave entrances of GTR and Teleport Office create a powerful first impression - what was your vision behind these dramatic transitional spaces and how do they enhance the overall user experience?

The tunnel-like design evokes the feeling of entering a new world or embarking on a journey, resonating with the aviation history of the space. It metaphorically invites employees and visitors to step into an environment of innovation, creativity, and limitless potential. The forms of the architraves echo the fuselage of an aircraft or the geometry of a jet engine. This design subtly ties back to the building’s origins while creating a narrative of movement and progress.

Looking at GTR and Teleport Office's success in fostering both productivity and creativity, how do you envision this design influencing the future of workplace architecture, particularly in repurposed historical spaces?

The design of GTR and Teleport Office exemplifies how workplace architecture can honor history while embracing modernity. In the future, adaptive reuse could become a key strategy for balancing environmental and cultural priorities, with workplaces leading the way in breathing new life into historical spaces. Workplaces in historical spaces will increasingly integrate narratives tied to the building's past, blending cultural significance with a company’s vision.

The large platform in GTR and Teleport Office serves multiple functions while featuring the signature wing installation - could you discuss how this versatile centerpiece embodies your approach to creating spaces that seamlessly blend work and social interaction?

The platform is designed to adapt to a variety of uses, making it a dynamic centerpiece of the workspace. It serves as a stage for presentations or team announcements, reinforcing its role as a collaborative focal point. It acts as a breakout area for brainstorming sessions or impromptu meetings. it functions as a space for recreational activities or celebrations, enhancing workplace culture. This adaptability ensures the platform remains relevant and active throughout the day. This installation also combines some emotional resonance such as memorable experience and inspirational identity. This centerpiece serves as a physical and symbolic embodiment of collaboration, progress, and shared purpose.

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